Richard Robert Graham (8 January 1735 – 31 May 1816)[ citation needed ] was apothecary to the Chelsea College Hospital. He was the son of Daniel Graham (c. 1695 – 1788) who was apothecary to King George I and George II, and was apothecary general to the British army.
Apothecary is one term for a medical professional who formulates and dispenses materia medica to physicians, surgeons, and patients. The modern pharmacist has taken over this role. In some languages and regions, the word "apothecary" is still used to refer to a retail pharmacy or a pharmacist who owns one. Apothecaries' investigation of herbal and chemical ingredients was a precursor to the modern sciences of chemistry and pharmacology.
Daniel Graham was apothecary to King George II, King George III and Chelsea College Hospital. He was the son of Thomas Graham who was apothecary to King George I and George II, and was apothecary general to the British army.
Around 1742, Daniel Graham commissioned William Hogarth to paint a portrait of his children. Hogarth produced The Graham Children, one of his most successful conversation pieces (an informal group portrait of family or friends, often engaged in conversation or some other kind of activity [2] ). From left to right in the picture are Thomas, born 1740 and dressed in skirts as was typical for small boys until they were breeched, Henrietta, Anna Maria and Richard. [3]
William Hogarth FRSA was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known being his moral series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
A conversation piece is an informal group portrait, especially those painted in Britain in the 18th century, beginning in the 1720s. They are distinguished by their portrayal of the group apparently engaged in genteel conversation or some activity, very often outdoors. Typically the group will be members of a family, but friends may be included, and some groups are of friends, members of a society or hunt, or some other grouping. Often the paintings are relatively small, about the same size as a half-length portrait but in horizontal or "landscape" format; others are much larger.
Breeching was the occasion when a small boy was first dressed in breeches or trousers. From the mid-16th century until the late 19th or early 20th century, young boys in the Western world were unbreeched and wore gowns or dresses until an age that varied between two and eight. Various forms of relatively subtle differences usually enabled others to tell little boys from little girls, in codes that modern art historians are able to understand.
The painting is noted for its many references to mortality, the passing of time and the fragility of life as Thomas had died by the time the painting was completed. It remained in the ownership of Richard Robert Graham, depicted on the far right of the painting, at least until his death in 1816. It then had several owners before it was acquired by Lord Duveen who presented it to the British National Gallery in 1934. [4]
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900.
Thomas Gainsborough FRSA was an English portrait and landscape painter, draughtsman, and printmaker. Along with his bitter rival Sir Joshua Reynolds, he is considered one of the most important British portrait artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Lucian Michael Freud, OM was a British painter and draftsman, specializing in figurative art, and is known as one of the foremost 20th-century portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. His family moved to Britain in 1933 to escape the rise of Nazism. From 1942-43 he attended Goldsmiths College, London. He enlisted in the Merchant Navy during the Second World War.
The National Portrait Gallery (NPG) is an art gallery in London housing a collection of portraits of historically important and famous British people. It was the first portrait gallery in the world when it opened in 1856. The gallery moved in 1896 to its current site at St Martin's Place, off Trafalgar Square, and adjoining the National Gallery. It has been expanded twice since then. The National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, with which its remit overlaps. The gallery is a non-departmental public body sponsored by the Department for Culture, Media and Sport.
English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, and English art continued thereafter to have a distinct character. English art made after the formation in 1707 of the Kingdom of Great Britain may be regarded in most respects simultaneously as art of the United Kingdom.
Sir William Beechey was a leading English portraitist of the golden age of British painting.
Sir William Rothenstein was an English painter, printmaker, draughtsman, lecturer, and writer on art. Emerging during the early 1890s, Rothenstein continued to make art right up until his death in the mid-1940s. Though he covered many subjects – ranging from landscapes in France to representations of Jewish synagogues in London – he is perhaps best known for his work as a war artist in both world wars, his portraits, and his popular memoirs, written in the 1930s. More than two hundred of Rothenstein's portraits of famous people can be found in the National Portrait Gallery collection. The Tate Gallery also holds a large collection of his paintings, prints and drawings. Rothenstein served as Principal at the Royal College of Art from 1920 to 1935. He was knighted in 1931 for his services to art. In March 2015 'From Bradford to Benares: the Art of Sir William Rothenstein', the first major exhibition of Rothenstein's work for over forty years, opened at Bradford's Cartwright Hall Gallery, touring to the Ben Uri in London later that year.
Johan Joseph Zoffany, RA was a German neoclassical painter, active mainly in England, Italy and India. His works appear in many prominent British collections such as the National Gallery, London, the Tate Gallery and in the Royal Collection, as well as institutions in Europe, India, the United States and Australia. His name is sometimes spelled Zoffani or Zauffelij.
John Trevor Hayes was a British art historian and museum director. He was an authority on the paintings of Thomas Gainsborough.
George Gower (c.1540–1596) was an English portrait painter who became Serjeant Painter to Queen Elizabeth I in 1581.
William Tate was an English portrait painter who was a student of Joseph Wright of Derby.
Peter Tillemans was a Flemish painter, best known for his works on sporting and topographical subjects. Alongside John Wootton and James Seymour, he was one of the founders of the English school of sporting painting.
Joseph van Aken was a Flemish artist, a portrait, genre and drapery painter who spent most of his career in England. He was noted for his skill in painting fabrics, and was employed as a costume painter by many leading artists.
Heads of Six of Hogarth's Servants is an oil-on-canvas painting by William Hogarth from c. 1750-5. Measuring 63 centimetres (25 in) high and 75.5 centimetres (29.7 in) wide, it depicts the heads of six of his domestic servants. It is held by in the Tate Gallery in London.
Benjamin Smith (1754–1833) was a British engraver, printseller and publisher, active from 1786 to 1833. He was born c. 1754 in London. He worked mainly in dot or stipple engraving, producing portraits, illustrations, and allegorical and biblical subjects after prominent artists of the day.
The Graham Children is an oil painting completed by William Hogarth in 1742. It is a group portrait depicting the four children of Daniel Graham, apothecary to King George II. The youngest child had died by the time the painting was completed.
Judith Emilie Egerton was an Australian-born British art historian and curator. She specialised in eighteenth-century British art and, particularly, the work of George Stubbs.
Trump was a pug owned by English painter William Hogarth. The artist included the dog in several works, including his self-portrait Painter and his Pug, held by the Tate Gallery. In the words of the Tate's display caption, "Hogarth's pug dog, Trump, serves as an emblem of the artist's own pugnacious character."
This English biographical article related to medicine is a stub. You can help Wikipedia by expanding it. |