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Ricardo Ruiz is a visual artist based in Corpus Christi, Texas.
| The topic of this article may not meet Wikipedia's notability guideline for biographies .(April 2021) |
Ricardo Ruiz is a visual artist based in Corpus Christi, Texas.
Ricardo Ruiz (also known as Ricardo Ruiz the Elder) was born in Corpus Christi, Texas, where he still resides. [1] Ruiz could draw before he could even talk and by the age of three he could draw on command. [2] His works are inspired by curanderismo, a traditional folk medicine of Mexico. [3] His paintings are similar in style, and he is influenced by, Hieronymus Bosch, Kerry James Marshall, and Gregory Gillespie. [4] Ruiz primarily works in oil, watercolors, and acrylic, and his paintings focus on Chicano culture, and his own family heritage. [5] His son, Ricardo V. Ruiz, is an artist and printmaker. [6] Richardo Ruiz the Elder has been working as an artist for over 35 years. [4]
Ruiz obtained his bachelor's degree in fine arts in 1984 from Corpus Christi State University. [2] Twenty-two years later he returned to graduate school to get his master's degree in fine arts from Texas A&M, Corpus Christi in 2014. [7]
One of Ruiz' well known pieces is his Love Songs for the Palomia, a painting of a grackle wearing a fez hat and in front of a bright green background. [1] He used a grackle as his subject because in Corpus Christi they would always be around him since he was a child. [8] However, he had never seen a dead one so it became an inside joke that grackles have the same longevity as humans which would also give them the same abilities to be civilized as well. [8] The word “Palomia” is slang for “people of the neighborhood” which Ruiz considers an endearing name for the people around him. [8] Many of Ruiz’ inspirations come from a blend of Renaissance art, Catholicism, folklore, and Mexican American culture. [1] [8] Other artists Ruiz finds inspiring are Frida Kahlo, Gregory Gillespie, Thomas Hart Benton, Edward Hopper, and Donald Wilson. [8] His work is described as examining “the commonality of the life experience.” [1]
Ricardo Ruiz's works can be found in the permanent collection of Cheech Marin Center for Chicano Art, Texas A&M University Weil Gallery, [2] and the Art Museum of Southern Texas. [2]
Richard Anthony "Cheech" Marin is an American comedian, actor, musician, and activist. He gained recognition as part of the comedy act Cheech & Chong during the 1970s and early 1980s with Tommy Chong and as Don Johnson's partner, Insp. Joe Dominguez, on Nash Bridges. He has also voiced characters in several Disney films, including Oliver & Company, The Lion King, the Cars series, Coco and Beverly Hills Chihuahua.
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Sandy Rodriguez was born in 1975 in National City, California. She is a Los Angeles based artist who grew up on the US-Mexico border, in Tijuana, San Diego, and Los Angeles. She has exhibited her works with numerous museums and galleries, including the Denver Art Museum, The Huntington Library, Art Museum and Botanical Garden, the Amon Carter Museum of American Art, Los Angeles County Museum of Art, Museum of Contemporary Art San Diego, MOCA Busan Busan Bienniale, Crystal Bridges Museum of American Art, The Cheech Marin Center for Chicano Art, Art+Practice, and Self Help Graphics. Her work focuses on the ongoing cycles of violence on communities of color by blending historical and recent events in the Los Angeles area and along south-west US-Mexico border. A transitional moment for Rodriguez happened in 2014 on a visit to Oaxaca, a southern Mexican Region, where she first procured a red pigment called cochineal, coming from the pre-Columbian era. Prior to this, Rodriguez had painted exclusively in modern paint. The encounter with cochineal happened at the same time she was painting fire paintings and the protests began in Ayotzinapa Mexico in response to forty-three missing college students, which included setting fire to palacio nacional and an Enrique Peña Nieto effigy pinata. The alignment of content, form, and the materials magnified how material can signal cultural identity, history, and politics. A goal of her work is to disrupt dominant narratives and interrogate systems that are ongoing expressions of colonial violence witnessed regularly, including Customs Border Enforcement, Police, and Climate Change.
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