Revere Quality Institute House | |
Nearest city | Sarasota, Florida |
---|---|
Coordinates | 27°18′3″N82°33′32″W / 27.30083°N 82.55889°W Coordinates: 27°18′3″N82°33′32″W / 27.30083°N 82.55889°W |
Built | 1948 |
Architect | Paul Rudolph (architect) and Ralph Twitchell (addition by Guy Peterson) |
Architectural style | Modern, Sarasota School |
Restored | 2007 |
MPS | Sarasota School of Architecture MPS |
NRHP reference No. | 07001200 [1] |
The Revere Quality House is a house located in Siesta Key, Florida that was designed by architects Paul Rudolph and Ralph Twitchell. It is a breakthrough in twentieth-century residential architecture which blends elements of the International Style with site-sensitive design that is considered one of the notable examples of the Sarasota School of Architecture. The house represents a substantial advancement in how people should live within their environment, and established a new paradigm in tropical home construction. [2] [3]
The Revere Quality Institute was a consortium of the Revere Copper Company, Architectural Forum magazine, and select architects and builders across the country. It was established during the post-war building boom of the late 1940s, with the goal of promoting the development of bold, new, creative, and affordable approaches to residential living. This would be accomplished by building prototype homes in select cities across the country. These designs would promote the use of new, lower-cost, synthetic and re-engineered materials. Paul Rudolph was encouraged by a publisher in New York City to participate, and was offered one of the projects for the firm of Twitchell and Rudolph of Sarasota, Florida. Their project would be the third of eight homes planned for 1948. [4]
Roberta Finney was a local patron and friend of Ralph Twitchell. She provided a large flat plot of land on Siesta Key, near a bayou that spilled out onto the Gulf of Mexico. [5] This location would facilitate any number of design approaches.
Although both Twitchell and Rudolph were architects, the two had established a unique relationship where Rudolph generally produced conceptual designs, while Twitchell translated them into buildable plans and managed construction. For most of the project, Rudolph worked out of his office in New York City and sent them to Sarasota for review. [6]
In 1948, Rudolph traveled to Europe as part of a Harvard architecture fellowship. He was struck by the scale and construction of European urban design. He became particularly interested in the transposition of structures and integration of inner and outer space. [7] [8] This was reflected in his first (and most grand) concept for the Revere project, a large open plan covering the entire lot, with six detached but intertwined homes. It featured a shared public space and parking area, all surrounded by a six foot high wall. [9] This initial idea was dismissed in favor of a traditional single-house suburban plan. A variation of this urban concept was redeveloped into the Lamolithic Houses of Siesta Key, completed by Twitchell and Rudolph later that year. [10]
Going back to the drawing board, Rudolph produced a new plan, loosely based on the Mies van der Rohe (Barcelona Pavilion); a scaled-down (1,000 square foot), linear, flat-roof, single-story structure, to be constructed almost entirely of concrete and glass. The low roof (less than eight and a half feet off the ground) would be supported by steel perimeter poles, and extend beyond the frame of the house to create overhangs for shade. At one end, the roof overhang would extend several feet to serve as a carport. The exterior walls were to be made of lamolithic panels, as well as floor-to-ceiling sliding glass doors that would open onto large exterior patio areas. Jalousie windows were strategically positioned to promote natural ventilation and cooling. A hole would be cut into the roof to bring light into an incorporated screened-in porch (with grass inside) to further intermingle interior and exterior space. [5]
The floor plan was simple and functional, highlighting a single space that conceptually consolidated living, dining, and patio areas. One of the walls would incorporate a large copper-hooded fireplace (provided by Revere Copper and Brass Company). This ‘great room’ would constitute more than half of the interior capacity of the house. A small galley kitchen was positioned behind a partition wall, along with a narrow hallway that led to two corner bedrooms and shared bath. [5] [10]
It was a radical plan at the time, and to create it would require new building applications and methods. [11]
Twitchell had been experimenting with reinforced concrete construction since the late 1930s. [6] His friend and associate, John Lambie, was a local concrete supplier who was developing a method steel-reinforced cast-in-place concrete, called lamolithic construction. For the Revere House roof, Lambie used mobile concrete mixing machines and pumping equipment to pour the material into reusable steel forms set on lally steel poles. Slender steel reinforcement rods were used to hold the elevated slab together. [5] Lambie ingeniously poured the roof with cavities on its upper surface to lighten its weight. He filled the cavities with crushed shell that would collect moisture and create a permeating cooling effect into the home. It represented a milestone in passive environmental engineering. [12]
The use of reinforced concrete as a viable substrate proved to be very expensive. Jack West, who was working as a draftsman for Twitchell during the project, acknowledged that the original $14,000 budget for the Revere House doubled to $28,000 by the time the house was completed. [13]
The floors were poured terrazzo. Interior wall dividers were fabricated of meticulously sanded plywood, some of which featured built-in cabinets and drawers (with leather pulls). Wood-framed sliding glass doors were hand-fabricated on site. Ceilings in the great room were painted a bright 'peacock blue', to represent the sky, while the bedroom and kitchen walls were painted 'lemon yellow'. [14] A small service building was built at a ninety-degree angle, protruding from the front of the house, connected by a six-foot high privacy wall. [5]
When the Revere Quality House was opened to visitors, more than 16,000 people toured the building in its first year. It was prominently-featured in Revere's advertising campaign nationwide, and received tremendous coverage in the press; Architectural Forum (October 1948), [15] Architectural Review (November 1948), [16] and House and Garden (August 1949). [17] It was advertised regularly in the Saturday Evening Post . [18] [19]
The American Institute of Architects recognized the Revere Quality House with its National Honor Award in 1949. [20]
Twitchell and Rudolph's Revere Quality House created a new paradigm for tropical architecture. Its visceral minimalism and the incorporation of environment into its design represented a new, more integrated, and simpler way of life for middle-class America. Literally millions of homes incorporating aspects of its design have been built across the southern United States. [10] [21] [5]
Twitchell and his client would eventually marry and live in the house. He built another significant modern home for Finney's parents on the other side of the bayou; the Cocoon House. [21] He lived in the Revere House until his death in 1978. [6] The home fell into disrepair, and was slated for demolition, until 2005, when local conservators restored the original structure. Part of that preservation project included the construction of a new 'companion house' designed by architect Guy Peterson. [14] [22] [23]
In 2005, the Revere Quality House was designated as a historic site by the City of Sarasota. In 2008, it was placed on the U.S. National Register of Historic Places. [24]
Both the original Revere House and Revere Addition received the American Institute of Architects (Florida) Award of Excellence for Historic Restoration in 2011. [25]
Paul Marvin Rudolph was an American architect and the chair of Yale University's Department of Architecture for six years, known for his use of reinforced concrete and highly complex floor plans. His most famous work is the Yale Art and Architecture Building, a spatially-complex Brutalist concrete structure. He is one of the modernist architects considered an early practitioner of the Sarasota School of Architecture.
Gene Leedy was an American architect based in Winter Haven, Florida. He was a pioneer of the modern movement in Florida and later a founder of the Sarasota School of Architecture, whose members included Paul Rudolph, Victor Lundy, and others. After beginning his career in Sarasota, Leedy moved his practice to Winter Haven in 1954. He is best known for his bold use of precast concrete, especially in long-span, "double-tee" structural elements.
Riverview High School is a four-year public high school in Sarasota, Florida, United States. Riverview educates students from ninth grade to twelfth grade. The school has 2,654 students and 129 teachers. The school's mascot is the ram. As of the 2012–2013 school year, it is the largest school in the county.
The Sanderling Beach Club is a historic Sarasota School of Architecture building in Sarasota, Florida, United States. It was designed in 1952 by architect Paul Rudolph.
The Sarasota School of Architecture, sometimes called Sarasota Modern, is a regional style of post-war modern architecture (1941–1966) that emerged on Florida's Central West Coast, in and around the city of Sarasota, Florida. It is characterized by open-plan structures, often with large planes of glass to facilitate natural illumination and ventilation, that address the unique indigenous requirements of the regional climate. Many of the architects who pioneered this style became world-renowned later in their careers, and several significant buildings remain in Sarasota today.
Mary Rockwell Hook was an American architect and a pioneer for women in architecture. She worked principally from Kansas City, Missouri but designed throughout the United States. She was denied admission to the American Institute of Architects (AIA) due to her gender.
John Howey was a Florida architect known as part of the group of architects at work since 1965 that followed the Sarasota School of Architects led by Paul Rudolph. John Howey Associates is his Tampa Bay architectural firm formed in 1973. Some of his projects include Tampa City Hall Plaza, Village Presbyterian Church, and the Williers Residence in Tampa. John Howey passed away on Saturday, October 26, 2019.
Jack West (1922–2010) was an architect in Sarasota, Florida and briefly in Southern California. West was one of the leaders of the Sarasota School of Architecture.
Ralph Spencer Twitchell was one of the founding members of the Sarasota School of Architecture. He is considered the father of the group of modernist architecture practitioners, that includes Paul Rudolph and Jack West, and other modernist architects who were active in the Sarasota area in the 1950s and 1960s like Ralph and William Zimmerman, Gene Leedy, Mark Hampton, Edward “Tim” Seibert, Victor Lundy, William Rupp, Bert Brosmith, Frank Folsom Smith, James Holiday, Joseph Farrell and Carl Abbott. He bridged the more traditional architecture of his early work in Florida during the 1920s with his modernist designs that began in the 1940s.
William J. Rupp was one of the modernist American architects considered part the Sarasota School of Architecture.
Guy Wesley Peterson is an American architect based in Sarasota, Florida. Peterson is a Fellow of the American Institute of Architects and the recipient of the AIA Florida Gold Medal for his outstanding contributions to architecture. He has designed more than 200 structures in southwest Florida, including notable private and public works. Peterson is an adjunct professor of architecture at the University of Florida, College of Design, Construction and Planning, and the author of Naked: The Architecture of Guy Peterson.
Edward John "Tim" Seibert was an architect based in Sarasota, Florida. Seibert was a Fellow of the American Institute of Architects and one of the founders of the modern movement known as the Sarasota School of Architecture.
The Healy Guest House is a small guest cottage located in Siesta Key, Florida, originally built for Mr. and Mrs. W. R. Healy. It was designed in 1948 by Paul Rudolph and Ralph Twitchell during their five-year partnership that sparked a modern architecture movement in Florida; the Sarasota School of Architecture. Its radical shape, featuring an inverted catenary roof, was an experiment in structure and technology. It is considered one of the most significant architectural works of the twentieth-century.
Lamolithic house was the term given by Sarasota concrete businessman John Lambie to describe his unique method of building modern reinforced concrete residential structures. This building technique enabled the fabrication of thin ceiling and wall planes, thus enabling architects to draft efficient and lightweight designs. Several historic lamolithic houses were constructed by renowned architects Paul Rudolph and Ralph Twitchell on Siesta Key, Florida using this technique. These homes were among the earliest examples of reinforced concrete residential construction.
The Hiss Residence is a mid-century modern home designed by architect, Paul Rudolph. Built as the show home for Sarasota's Lido Shores neighborhood in 1953, the structure blends international style modernism with indigenous tropical design. It is among the preeminent works of the Sarasota School of Architecture and considered “one of the most remarkable homes of the twentieth century.”
The Walker Guest House was a compact modern beach structure originally built on Sanibel Island, Florida, for Dr. Walter Walker. It was designed in 1952 by Paul Rudolph as an architectural response to Mies van der Rohe’s Farnsworth House and Philip Johnson’s Glass House. It is considered a ground-breaking work of environmental design, and one of the most important works of architecture of the twentieth century.
Tollyn J. Twitchell was a 20th-century architect who designed buildings for Twitchell Architects. He designed the Carousel House, the ZigZag House, the Sailor Circus arena, Unitarian Universalist Church of Sarasota, Gulf Gate Elementary School, and the Jefferson Center.
The Zigzag House (1959) is a residential house in Sarasota, Florida, United States. It was designed by architect Tollyn Twitchell in the style of the Sarasota School of Architecture: the style is also referred to as a mid-century modern. The home has been named for its zigzag roofline which resembles saw teeth.
Milam Residence is an oceanfront residence in Ponte Vedra Beach, Florida, United States. It was designed by architect Paul Rudolph in the style of Sarasota Modern. The late modernist home has an unusual facade of large geometrical shapes facing the ocean. Completed in 1961, it was one of Architectural Record's 20 "Record Houses" of 1963. In 2016, it was added to the National Register of Historic Places.
Bass Residence (1970) is a home in Fort Worth, Texas classified as Modern architecture and designed by architect Paul Rudolph, a founder of the Sarasota School of Architecture, and he designed the home in that style. It was designed for Sid Bass and Anne Bass. The house features cantilevered horizontal shapes.
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