Rimer Cardillo

Last updated
Rimer Cardillo
Rimer Cardillo by Leo Barizzoni.jpg
Born (1944-08-17) 17 August 1944 (age 79)
Montevideo, Uruguay
Alma mater National Institute of Fine Arts  [ es ]
Occupation(s)Plastic artist, engraver
Awards
Website www.rimercardillo.com

Rimer Cardillo (born 17 August 1944) is a Uruguayan visual artist and engraver of extensive international experience who has lived in the United States since 1979.

Contents

Biography

Rimer Cardillo graduated from the National Institute of Fine Arts  [ es ] of Uruguay in 1968. [1] He completed postgraduate studies in East Germany at the Weißensee School of Art and Architecture  [ de ] in Berlin and at the Leipzig School of Graphic Art  [ de ] between 1969 and 1971. [2]

Cupi degli Uccelli, Uruguay pavilion at the Venice Biennale, 2001 Cardillo venice.jpg
Cupí degli Uccelli, Uruguay pavilion at the Venice Biennale, 2001
Anacahuita, la pimienta de los pobres, installation, Fernando Garcia Ponce Museum [es], Mexico, 2014 Cardillo macay.jpg
Anacahuita, la pimienta de los pobres, installation, Fernando García Ponce Museum  [ es ], México, 2014

Teaching work has been present in his artistic career since the 1970s in the Montevideo Engraving Club  [ es ] and several workshops in Uruguay and the United States. [1] He has been a teacher of artists who have managed to develop solid personal careers such as Gladys Afamado, Margaret Whyte, and Marco Maggi. He conducts training workshops on graphic techniques in Montevideo every year, as well as curating exhibitions in Uruguay and abroad, in the quest to revalue engraving as a creative discipline and a platform for contemporary expression for the new generations of artists in his country. [3]

He is a tenured professor at the State University of New York at New Paltz, where he is responsible for the direction of the graphic arts department. [4]

In 1997 he was awarded a Guggenheim Fellowship. [5] In 2001 he represented Uruguay at the Venice Biennale. In 2002 he received the Figari Award in recognition of his career. [6] In 2004 he was awarded the Chancellor's Award and the Prize for Artistic and Scientific Research. He exhibited at the Binghamton University Art Museum (2013) and the Medieval Trinitarian Templespace of the Kiscell Museum, Budapest, Hungary (2010), among other outstanding museums and galleries in various countries.

In 2003 he was invited by the Tate Modern in London to give a conference and present a video about his creations. [7] In 2004 the Samuel Dorsky Art Museum of SUNY New Paltz organized the first retrospective of Cardillo's work. In 2011 the Nassau County Museum of Art in Long Island held the retrospective exhibition "Jornadas de la memoria", which included works by the artist over four decades. [1] [8]

Work

Cardillo has developed a varied series of works that include engravings, sculptures, and installations, where the study of nature and the preservation of his imprint has always been present. His sculptures and installations evoke archaeological sites that revalue the pre-Hispanic imaginary of Uruguayan territory with aesthetic representations - symbols of funerary mounds that allow recreating the collective memory, as well as the artist's metaphorical return to his native land. His fascination with the primitive is also reflected in much of his graphic work, as well as an archeology of natural life in the transfer of forms of animals and plants that resemble fossils made of metal, ceramic, or paper, which reinforce the idea of permanence of culture beyond life and point to the intense trace of the ancestral and the recovery of the past. [9]

His work is held by numerous public and private collections, including the Art Institute of Chicago, Bibliothèque nationale de France, Cincinnati Art Museum, Instituto Nacional de Bellas Artes y Literatura of Mexico, Museo de Bellas Artes and Museum of Contemporary Art in Caracas, New York Museum of Modern Art, Art Museum of the Americas in Washington, Allen Memorial Art Museum at Oberlin College in Ohio, and the National Museum of Visual Arts of Montevideo, the garden of which became home to his 1991 sculpture Barca de la crucifixión in 2005, Taubman Museum of Art of Roanoke, Virginia in 2024 [10]

Related Research Articles

The Charrúa are an Indigenous people or Indigenous Nation of the Southern Cone in present-day Uruguay and the adjacent areas in Argentina and Brazil. They were a semi-nomadic people who sustained themselves mainly through hunting and gathering. Since resources were not permanent in every region, they would constantly be on the move. Rain, drought, and other environmental factors determined their movement. For this reason they are often classified as seasonal nomads.

Luis Camnitzer is a German-born Uruguayan artist, curator, art critic, and academic who was at the forefront of 1960s Conceptual Art. Camnitzer works primarily in sculpture, printmaking, and installation, exploring topics such as repression, institutional critique, and social justice.

<span class="mw-page-title-main">Pedro Figari</span> Uruguayan painter and politician

Pedro Figari was a Uruguayan painter, lawyer, writer, and politician. Although he did not begin the practice until his later years, he is best known as an early modernist painter who emphasized capturing the everyday aspects of life in his work. In most of his pieces, he attempts to capture the essence of his home by painting local customs that he had observed in his childhood.

<span class="mw-page-title-main">Águeda Dicancro</span> Uruguayan artist and sculptor (1938–2019)

Águeda Dicancro was a Uruguayan sculptor from Montevideo, noted for her plastic art. Her art is featured at the Museo Nacional de Artes Visuales in Montevideo.

<span class="mw-page-title-main">Marco Maggi</span>

Marco Maggi is a New York- and Uruguay-based artist whose work incorporates common materials such as office paper, aluminum foil, graphite, and apples to create micro drawings, sculptures, and macro installations.

Cecilia Miguez is a Los Angeles–based sculpture artist.

Zoma Baitler was a Jewish Lithuanian-born Uruguayan artist and diplomat.

María Freire was a Uruguayan painter, sculptor, and art critic. She was one of the leading figures in the development of concrete art and non-figurative art in Uruguay. She was a co-founder the Grupo de Arte No Figurativo.

<span class="mw-page-title-main">Lacy Duarte</span> Uruguayan painter (1937–2015)

Elvira Lacy Duarte Cardoso was a Uruguayan visual artist.

<span class="mw-page-title-main">Amalia Nieto</span> Uruguayan painter and sculptor

Amalia Nieto was a Uruguayan painter, engraver, and sculptor. She was a member of the Constructive Art Association led by Joaquín Torres-García and creator of her own style that stands out in Uruguayan art of the 20th century.

<span class="mw-page-title-main">Eloísa Ibarra</span> Uruguayan visual artist (born 1968)

Eloísa Ibarra is a Uruguayan visual artist who has been recognized for her graphic works.

Gladys Afamado is a Uruguayan visual artist, engraver, and poet. A member of the Montevideo Engraving Club since 1954, she has contributed to many of its monthly editions and almanacs. She later ventured into different plastic artforms, and in recent years has been recognized for her work in digital art.

Leonilda González was a Uruguayan painter and engraver, founder of the Montevideo Engraving Club. Her work is represented in the Juan Manuel Blanes Museum and the National Museum of Visual Arts, as well as in private collections in Uruguay and other countries. In 2006 she was recognized with the Figari Award for her career.

Clever Lara is a Uruguayan plastic artist, teacher, and curator.

<span class="mw-page-title-main">Nelbia Romero</span>

Nelbia Romero Cabrera was a Uruguayan visual artist. She began her career in drawing and engraving and later incorporated other artistic languages, such as photography, installation, and performance. Her work was marked by themes of politics and protest. She was an active participant in the Montevideo Engraving Club. She received a Guggenheim Fellowship in 1994 and was granted the Figari Award in 2006 for her artistic career.

<span class="mw-page-title-main">Anhelo Hernández Ríos</span>

Anhelo Hernández Ríos was a Uruguayan plastic artist and teacher.

<span class="mw-page-title-main">Dumas Oroño</span> Uruguayan artist (1921–2005)

Dumas Oroño was a Uruguayan artist, cultural manager, and teacher. His artistic work spanned several disciplines, including painting, engraving, ceramics, murals, and jewelry design.

<span class="mw-page-title-main">Margaret Whyte</span> Uruguayan artist (born 1940)

Margaret Whyte is a Uruguayan visual artist.

<span class="mw-page-title-main">Massacre of Salsipuedes</span> 1831 mass killing of indigenous Charrúa by the Uruguayan Army

The Massacre of Salsipuedes, also known as the Slaughter of Salsipuedes or simply Salsipuedes, was a genocidal attack carried out on 11 April 1831 by the Uruguayan Army, led by Fructuoso Rivera, as the culmination of the state's efforts to eradicate the Charrúa from Uruguay.

<span class="mw-page-title-main">Elián Stolarsky</span> Uruguayan visual artist, animator, and painter (b. 1990)

Elián Stolarsky Cynowicz is a Uruguayan visual artist and illustrator who received from the Instituto Escuela Nacional de Bellas Artes in 2015.

References

  1. 1 2 3 Schwendener, Martha (11 November 2011). "Coded Messages". The New York Times . Retrieved 17 December 2017.
  2. Rimer Cardillo. SUNY Press. 12 December 2004. p. 10. ISBN   9781438431109 . Retrieved 17 December 2017 via Google Books.
  3. "La imagen gráfica: el artista descubriendo, en Fundación Unión" [The Graphic Image: The Artist Discovered, at Fundación Unión]. Revista Dossier (in Spanish). 15 October 2013. Retrieved 17 December 2017.
  4. "Art Professor installs multimedia exhibition at Washington, D.C. museum". State University of New York at New Paltz. 24 March 2016. Retrieved 17 December 2017.
  5. "Rimer Cardillo". John Simon Guggenheim Memorial Foundation . Retrieved 17 December 2017.
  6. "Figari Award to Uruguayan artist Rimer Cardillo". ArtNexus . 19 March 2002. Retrieved 17 December 2017.
  7. "Fieldworks: Dialogues between Art and Anthropology: Day 3 video recordings". Tate Modern. 13 November 2013. Retrieved 17 December 2017.
  8. "Rimer Cardillo: Jornadas de la memoria" (PDF). Muse News. Nassau County Museum of Art. September 2011. Retrieved 17 December 2017.
  9. Haber, Alicia (9 May 2014). "Rimer Cardillo: Charrúas y Montes Criollos, el escenario de la memoria" [Rimer Cardillo: Charrúas y Montes Criollos, the Stage of Memory]. El País (in Spanish). Archived from the original on 28 May 2016. Retrieved 17 December 2017.
  10. "Barca de la Crucifixión" (in Spanish). National Museum of Visual Arts. Archived from the original on 12 July 2015. Retrieved 17 December 2017.