Robert Crenshaw | |
---|---|
Born | Detroit, Michigan, U.S. |
Genres | Rock |
Occupation(s) | Musician, robotics instructor, author |
Instrument(s) | Drums, backing vocals |
Years active | 1981–present |
Robert Crenshaw is an American drummer, recording artist, author, and robotics instructor/trainer. He is known primarily for his solo recordings and his years in his brother Marshall Crenshaw's band.
Crenshaw grew up outside of Detroit in Berkley, Michigan. His parents and three brothers (Marshall, Mitchell, and John) were musically inclined. He was gifted his first drums at age 9, a red Trixon set. Crenshaw's first band Rasputin included younger brothers of members of Marshall's band Astigafa. In his teens he was drummer for Denny and the Robots, an oldies band. In 1976, Crenshaw and his lifelong friend Stewart Simon studied recording engineering at the Institute of Audio Research in New York City. [1]
After Marshall Crenshaw finished his involvement in Beatlemania , he recruited Robert as drummer for his new band, along with bassist Chris Donato. Marshall signed with Warner Brothers in 1981, and the trio recorded the album Marshall Crenshaw . [2]
Robert also drummed on Marshall's follow-up album Field Day in 1983, but only appeared on two tracks on Downtown . [3] He was back on drums for 1987's Mary Jean & 9 Others , along with Graham Maby on bass. [4]
On Crenshaw's first three albums: Full-Length Stereo Recordings, Victory Songs and Dog Days, Crenshaw recruited Dixon, Marti Jones, and Jamie Hoover, among others. For 2014's Friends, Family, and Neighbors, Crenshaw was assisted by his brother John, a sound mixer, producer Don Dixon, bassist Maby, and engineer Stewart Simon. [1]
In 1986, Robert and Marshall Crenshaw played members of the reunion band at the beginning of the film Peggy Sue Got Married . [5]
In June 2019, Crenshaw published his memoir, "My Mythological Narrative A Rock Odyssey." The book chronicles Crenshaw's life and experiences including growing up in Berkley, Michigan, playing drums for brother, Marshall's band, and interactions with musicians such as Tina Turner, Joe Jackson, and Hall and Oates. [6]
Besides performing music whenever possible, Crenshaw is a curriculum writer and robotics instructor in the automation industry. He also wrote a mechatronics curriculum. [1]
Marshall Howard Crenshaw is an American musician, singer, songwriter, and guitarist best known for hit songs such as "Someday, Someway," a US top 40 hit in 1982, "Cynical Girl," and "Whenever You're on My Mind." He is also the co-author of one of the biggest radio hits of the 1990s, the Gin Blossoms's "Til I Hear It from You." His music has roots in classic soul music and Buddy Holly, to whom Crenshaw was often compared in the early days of his career, and whom he portrayed in the 1987 film La Bamba.
The Marshall Tucker Band is an American rock band from Spartanburg, South Carolina. Noted for incorporating blues, country and jazz into an eclectic sound, the Marshall Tucker Band helped establish the Southern rock genre in the early 1970s. While the band had reached the height of its commercial success by the end of the decade, it has recorded and performed continuously under various line-ups for 50 years. Lead vocalist Doug Gray remains the only original member still active with the band.
Mitchell Blake Easter is a musician, songwriter, and record producer. Frequently associated with the jangle pop style of guitar music, he is known as producer of R.E.M.'s early albums from 1981 through 1984, and as frontman of the 1980s band Let's Active.
Ricky Fataar is a South African musician of Malay descent who has performed as both a drummer and a guitarist. He gained fame as an actor in The Rutles: All You Need Is Cash, a spoof on the Beatles, in which he performed as a member of the Rutles. He was also a member of the Beach Boys between 1971 and 1974, and has been the drummer for Bonnie Raitt for the last 35 years. Fataar is also a record producer, and has worked on projects scoring music to film and television.
Don Alan Dixon is an American record producer, songwriter, and musician. He is considered to be one of the key producers of what is called the jangle pop movement of the early 1980s, including working with R.E.M. and The Smithereens.
Jay Lane is an American musician. He is a founding member of Bob Weir's RatDog, with Weir and Rob Wasserman, Wolf Bros, Furthur, Golden Gate Wingmen, Dead & Company and Alphabet Soup. He was the 7th drummer to play in Primus, playing with the band for around eight months in 1988 and later rejoining the band from 2010-2013. Lane was a member of San Francisco Bay Area bands The Uptones from '83-'85, and The Freaky Executives '84-'89.
Ralph Gallant, known professionally as Larrie Londin, was an American drummer and session musician. According to journalist James Byron Fox, "If not the best known, Larrie is one of the most listened to drummers in the world. He played on more hit records during his career than any other drummer, with the exception of the legendary session drummer Hal Blaine, and his work covers the complete musical spectrum."
Michael Timothy Curry is an American drummer. He has collaborated with singer-songwriter Bryan Adams since the early 1980s, but has also worked with Hall & Oates, Cher, Tina Turner, Alice Cooper, David Bowie, Elvis Costello, Sam Phillips, Tom Waits, Survivor, The Cult and Steve Jones.
Steve Jordan is an American musical director, producer, songwriter, and musician. Currently, he is the drummer for the Rolling Stones. During the 1970s and 1980s, he was a member of the bands for the television shows Saturday Night Live and Late Night with David Letterman.
Brian Doherty is an American drummer, singer-songwriter, composer, music producer, educator, and podcaster based in New York City. After starting his career working with various jazz musicians, he worked with rock bands and artists such as The Silos, Freedy Johnston, They Might Be Giants, Ben Folds, and XTC. He has also contributed to movie soundtracks. In 2000 he became a music teacher, as part of the New York City Teaching Fellows program. He has released two albums of royalty-free drum tracks for songwriters in a series called Keep It Simple, and in 2012 he released his debut solo project, Treat + Release. Now he is working on writing his memoirs, and recording podcasts.
Graham Maby is an English bass guitar player. He has recorded and toured with Joe Jackson since his first album, appearing on most of Jackson's albums and tours.
Marshall Crenshaw is the debut studio album by American musician Marshall Crenshaw. It was released on April 28, 1982, by Warner Bros. Records. Crenshaw, a performer in the musical Beatlemania, had begun to write songs for the album while staying in New York. The album was recorded with his backing band and producer Richard Gottehrer, engineer Thom Panunzio, and second engineer Jim Ball.
Good Evening is a 1989 album by Marshall Crenshaw. Although critically well-received, it failed to chart.
Marti Jones is an American singer and visual artist known for her albums and her paintings. She exhibits visual art as "Marti Jones Dixon."
Field Day is the second album by American rock musician Marshall Crenshaw. Recorded quickly after the moderate success of his self-titled debut album, Field Day featured a change in style and production after Crenshaw switched producers from Richard Gottehrer to Steve Lillywhite. The recording of the album was remembered positively by Crenshaw as was the album's sound.
Mary Jean & 9 Others is the fourth album by singer-songwriter Marshall Crenshaw. The album was produced by Don Dixon and features a return to the sounds of Crenshaw's earlier work after the country rock excursion of his previous album, Downtown.
What's In The Bag? is the ninth studio album by singer/songwriter Marshall Crenshaw.
Eric A. Darken is an American percussionist, composer, and programmer.
Greg Morrow is an American drummer, percussionist, session musician, mixing engineer, and vocalist.
"Whenever You're on My Mind" is a 1983 song by American rock musician Marshall Crenshaw. The song was released on his 1983 album Field Day. The song, notable for its booming production, originally was written during the making of Crenshaw's debut album but was saved for his second album release. Crenshaw felt the song was his best to date, and the song was released as Field Day's first single.
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