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Lindsay Gordon Anderson was a British feature-film, theatre and documentary director, film critic, and leading-light of the Free Cinema movement and of the British New Wave. He is most widely remembered for his 1968 film if...., which won the Palme d'Or at Cannes Film Festival in 1969 and marked Malcolm McDowell's cinematic debut. He is also notable, though not a professional actor, for playing a minor role in the Academy Award-winning 1981 film Chariots of Fire. McDowell produced a 2007 documentary about his experiences with Anderson, Never Apologize.
Cecil Antonio Richardson was an English theatre and film director, producer and screenwriter, whose career spanned five decades. He was identified with the "angry young men" group of British directors and playwrights during the 1950s, and was later a key figure in the British New Wave filmmaking movement.
The Producers is a 1967 American satirical black comedy film. It was written and directed by Mel Brooks, and stars Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars. The film is about a con artist theater producer and his accountant who scheme to get rich by fraudulently overselling interests in a stage musical purposely designed to fail. Searching for the worst script imaginable, they find a script celebrating Adolf Hitler and the Nazis and bring it to the stage. Because of this theme, The Producers was controversial from the start, and received mixed reviews. It became a cult film, and found a more positive critical reception later.
This Sporting Life is a 1963 British kitchen sink drama film directed by Lindsay Anderson. Based on the 1960 novel of the same name by David Storey, which won the 1960 Macmillan Fiction Award, it recounts the story of a rugby league footballer in Wakefield, a mining city in Yorkshire, whose romantic life is not as successful as his sporting life. Storey, a former professional rugby league footballer, also wrote the screenplay.
Karel Reisz was a Czech-born British filmmaker and film critic, one of the pioneers of the new realist strain in British cinema during the 1950s and 1960s. Two of the best-known films he directed are Saturday Night and Sunday Morning (1960), a classic of kitchen sink realism, and the romantic period drama The French Lieutenant's Woman (1981).
O Lucky Man! is a 1973 British comedy-drama fantasy film directed by Lindsay Anderson and starring Malcolm McDowell as Mick Travis, whom McDowell had first played as a disaffected public schoolboy in his first film performance in Anderson's if.... (1968). Some critics consider this film one of the best British films ever. --> O Lucky Man! is the second film in the "Mick Travis trilogy", all starring Malcolm McDowell as everyman character Mick Travis, concluding with Britannia Hospital (1982).
Sir Arnold Wesker was an English dramatist. He was the author of 50 plays, four volumes of short stories, two volumes of essays, much journalism and a book on the subject, a children's book, some poetry, and other assorted writings. His plays have been translated into 20 languages, and performed worldwide.
Samuel Joel "Zero" Mostel was an American actor, comedian, and singer. He is best known for his portrayal of comic characters including Tevye on stage in Fiddler on the Roof, Pseudolus on stage and on screen in A Funny Thing Happened on the Way to the Forum, and Max Bialystock in the original film version of Mel Brooks' The Producers (1967). Mostel was a student of Don Richardson and he used an acting technique based on muscle memory. He was blacklisted during the 1950s; his testimony before the House Un-American Activities Committee was well publicized. Mostel later starred in the Hollywood Blacklist drama film The Front (1976) alongside Woody Allen, for which Mostel was nominated for the British Academy Film Award for Best Supporting Actor.
If.... is a 1968 British satirical drama film produced and directed by Lindsay Anderson, and starring Malcolm McDowell as the character Mick Travis who appeared in two further Anderson films. Other actors include Richard Warwick, Christine Noonan, David Wood, and Robert Swann. A satire of English public school life, the film follows a group of pupils who stage a savage insurrection at a boys' boarding school. The film was the subject of controversy at the time of its release, receiving an X certificate for its depictions of violence.
The British New Wave is a style of films released in Great Britain between 1959 and 1963. The label is a translation of Nouvelle Vague, the French term first applied to the films of François Truffaut, and Jean-Luc Godard among others.
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, which at that point was still located in central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look at Britain" series. It was filmed by Walter Lassally.
Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s. The term referred to an absence of propagandised intent or deliberate box office appeal. Co-founded by Lindsay Anderson with Karel Reisz, Tony Richardson and Lorenza Mazzetti, the movement began with a programme of three short films at the National Film Theatre, London on 5 February 1956. The programme was such a success that five more programmes appeared under the ‘Free Cinema’ banner before the founders decided to end the series. The last event was held in March 1959. Three of the screenings consisted of work from overseas filmmakers.
Frank Campanella was an American actor. He appeared in numerous television series, as well as a few films and Broadway productions.
Saturday Night and Sunday Morning is a 1960 British kitchen sink drama film directed by Karel Reisz and produced by Tony Richardson. It is an adaptation of the 1958 novel of the same name by Alan Sillitoe, with Sillitoe himself writing the screenplay. The plot concerns a young teddy boy machinist, Arthur, who spends his weekends drinking and partying, all the while having an affair with a married woman.
The White Bus is a 1967 British short drama film directed by Lindsay Anderson and starring Patricia Healey. The screenplay was jointly adapted with Shelagh Delaney from a short story in her collection Sweetly Sings the Donkey (1963). It was the film debut of Anthony Hopkins.
Sequence was a short-lived but influential British film journal founded in 1947 by Lindsay Anderson, Peter Ericsson, Gavin Lambert and Karel Reisz.
Red, White and Zero is a 1967 British anthology film made by Woodfall Film Productions. It consists of three segments, directed by Peter Brook, Lindsay Anderson and Tony Richardson.
Silvion Oscar Lewenstein was a British theatre and film producer, who helped create some of the leading British theatre and film productions of the 1950s and 1960s.
Robin Fox MC was an English actor, theatrical agent, and chairman of the English Stage Company, best remembered as the founder of a family of actors. His sons are Edward, James, and Robert Fox. His grandchildren include Emilia, Laurence, Jack and Freddie Fox.
References
- ↑ McFarlane, Brian (1997). An Autobiography of British Cinema: As Told by the Filmmakers and Actors who Made it. Methuen. p. 13. ISBN 978-0-413-70520-4.
- ↑ "Ride of the Valkyrie". British Film Institute Collections Search. Retrieved 15 June 2024.
- ↑ Lindsay Anderson, Paul Ryan (ed) "Never Apologise: The Collected Writings", Plexus, 2004, p.105
- ↑ Paul Sutton (ed.) The Diaries: Lindsay Anderson, London: Methuen, 2004, p.146n.
