"Return to Tomorrow" | |
---|---|
Star Trek: The Original Series episode | |
Episode no. | Season 2 Episode 20 |
Directed by | Ralph Senensky |
Written by | John T. Dugan |
Featured music | George Duning |
Cinematography by | Jerry Finnerman |
Production code | 051 |
Original air date | February 9, 1968 |
Guest appearances | |
| |
"Return to Tomorrow" is the twentieth episode of the second season of the American science fiction television series Star Trek . Written by John T. Dugan (under the pen-name "John Kingsbridge") and directed by Ralph Senensky, it was first broadcast February 9, 1968.
In the episode, telepathic aliens take control of Captain Kirk, Dr. Ann Mulhall (Diana Muldaur), and First Officer Spock's bodies in order to construct android hosts.
This episode was the first appearance of Diana Muldaur in the Star Trek franchise. She appeared again as Dr. Miranda Jones in the third season episode, "Is There in Truth No Beauty?" and as Dr. Katherine Pulaski in the second season of Star Trek: The Next Generation .
The starship Enterprise receives a distress call from a lifeless planet. Upon arrival, a telepathic being named Sargon (voiced by James Doohan) addresses Kirk and Spock as his "children", and invites them to beam down to the planet. Kirk, Spock, Dr. McCoy, and Lt. Cmdr. Ann Mulhall beam to a subterranean vault where the voice of Sargon greets them from a luminous sphere on a pedestal.
Sargon explains that he and two others are the last survivors of their race; their minds, stored in these spheres, have existed here since their planet was devastated by war. Sargon then transfers his mind into Kirk's body and Kirk's mind into the sphere. Sargon explains that he and his companions will need human bodies temporarily, in order to construct android hosts for themselves, and then returns to his orb. Kirk, returned to his own body, declares his confidence in Sargon.
Back onboard the Enterprise, the four meet with Chief Engineer Scott to consider Sargon's request, and Kirk convinces the others with a rousing speech about risk. The spheres of Sargon, his wife Thalassa, and his former enemy Henoch, are brought up from the planet. McCoy supervises as Sargon takes Kirk's body again, and Thalassa and Henoch take Mulhall's and Spock's bodies, respectively. When Sargon and Thalassa become exhausted by the strain of the transference, Henoch instructs Nurse Chapel in preparing a serum that will strengthen the host bodies. Chapel notices that the serum in the hypospray designated for Kirk does not contain the correct formula. Henoch confesses that he intends to kill Kirk, and Sargon with him, in order to keep Spock's body. Henoch then erases Chapel's memory of the conversation.
Manufacture of the android hosts begins. Kirk's body weakens more quickly than the others, requiring additional doses of the serum. Henoch tries to tempt Thalassa into keeping their hosts' bodies, because the android forms will be incapable of sensuality. She in turn tries to convince Sargon, but he collapses. McCoy declares that Kirk's body has died and Sargon is gone. Back in sickbay, McCoy is able to revive Kirk's bodily functions, but has no way to restore Kirk's mind. Thalassa offers to restore Kirk in exchange for McCoy's help in keeping Mulhall's body. When McCoy refuses, she assaults him telepathically, but then has a change of heart and relents. The voice of Sargon commends her, and she realizes that Sargon is using the ship itself as a temporary body. She then informs McCoy that Sargon has a plan, and locks him out of the examination room, after which Chapel marches out of sickbay. McCoy re-enters the examination room and finds that Kirk and Mulhall have been returned to their bodies. However, the spheres have been destroyed, including the one that held Spock's mind. Kirk says that this was "necessary", and asks McCoy to prepare a lethal hypospray for Henoch.
Henoch, who has taken control of the bridge and is terrorizing the crew, reads McCoy's mind and prevents the injection. Henoch then commands Chapel to use the lethal compound on McCoy. She moves as if to comply, but then injects Henoch instead. Henoch boasts that he can just transfer to another body, but finds he cannot due to interference from Sargon. Henoch pleads for mercy, but Spock's body collapses, seemingly in death.
Sargon tells Kirk that he could not allow this. Spock's and Chapel's bodies glow, and Spock revives. Sargon reveals that the injection was not lethal; it was important for McCoy and Chapel to believe it was lethal so that Henoch would believe it also. Spock's mind had been temporarily placed in Chapel's body.
Sargon and Thalassa announce that they will not attempt to build host bodies, but will "depart into oblivion" instead. They make a final request, which is granted: to be allowed to use Kirk and Mulhall's bodies one last time to share a kiss.
Michelle Erica Green of Trek Today writes that the story is "an entertaining and engaging episode about power, loyalty and the struggle between physical and mental pleasures... and because there's an alien in his body, Spock spends a lot of time smiling". Of the characterizations, she adds, "Nimoy appears to be having a wonderful time playing a relaxed, calculating villain, and Shatner portrays Sargon in an amplified booming benevolent voice that makes a nifty contrast to his would-be-Kennedyesque speechifying, expounding on the values that sent humans to the stars". [1]
Green observes, "The skepticism of godlike beings runs very deep on this series", and The A.V. Club's Zach Handlen says on the same theme, "we're dealing with another race of god-beings, but for once, they aren't here to torment Kirk and the rest. This time they actually need help, and it's not because they're bored". Like Green, he enjoys the acting: "Nimoy gets a chance to ham it up here, and it really pays off. He has a half-smirk on his face most of the time, and he makes a great contrast to the somewhat overplayed nobility of Sargon and Thalassa and their love". He gives the episode a B+. [2]
Melissa N. Hayes-Gehrke of the University of Maryland found it "a nearly classic TOS plot, with god-like aliens, beings made only of energy, promises of advanced technology, and the realization that god-like powers are absolutely corrupting". She argued, though, that a "big and frustrating plot hole" is Sargon's dismissal of the idea that Starfleet might build them android bodies. "After all, the Enterprise recently discovered a world populated by advanced androids ('I, Mudd'). In fact, those androids would make anyone a body that they could transfer their mind into. We don't know for sure that those bodies have senses, but it's hard to imagine a human wanting to transfer into one for the purposes of immortality if they were limited in that way. These android bodies seem perfectly suited to Sargon's people, and it's annoying that the lack of series continuity kept it from being mentioned". [3]
Eugene Myers ranked this as a superior example of "several bodyswap/alien possession episodes of the series" in terms of acting: Shatner has a "nuanced performance, walking jerkily as though unaccustomed to legs after eons without a body", while "Nimoy, of course, clearly enjoyed the opportunity to stretch his acting—and facial—muscles, playing out of character ... to smirk, smile, and scheme his way through his scenes". [4] He rated the episode "Warp 6 (on a scale of 1-6)".
Dr. Leonard H. McCoy, known as "Bones", is a character in the American science-fiction franchise Star Trek. McCoy was played by actor DeForest Kelley in the original Star Trek series from 1966 to 1969, and he also appears in the animated Star Trek series, in six Star Trek films, in the pilot episode of Star Trek: The Next Generation, and in numerous books, comics, and video games. A decade after Kelley's death, Karl Urban assumed the role of McCoy in the Star Trek reboot film in 2009.
Vulcans, sometimes referred to as Vulcanians, are a fictional extraterrestrial humanoid species in the Star Trek media franchise. They are noted for their strict adherence to logic and reason and suppression of emotion. Known for their pronounced eyebrows and pointed ears, they originate from the fictional planet Vulcan. In the Star Trek universe, they were the first extraterrestrial species to make contact with humans.
Spock is a fictional character in the Star Trek media franchise. He first appeared in the original Star Trek series serving aboard the starship USS Enterprise as science officer and first officer and later as commanding officer of the vessel. Spock's mixed human–Vulcan heritage serves as an important plot element in many of the character's appearances. Along with Captain James T. Kirk and Dr. Leonard "Bones" McCoy, he is one of the three central characters in the original Star Trek series and its films. After retiring from active duty in Starfleet, Spock served as a Federation ambassador, and later became involved in the ill-fated attempt to save Romulus from a supernova, leading him to live out the rest of his life in a parallel universe.
Star Trek IV: The Voyage Home is a 1986 American science fiction film, the fourth installment in the Star Trek film franchise based on the television series Star Trek. The second film directed by Leonard Nimoy, it completes the story arc begun in Star Trek II: The Wrath of Khan (1982), and continued in Star Trek III: The Search for Spock (1984). Intent on returning home to Earth to face consequences for their actions in the previous film, the crew of the USS Enterprise finds the planet in grave danger from an alien probe attempting to contact now-extinct humpback whales. The crew travel to Earth's past to find whales who can answer the probe's call.
Christine Chapel is a fictional character who appears in all three seasons of the American science fiction television series Star Trek: The Original Series, as well as Star Trek: The Animated Series and the films Star Trek: The Motion Picture and Star Trek IV: The Voyage Home. Portrayed by Majel Barrett, she was the ship's nurse on board the Starfleet starship USS Enterprise. A younger version of Chapel appears in the 2022 series Star Trek: Strange New Worlds, portrayed by Jess Bush.
"Amok Time" is the second season premiere episode of the American science fiction television series Star Trek. Written by science fiction author Theodore Sturgeon, scored by Gerald Fried, and directed by Joseph Pevney, it first aired on September 15, 1967.
"Spock's Brain" is the third season premiere episode of the American science fiction television series Star Trek. Written by Gene L. Coon and directed by Marc Daniels, it was first broadcast on September 20, 1968.
In the fictional Star Trek universe, the Vulcan nerve pinch is a fictional technique used mainly by Vulcans to render unconsciousness by pinching a pressure point at the base of the victim's neck.
"What Are Little Girls Made Of?" is the seventh episode of the first season of the American science fiction television series, Star Trek. Written by Robert Bloch and directed by James Goldstone, it first aired on October 20, 1966.
"Dagger of the Mind" is the ninth episode of the first season of the American science fiction television series Star Trek. Written by Shimon Wincelberg and directed by Vincent McEveety, it first aired on November 3, 1966.
"Operation -- Annihilate!" is the twenty-ninth and final episode of the first season of the American science fiction television series Star Trek. Written by Steven W. Carabatsos and directed by Herschel Daugherty, it was first broadcast April 13, 1967.
"By Any Other Name" is the 22nd episode of the second season of the American science fiction television series Star Trek. Written by D.C. Fontana and Jerome Bixby and directed by Marc Daniels, it was first broadcast February 23, 1968.
"Is There in Truth No Beauty?" is the fifth episode of the third season of the American science fiction television series Star Trek. Written by Jean Lisette Aroeste and directed by Ralph Senensky, it was first broadcast on October 18, 1968.
"The Empath" is the twelfth episode of the third season of the American science fiction television series Star Trek. Written by Joyce Muskat and directed by John Erman, it was first broadcast on December 6, 1968.
"Turnabout Intruder" is the twenty-fourth and final episode of the third season of the American science fiction television series Star Trek. Written by Arthur H. Singer and directed by Herb Wallerstein, it was first broadcast on June 3, 1969.
"All Our Yesterdays" is the twenty-third and penultimate episode of the third season of the American science fiction television series Star Trek. Written by Jean Lisette Aroeste and directed by Marvin J. Chomsky, it was first broadcast March 14, 1969.
"The Eye of the Beholder" is the fifteenth and penultimate episode of the first season of the American animated science fiction television series Star Trek. It first aired in the NBC Saturday morning lineup on January 5, 1974, and was written by David P. Harmon. Harmon also worked on the original Star Trek series, writing the episode "The Deadly Years" and co-writing "A Piece of the Action" with Gene L. Coon.
Several characters within the Star Trek franchise, primary and secondary, often made crossover appearances between one series and another. This included appearances of established characters on premiere episodes of new series, a few long-term transfers from one series to another, and even crossovers between Trek films and television. A few crossover appearances, such as that of Spock on The Next Generation and the time-travel of the crew of Deep Space Nine to the era of The Original Series were especially lauded by both fans and critics.
"The White Iris" is a fan-produced Star Trek episode released in 2015, the fourth in the web series Star Trek Continues, which aims to continue the episodes of Star Trek: The Original Series replicating their visual and storytelling style The episode is dedicated to Leonard Nimoy, who had died earlier in the year.
The development of Spock, a fictional character first introduced in the American science fiction television series Star Trek, began prior to the start of the series. The first known mention of Spock was in a discussion between Gene Roddenberry and Gary Lockwood, where the latter suggested Leonard Nimoy for the role. Roddenberry agreed with the suggestion, and Nimoy became the first choice actor for the part. However, Roddenberry was required to audition other actors for the role. It was offered to both DeForest Kelley and Martin Landau before Nimoy. Nimoy disliked the prosthetic ears he was required to wear, and there were concerns from the studio that they made him appear satanic. Roddenberry fought to keep the character in the second pilot, "Where No Man Has Gone Before" after the rest of the main cast was dropped from the initial pilot, "The Cage".