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Richard Trunk (born Tauberbischofsheim, 10 February 1879 - died Herrsching, 2 June 1968) was a German composer, pianist, conductor, and critic.
He studied in Frankfurt with Iwan Knorr before traveling to Munich for further studies with Josef Rheinberger. He accompanied numerous singers (including Eugen Gura), taught singing for a time, and served as music critic for the Münchener Post from 1907. He was invited to New York City and Newark, New Jersey to conduct the Arion Society in 1912; he returned home with the outbreak of World War I. He later became music critic for the Bayrische Staatszeitung , and taught singing in Cologne from 1920 until 1934. In 1925 he married the singer Maria Delbran. In 1934 he returned to Munich as the president of the Akademie der Tonkunst. He retired to the Ammersee after World War II.
Trunk was an early member of the Nazi Party. His songs Op. 65 set to music texts by Baldur von Schirach and Hanns Johst.
Most of Trunk's musical works were choral pieces or songs with piano accompaniment, though he also composed an operetta (Herzdame, 1916) and some instrumental works and chamber music.
Richard Georg Strauss was a German composer and conductor best known for his tone poems and operas. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the mid-20th century. Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).
Paul Hindemith was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the Neue Sachlichkeit style of music in the 1920s, with compositions such as Kammermusik, including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle Das Marienleben (1923), Der Schwanendreher for viola and orchestra (1935), the opera Mathis der Maler (1938), the Symphonic Metamorphosis of Themes by Carl Maria von Weber (1943), and the oratorio When Lilacs Last in the Dooryard Bloom'd (1946), a requiem based on Walt Whitman's poem. Hindemith and his wife emigrated to Switzerland and the United States ahead of World War II, after worsening difficulties with the Nazi German regime. In his later years, he conducted and recorded much of his own music.
Sir Peter Neville Luard Pears was an English tenor. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years.
Frederick Theodore Albert Delius was an English composer. Born in Bradford in the north of England to a prosperous mercantile family, he resisted attempts to recruit him to commerce. He was sent to Florida in the United States in 1884 to manage an orange plantation. He soon neglected his managerial duties, and in 1886 returned to Europe.
Sir Henry Joseph Wood was an English conductor best known for his association with London's annual series of promenade concerts, known as the Proms. He conducted them for nearly half a century, introducing hundreds of new works to British audiences. After his death, the concerts were officially renamed in his honour as the "Henry Wood Promenade Concerts", although they continued to be generally referred to as "the Proms".
Edgar Yipsel Harburg was an American popular song lyricist and librettist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?", "April in Paris", and "It's Only a Paper Moon", as well as all of the songs for the film The Wizard of Oz, including "Over the Rainbow". He was known for the social commentary of his lyrics, as well as his leftist leanings. He championed racial and gender equality and union politics. He also was an ardent critic of religion.
Victor August Herbert was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
Harry Burleigh was an American classical composer, arranger, and professional singer known for his baritone voice. The first black composer who was instrumental in developing characteristically American music, Burleigh made black music available to classically trained artists both by introducing them to spirituals and by arranging spirituals in a more classical form. Burleigh also introduced Antonín Dvořák to Black American music, which influenced some of Dvořák's most famous compositions and led him to say that Black music would be the basis of an American classical music.
Sir Isidor George Henschel was a German-born British baritone, pianist, conductor, composer and academic teacher. First trained as a pianist, he was a concert singer who sometimes sang to his own accompaniment. He was a close friend of Johannes Brahms. His first wife Lillian was also a singer. He was the first conductor of both the Boston Symphony Orchestra and the Royal Scottish National Orchestra. He taught at the Institute of Musical Art in New York City.
Clemens Heinrich Krauss was an Austrian conductor and opera impresario, particularly associated with the music of Richard Strauss, Johann Strauss and Richard Wagner. He founded the New Year's Concert of the Vienna Philharmonic and conducted it until 1954.
Michael Head, FRAM was a British composer, pianist, organist and singer who left some enduring works still popular today. He was noted for his association with the Royal Academy of Music. His compositional oeuvre mainly consists of songs, as well as choral works and few larger-scale pieces such as a piano concerto.
Pauline Maria de Ahna, also known as Pauline Strauss, was a German operatic soprano and the wife of composer Richard Strauss. Her singing career was closely tied to her husband's career as a conductor and composer. From 1890 until 1894 she was committed to the Staatskapelle Weimar and from 1894 until 1897 she was committed to the Bavarian State Opera, during which times her husband was the principal conductor of those theaters. She also sang with her husband conducting at the Bayreuth Festival and in the world premiere of his first opera Guntram. Other houses at which performed included the Berlin State Opera, La Monnaie, and the Liceu. Her repertoire included leading roles in the operas of Beethoven, Humperdinck, Mozart, von Weber, and Wagner. After she gave birth to their son Franz Strauss in 1897 she retired from the opera stage. She thereafter continued to periodically perform in concerts of her husband's music, particularly Lieder. Strauss credited her as his muse for many of his compositions, including the title role in Salome, the Countess Madeleine in Capriccio, and the Four Last Songs among others.
Milka Ternina was a Croatian dramatic soprano who enjoyed a high reputation in major American and European opera houses. Praised by audiences and music critics alike for the electrifying force of her acting and the excellence of her singing in both German and Italian works, her career was curtailed at its peak in 1906 by a medical condition which paralyzed a nerve in her face.
Marta Eggerth was a Hungarian actress and singer from "The Silver Age of Operetta". Many of the 20th century's most famous operetta composers, including Franz Lehár, Fritz Kreisler, Robert Stolz, Oscar Straus, and Paul Abraham, composed works especially for her.
Ida Joséphine Phoebe Éva Gauthier was a Canadian-American mezzo-soprano and voice teacher. She performed and popularized songs by contemporary composers throughout her career and sang in the American premieres of several works by Erik Satie, Maurice Ravel and Igor Stravinsky, including the title role in the latter's Perséphone.
Herman Klein was an English music critic, author and teacher of singing. Klein's famous brothers included Charles and Manuel Klein. His second wife was the writer Kathleen Clarice Louise Cornwell, and one of their children was the writer Denise Robins.
Engelbert Humperdinck was a German composer. He is known widely for his opera Hansel and Gretel (1893).
David Michael Schuster is an American spinto tenor.
Marie Kraja or Marie Paluca was an Albanian opera singer who is particularly known for her delivery of Albanian folk songs.
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