Address | 3800 42nd Avenue South Minneapolis, MN 55406 [1] |
---|---|
Coordinates | 44°56′03″N93°12′47″W / 44.934051°N 93.21316°W [2] |
Type | Indoor movie theater |
Seating type | Stadium |
Capacity | >700 |
Construction | |
Built | 1948 |
Opened | December 30, 1948 |
Renovated | 1956 |
Architect | Liebenberg and Kaplan |
Website | |
riverviewtheater.com |
The Riverview Theater is a cinema in the Howe neighborhood of Minneapolis, Minnesota, United States. Designed by Liebenberg and Kaplan, the theater was built by theater owners Bill and Sidney Volk in 1948. After building a subsequent theater in a new ultramodern style, the Volks returned to the Riverview in 1956 and had its lobby area heavily renovated and updated. The Riverview remains one of several surviving single-screen cinemas in the Minneapolis–Saint Paul area and typically showed second-run films until the COVID-19 pandemic, when it switched to showing first-run movies. Since the early 2000s, it has been consistently recognized by City Pages as one of the best movie theaters in the area.
The Lithuania-born Volk brothers, Bill and Sidney, came to Minnesota in the early 1920s and got involved in the movie business by purchasing neighborhood theaters during the Great Depression. In 1946, the Volks initiated what the publication Greater Amusements called a "theater-building orgy" when they received a permit from the Minneapolis City Council to build the first new theater in Minneapolis in twelve years in spite of the protests of other theater managers. [3] The Riverview was designed by architectural firm Liebenberg and Kaplan and built in 1948 [1] in the Streamline Moderne style. [4] It opened December 30, 1948, with a showing of June Bride . [4] The single-screen theater utilized stadium seating, making it one of the earlier movie theaters to do so. [5] [6]
Three years later, the Volks again called on Liebenberg and Kaplan to construct the Terrace Theater in Robbinsdale, Minnesota, "one of the first ultramodern theaters in America", [7] and considered by author Larry Millett to be "their masterpiece". [5] Pleased with the results (and the industry-bucking receipts), the Volks turned back to the Riverview and had Liebenberg and Kaplan remodel it to reflect the successful Terrace model. [8] This occurred in 1956, eight years after the theater's initial construction. [1] The new lobby space was intended to reflect a living room and even included a separate TV lounge. [6] Amenities were ample: "Dunbar tables, McCobb stools, Herman Miller divans and chairs, walnut panels imposed on light wood, graceful modern lamps, stunning draperies." [8] Inside the theater space, however, little changed about the proscenium stage and seating. [6]
The Riverview became one of the few remaining single-screen theaters in the Minneapolis–Saint Paul area; by the end of the 1980s, it was one of only six left, [9] and after 1998, it was one of only four left, with the Uptown and Parkway Theaters and the Oak Street Cinema, [lower-alpha 1] [11] although since 1998, several new single-screen theaters–the Trylon Microcinema and the Heights Theater–have opened. [12] [13] The owners installed new seats in 1999 that allowed for greater leg room and more space between patrons. [4]
The Riverview is located in Minneapolis's Howe neighborhood and seats 700 patrons. [4] Prior to the COVID-19 pandemic, the theater typically played second-run films for between $2–3 per ticket and its concessions were also "much cheaper than at the suburban multiplexes". [14] Upon reopening after the start of the pandemic, the theater shifted its model to playing first-run films. [15]
Sometimes, other events are shown, including midnight movies, [16] sporting events, [17] film festivals, [18] [19] an annual screening of the Lord of the Rings trilogy, [20] and political events such as Barack Obama's first inauguration in 2009. [21] Take Up Productions, operator of the nearby 100-seat Trylon Cinema, sometimes uses the Riverview for screenings too large for the Trylon to accommodate. [22] The theater won City Pages ' Best Budget Movie Theater award in 2000, 2004, and 2005, and the Best Movie Theater award every year from 2006 to 2014 except 2011 and 2012. [23] The Riverview's lobby remains largely unchanged from its 1956 renovation. [16]
Larry Millett is an American journalist and author. He is the former architectural critic for the St. Paul Pioneer Press, a daily newspaper in St. Paul, Minnesota, and the author of several books on the history of architecture in Minnesota. He has also written a series of Sherlock Holmes mysteries set in the United States and Minnesota in the 1890s. The books feature the character Shadwell Rafferty, who assists Holmes in his American investigations.
The Uptown Theatre is one of the oldest surviving theaters in the Twin Cities area. It was in active use from 1916 to 2020. The theater reopened on June 10, 2023 as a music and event venue.
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The 1891 Farmers and Mechanics Savings Bank building in Minneapolis, Minnesota, United States, is a Beaux-Arts style building that formerly served as the headquarters of Farmers and Mechanics Savings Bank. The building is now home to The Downtown Cabaret, a strip club. Architecture critic Larry Millett writes, "If you step inside for a view of the, ahem, scenery, you'll discover a glass dome that once illuminated a 'ladies banking lobby' but is now the scene of activities not everyone would consider ladylike."
Harry Wild Jones was an American architect based in Minneapolis who designed throughout the country and the world. Born two years before the start of the American Civil War, Jones, a twelfth-generation New Englander, took his place on the American architectural stage in the late 19th century. His life spanned seventy-six years, during a period of U.S. history that matched his exuberant, spirited personality. Known as an architect adept at any design technique, Jones is credited with introducing Shingle Style architecture to Minneapolis. He created an impressive portfolio from neoclassic to eclectic, reflecting his unique brand of versatility and creativity.
The Oak Street Cinema was a small, single-screen movie theater in the Stadium Village neighborhood of Minneapolis, Minnesota, near the University of Minnesota campus. The theater played both first-run independent films and repertory showings, including retrospectives of such filmmakers as Ingmar Bergman, Michelangelo Antonioni, Akira Kurosawa and others, as well as genre-based retrospectives. It had also been home to several local film festivals, including the Minneapolis-St. Paul International Film Festival. The theater has hosted visits from several well-known filmmakers and celebrities, such as Terry Gilliam, Michael Moore, Peter Fonda, Cyd Charisse, and many others.
The State Theatre is a historic theatre in Minneapolis, Minnesota, USA. It is one of four restored theatres in the Hennepin Theatre District. It is one of four restored theaters on Hennepin Avenue, along with the Pantages Theatre, the Orpheum Theatre and the Shubert Theatre.
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Liebenberg and Kaplan (L&K) was a Minneapolis architectural firm founded in 1923 by Jacob J. Liebenberg and Seeman I. Kaplan. Over a fifty-year period, L&K became one of the Twin Cities' most successful architectural firms, best known for designing/redesigning movie theaters. The firm also designed hospitals, places of worship, commercial and institutional buildings, country clubs, prestigious homes, radio and television stations, hotels, and apartment buildings. After designing Temple Israel and the Granada Theater in Minneapolis, the firm began specializing in acoustics and theater design and went on to plan the construction and/or renovation of more than 200 movie houses throughout Minnesota, North and South Dakota, Iowa, and Wisconsin. Architectural records, original drawings, and plans for some 2,500 Liebenberg and Kaplan projects are available for public use at the Northwest Architectural Archives.
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