Jerzy Marian Grotowski was a Polish theatre director and theorist whose innovative approaches to acting, training and theatrical production have significantly influenced theatre today. He is considered one of the most influential theatre practitioners of the 20th century as well as one of the founders of experimental theatre.
The Bacchae is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon. It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included Iphigeneia at Aulis and Alcmaeon in Corinth, and which Euripides' son or nephew is assumed to have directed. It won first prize in the City Dionysia festival competition.
The Wooster Group is a New York City-based experimental theater company known for creating numerous original dramatic works. It gradually emerged from Richard Schechner's The Performance Group (1967–1980) during the period from 1975 to 1980, and took its name in 1980; the independent productions of 1975–1980 are retroactively attributed to the Group.
Richard Foreman is an American avant-garde playwright and the founder of the Ontological-Hysteric Theater.
Elizabeth LeCompte is an American director of experimental theater, dance, and media. A founding member of The Wooster Group, she has directed that ensemble since its emergence in the late 1970s.
Performance studies is an interdisciplinary academic field that uses performance as a lens and a tool to study the world. The term performance is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies, proclamations and public decisions; certain kinds of language use; and those components of identity which require someone to do, rather than just be, something. Performance studies draws from theories and methods of the performing arts, anthropology, sociology, literary theory, culture studies, communication, and others.
The Performance Group (TPG) was an experimental theater troupe that Richard Schechner founded in 1967 in New York City. TPG's home base was the Performing Garage in the SoHo district of Lower Manhattan. After 1975, tensions led to Schechner's resignation in 1980. The troupe reinvented itself as The Wooster Group under the leadership of director and theatre artist Elizabeth LeCompte.
Lian Amaris is an American writer, artist, and creative communicator working to connect real world experiences, performance events and the new media landscape. She is Artistic Director of Vector Art Ensemble and has authored five plays and performances that have been professionally produced at such venues as Nuyorican Poets Cafe, HERE Arts Center, The University of Chicago, P.S. 122, the Contemporary Arts Center and The University of Massachusetts. Her work also includes popular memes such as Silicon Valley Ryan Gosling and Things that cannot screen for breast cancer.
Thomas P. Riccio is an American multimedia artist and academic. He received his BA from Cleveland State University in English Literature in 1978, his MFA from Boston University in 1982, and studied in the PhD program in Performance Studies at New York University from 1983 to 1984. Riccio has directed over one hundred plays at American regional theatres, off-off and off Broadway and has worked extensively in the area of indigenous and ritual performance conducting research and/or creating performances in: South Africa, Zambia, Burkina Faso, Tanzania, Kenya, Ethiopia, Europe, Russia, Siberia, Korea, India, Nepal, China, and Alaska. In 1993 the People's Republic of Sakha declared him a “Cultural Hero”.
Marguerite Duffy, known professionally as Megan Terry, was an American playwright, screenwriter, and theatre artist.
TDR: The Drama Review is an academic journal focusing on performances in their social, economic, aesthetic, and political contexts. The journal covers dance, theatre, music, performance art, visual art, popular entertainment, media, sports, rituals, and performance in politics and everyday life.
John Emigh is Professor Emeritus from the Departments of Theatre, Speech and Dance and of English at Brown University, Providence, Rhode Island. Emigh taught at Brown from 1967 to 2009. Since his retirement, he has mainly been teaching and directing in the Brown/Trinity Rep MFA program.
The Performing Garage is an Off-Off-Broadway theater in SoHo, New York City. Established in 1968, it is the permanent home of the experimental theater company originally named The Performance Group that morphed in 1980 into The Wooster Group, and their primary performance venue.
Brooks Barry McNamara (1937–2009) was an American theater historian, professor, and contributing editor of The Drama Review.
Dionysus in '69 is a 1970 film by Brian De Palma, Robert Fiore and Bruce Rubin. The film records a performance of The Performance Group's stage play of the same name, an adaptation of The Bacchae. It was entered into the 20th Berlin International Film Festival.
Dionysus in 69 was a theatrical production directed and conceived by Richard Schechner, founder and longtime artistic director of the Performance Group (TPG), a New York-based experimental theater troupe. An adaptation of The Bacchae by Greek playwright Euripides, Dionysus in 69 was an example of Schechner's practice of site-specific theatre, utilizing space and the audience in such ways as to bring them in close contact with each other. Dionysus in 69 challenged notions of the orthodox theater by deconstructing Euripides' text, interpolating text and action devised by the performers, and involving the spectators in an active and sensory artistic experience. Brian de Palma, Bruce Joel Rubin, and Robert Fiore made a film of Dionysus, merging footage from the final two performances of the play in June and July 1969.
The Free Southern Theater (FST) was a community theater group founded in 1963 at Tougaloo College in Madison County, Mississippi, by Gilbert Moses, Denise Nicholas, Doris Derby, and John O’Neal. The company manager was Mary Lovelace, later Chair of the Art Department at U.C. Berkeley. The company disbanded in 1980.
Robert Willoughby Corrigan was an American academic and the founding editor of the Carleton Drama Review, which later became TDR: The Drama Review.
Remi Barclay Messenger, aka Remi Barclay & Remi Barclay Bosseau (b.1946) was a founding member of three prominent professional theatre companies in the New York City area – The Performance Group (l967–70), with Richard Schechner, Whole Theatre (1971–1990) and Voices of Earth (1988–2000), the latter two with Olympia Dukakis as a co-director. Her theatre work included years of acting, directing and teaching as well as creating workshops for a wide spectrum of institutions, schools and universities.
John Waldhorn Gassner was a Hungarian-born American theatre historian, critic, educator, and anthologist.
