"Mary Anne" | |
---|---|
Song by Marshall Crenshaw | |
from the album Marshall Crenshaw | |
Released | April 28, 1982 |
Recorded | January 1982 |
Genre | New wave |
Label | Warner Bros. |
Producer(s) |
|
"Mary Anne" is a 1982 song by American rock musician Marshall Crenshaw. The song was released on his 1982 debut album Marshall Crenshaw . Written from the perspective of trying to console someone, the song's title was not based on a specific girl. The song's hook was described by Crenshaw as going for a "hypnotic" effect and the song features layered 12-string guitar parts.
"Mary Anne" was not released as a single. Howevver, it has become one of Crenshaw's more famous songs, seeing positive critical reception and becoming a live favorite.
"Mary Anne" originated from the titular name; Crenshaw explained "I had the idea to write a song called 'Mary Anne,' that was the first thing. Just kinda the way the word rolls out of my mouth was a good thing." [1] The song was not written with anyone in mind—Crenshaw recalled, "I didn’t really know anybody named Mary Anne. It's just got kind of a musical sound to it. I think a couple of years earlier than that, I tried to write a song around the name Mary Anne, just because, again, it's kind of a musical-sounding name, or I thought so, anyway." [2] Crenshaw has described the song as being about "consoling somebody" and "try[ing] not to let your anxieties overwhelm you." [2] [3] He elaborated,
At the time I had a friend who's[ sic ] girlfriend married another friend of mine. This was like 1979, 1980. In my head I was consoling that person. But the lyrics aren't specific, they're just kind of general. Sometimes you just have to laugh at life, laugh at your misery to keep yourself sane, etc. That’s the only way you can go forward sometimes. I remember at the time I was trying to be very minimalistic with lyrics. [1]
"Mary Anne," like many other songs on the album, features layered harmonies and lush production. [2] Crenshaw compared the song's melodic style to another song he was writing at the time, "Someday, Someway" in that "both have this kind of hypnotic, mantra-like thing that I was getting into. [I was trying to] find the point where the repetition is just right, the point where it creates a hypnotic effect rather than a numbing effect." [1] The song also features a guitar solo. [2] Crenshaw explained the guitar sound on the track, "It's probably six or eight tracks of the Vox 12-string and then maybe four of this Rickenbacker 12-string that I had. It's a big, massive, buzzing wall of 12-string guitars." [1]
"Mary Anne" was first released on the Marshall Crenshaw album in 1982. The song was not released as a single; Crenshaw later confirmed that, despite the song's popularity, it had not been considered for single release at the time. [2] It has also appeared on the compilation album This Is Easy: The Best of Marshall Crenshaw . It has been covered by the Nitty Gritty Dirt Band; their version was later praised by Crenshaw as "really beautiful." [2] Crenshaw also recorded an acoustic version of the song for the 2008 movie God Is Dead. [4]
Jon Matsumoto of The Los Angeles Times described the song as "melodic" and wrotethat the song is "as fresh and inviting as ever." [5] Timothy Finn of The Kansas City Star called it a "timeless Crenshaw pop gem," while The American Songwriter called it a "classic song." [6] [7] The Washington Post's Brett Anderson wrote the song was "as timeless as a vintage Chevy—and just as well engineered." [8] Entertainment Weekly praised the song's "spirited melancholy" and named it one of the songs on Crenshaw's first two albums that "sound as invigorating as ever." [9] Roger Catlin of The Hartford Courant named it as a "great song." [10] Rolling Stone rated the song as the 67th best of 1982, concluding "His first three albums are flawless guitar pop — 32 songs without a single dud. But 'Mary Anne' rules over them all." [11]
The song has since become a fan favorite; Crenshaw recalled, "People have always loved that one; I remember that David Letterman, it was his favorite song of mine back then...People just love it, you know? It’s a very pretty song." [2] The song has become a live favorite for Crenshaw, who stated in 2011 "For a long time I wasn't playing it live, and I'd always get shout-outs for it. So I started playing it again." [2]
Rocks is the fourth studio album by American rock band Aerosmith, released on 3 May 1976. AllMusic described Rocks as having "captured Aerosmith at their most raw and rocking." Rocks was ranked number 366 on the updated Rolling Stone's list of the 500 Greatest Albums of All Time in 2020. It has greatly influenced many hard rock and heavy metal artists, including Guns N' Roses, Metallica, and Nirvana. The album was a commercial success, charting three singles on the Billboard Hot 100, two of which reached the Top 40. The album was one of the first to ship platinum when it was released, and has since gone quadruple platinum.
Marshall Howard Crenshaw is an American musician, singer, songwriter, and guitarist best known for hit songs such as "Someday, Someway," a US top 40 hit in 1982, "Cynical Girl," and "Whenever You're on My Mind." He is also the co-author of one of the biggest radio hits of the ‘90s, the Gin Blossoms, "Til I Hear It from You." His music has roots in classic soul music and Buddy Holly, to whom Crenshaw was often compared in the early days of his career, and whom he portrayed in the 1987 film La Bamba.
Don Dixon is an American record producer, songwriter, and musician. He is considered to be one of the key producers of what is called the jangle pop movement of the early 1980s, including working with R.E.M. and The Smithereens.
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, Bayou Country, released in 1969. It was released as the B-side of the single "Proud Mary" that reached No. 2 on the Billboard charts. The song was covered by Little Richard.
Marshall Crenshaw is the debut studio album by American musician Marshall Crenshaw. It was released on April 28, 1982, by Warner Bros. Records. Crenshaw, a performer in the musical Beatlemania, had begun to write songs for the album while staying in New York. The album was recorded with his backing band and producer Richard Gottehrer, engineer Thom Panunzio, and second engineer Jim Ball.
Good Evening is a 1989 album by Marshall Crenshaw. Although critically well-received, it failed to chart.
Marti Jones is an American singer and visual artist known for her albums and her paintings. She sings, records, and performs as "Marti Jones" and exhibits visual art as "Marti Jones Dixon."
"You're My Favorite Waste of Time" is a song written and first released by American singer Marshall Crenshaw. His 1979 home demo of the song was released as the B-side of his 1982 hit "Someday, Someway" and is available on his compilations The 9 Volt Years and This Is Easy: The Best of Marshall Crenshaw.
Field Day is the second album by American rock musician Marshall Crenshaw. Recorded quickly after the moderate success of his self-titled debut album, Field Day featured a change in style and production after Crenshaw switched producers from Richard Gottehrer to Steve Lillywhite. The recording of the album was remembered positively by Crenshaw as was the album's sound.
"Some Hearts" is a song written by Diane Warren. The track was originally written for Belinda Carlisle, who recorded it as a demo for her 1987 Heaven on Earth album, but it was not included on the album. It was released as a single by Marshall Crenshaw from his 1989 album, Good Evening, but it failed to chart. Singers that have covered the song include Kelly Levesque, featured in the 2001 film America's Sweethearts, Maria Arredondo for her 2004 album Not Going Under, and Carrie Underwood for her debut album of the same name.
Downtown is the third album by singer/songwriter Marshall Crenshaw. Recorded after the relative failure of his album Field Day, Downtown was a departure from his previous albums due to its more rootsy sound.
Mary Jean & 9 Others is the fourth album by singer-songwriter Marshall Crenshaw. The album was produced by Don Dixon, who co-wrote the track "Calling Out for Love " with Crenshaw.
Life's Too Short is the sixth album by singer/songwriter Marshall Crenshaw.
"Someday, Someway" is a 1982 song by American rock musician Marshall Crenshaw. The song was released on his 1982 debut album, Marshall Crenshaw.
"Whenever You're on My Mind" is a 1983 song by American rock musician Marshall Crenshaw. The song was released on his 1983 album Field Day. The song, notable for its booming production, originally was written during the making of Crenshaw's debut album but was saved for his second album release. Crenshaw felt the song was his best to date, and the song was released as Field Day's first single.
"All I Ever Wanted" is a song by British singer-songwriter Kirsty MacColl, which was released in 1991 as the third and final single from her third studio album Electric Landlady. It was written by MacColl and Marshall Crenshaw, and produced by Steve Lillywhite.
"There She Goes Again" is a 1982 song by American rock musician Marshall Crenshaw. The song was released on his 1982 debut album, Marshall Crenshaw. Lyrically, the song was written about seeing a girl from one's window as she passes by in a car, an image that Crenshaw later said was inspired by his youth.
"Cynical Girl" is a 1982 song by American rock musician Marshall Crenshaw. The song was released on his 1982 debut album, Marshall Crenshaw. Written as a satire on the "mass culture" that Crenshaw disliked, the song was not based on a specific girl.
"Our Town" is a 1983 song by American rock musician Marshall Crenshaw. The song was released on his 1983 album Field Day. Written as an ode to Crenshaw's hometown at the time, New York City, the song features a melody inspired by Babs Cooper's version of "Honest I Do," a record that Crenshaw had heard in his childhood.
"Blues Is King" is a 1985 song by American rock musician Marshall Crenshaw. The song was released on his 1985 album Downtown. Originally written as an instrumental titled "Bruce Is King," the song features lyrics inspired by the B.B. King album Blues Is King.