Richard Robinson (died March 1648) was an actor in English Renaissance theatre and a member of Shakespeare's company the King's Men. [1]
Robinson started out as a boy player with the company; in 1611 he played the Lady in their production of The Second Maiden's Tragedy. He was cast in their production of Ben Jonson's Catiline in the same year, and in their Bonduca, c. 1613. He became a sharer in the King's Men in 1619, perhaps succeeding Richard Cowley; [2] and he was cast in their revival of Webster's The Duchess of Malfi c. 1621. Robinson reportedly played the part of Wittipol in Jonson's The Devil is an Ass in 1616. In the printed text of that play (1631), Jonson praises Robinson's acting of female roles and calls him an "ingenious youth." Robinson played the role of Aesopus in the company's 1626 production of Massinger's The Roman Actor, and Count Orsinio in Lodowick Carlell's The Deserving Favourite (1629).
Robinson is included in the cast lists for the company's productions of Bonduca , The Double Marriage , A Wife for a Month , and The Wild Goose Chase , plays in the canon of John Fletcher and his collaborators.
According to the last will and testament of Nicholas Tooley, Robinson owed Tooley £29 13s. in 1623; Tooley forgave the debt in his will. Robinson married Winifred Burbage (d.1642), the widow of Richard Burbage. [3] Together with Cuthbert Burbage, William Heminges, Joseph Taylor and John Lowin, Robinson and his wife, Winifred, filed a Bill of Complaint on 28 January 1632 in the Court of Requests against the owner of the Globe, Sir Matthew Brend, in order to obtain confirmation of an extension of the 31-year lease originally granted by Sir Matthew Brend's father, Nicholas Brend. [4]
Robinson was one of the King's Men who signed the dedication of the first Beaumont and Fletcher folio in 1647.
Seventeenth-century sources, including James Wright's Historia Histrionica (1699), falsely report that Robinson was killed in the siege of Basing House in October 1645, during the English Civil War. Richard Robinson was probably confused with another actor with a similar name; there was more than one Robinson in Caroline era theatre —; though the actor in question was most likely comedian and fellow King's Man William Robbins. In fact, Richard Robinson was buried at St. Anne's Church, in Blackfriars, on 23 March 1648.
Richard Burbage was an English stage actor, widely considered to have been one of the most famous actors of the Globe Theatre and of his time. In addition to being a stage actor, he was also a theatre owner, entrepreneur, and painter. He was the younger brother of Cuthbert Burbage. They were both actors in drama. Burbage was a business associate and friend to William Shakespeare.
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron.
The Lord Chamberlain's Men was a company of actors, or a "playing company", for which Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.
John Lowin was an English actor.
Cuthbert Burbage was an English theatrical figure, son of James Burbage, builder of the Theatre in Shoreditch and elder brother of the actor Richard Burbage. From 1589 he was the owner of the ground lease of the Theatre. Best known for his central role in the construction of the Globe Theatre, he was for four decades a significant agent in the success and endurance of Shakespeare's company, the King's Men.
Augustine Phillips was an Elizabethan actor who performed in troupes with Edward Alleyn and William Shakespeare. He was one of the first generation of English actors to achieve wealth and a degree of social status by means of his trade.
The Lady Elizabeth's Men, or Princess Elizabeth's Men, was a company of actors in Jacobean London, formed under the patronage of King James I's daughter Princess Elizabeth. From 1618 on, the company was called The Queen of Bohemia's Men, after Elizabeth and her husband the Elector Palatine had their brief and disastrous flirtation with the crown of Bohemia.
Nicholas Tooley was a Renaissance actor in the King's Men, the acting company of William Shakespeare.
Joseph Taylor was a 17th-century English actor. As the successor of Richard Burbage as the leading actor with the King's Men, he was arguably the most important actor in the later Jacobean and the Caroline eras.
Catiline His Conspiracy is a Jacobean tragedy written by Ben Jonson. It is one of the two Roman tragedies that Jonson hoped would cement his dramatic achievement and reputation, the other being Sejanus His Fall (1603).
William Ecclestone or Egglestone was an actor in English Renaissance theatre, a member of Shakespeare's company the King's Men.
Bonduca is a Jacobean tragi-comedy in the Beaumont and Fletcher canon, generally judged by scholars to be the work of John Fletcher alone. It was acted by the King's Men c. 1613, and published in 1647 in the first Beaumont and Fletcher folio.
Eliard Swanston, alternatively spelled Heliard, Hilliard, Elyard, Ellyardt, Ellyaerdt, and Eyloerdt, was an English actor in the Caroline era. He became a leading man in the King's Men, the company of William Shakespeare and Richard Burbage, in the final phase of its existence.
John Shank was an actor in English Renaissance theatre, a leading comedian in the King's Men during the 1620s and 1630s.
John Underwood was an early 17th-century actor, a member of the King's Men, the theatrics company of William Shakespeare.
Edward Knight was the prompter of the King's Men, the acting company that performed the plays of William Shakespeare, Ben Jonson, John Fletcher, and other playwrights of Jacobean and Caroline drama.
King's Men personnel were the people who worked with and for the Lord Chamberlain's Men and the King's Men from 1594 to 1642. The company was the major theatrical enterprise of its era and featured some of the leading actors of their generation – Richard Burbage, John Lowin, and Joseph Taylor among other – and some leading clowns and comedians, like Will Kempe and Robert Armin. The company benefitted from the services of William Shakespeare, John Fletcher, and Philip Massinger as regular dramatists.
William Heminges, also Hemminges, Heminge, and other variants, was a playwright and theatrical figure of the Caroline period. He was the ninth child and third son of John Heminges, the actor and colleague of William Shakespeare, and his wife Rebecca.
Nicholas Brend was an English landowner who inherited from his father the land on which the Globe Theatre was built, and on 21 February 1599 leased it to Cuthbert Burbage, Richard Burbage, William Shakespeare, Augustine Phillips, Thomas Pope, John Heminges, and William Kempe. He died two years later, leaving the property on which the Globe was built to his infant son, Matthew Brend, who did not come of age until 6 February 1621.
Sir Matthew Brend inherited from his father, Nicholas Brend, the land on which the first and second Globe Theatres were built, and which Nicholas Brend had leased on 21 February 1599 for a 31-year term to Cuthbert Burbage, Richard Burbage, William Shakespeare, Augustine Phillips, Thomas Pope, John Heminges, and William Kempe. During much of the time he was the legal owner of the Globe, Matthew Brend was underage, and his properties were managed for him by Sir Matthew Browne, John Collet, Sir John Bodley, and Sir Sigismund Zinzan. In 1623 Brend conveyed the property on which the Globe was built to his wife, Frances, as part of her jointure. In 1632 he was sued in the Court of Requests by the remaining original lessee, Cuthbert Burbage, and others, for an extension of their original lease.