Marshall Crenshaw (album)

Last updated
Marshall Crenshaw
MarshallCrenshawAlbum.jpg
Studio album by
ReleasedApril 28, 1982
August 15, 2000 (Reissue)
RecordedJanuary 1982
Studio Record Plant in New York City
Genre
Length34:10
Label Warner Bros.
Rhino (Reissue)
Producer Richard Gottehrer, Marshall Crenshaw
Marshall Crenshaw chronology
Marshall Crenshaw
(1982)
Field Day
(1983)

Marshall Crenshaw is the debut studio album by American musician Marshall Crenshaw. It was released on April 28, 1982, by Warner Bros. Records. Crenshaw, a performer in the musical Beatlemania , had begun to write songs for the album while staying in New York. The album was recorded with his backing band and producer Richard Gottehrer, engineer Thom Panunzio, and second engineer Jim Ball.

Contents

Marshall Crenshaw was a promising debut for Crenshaw, reaching number 50 in the United States and featuring a hit single in "Someday, Someway." Reviews were overwhelmingly positive, and many of Crenshaw's most famous songs, such as "Cynical Girl," "Mary Anne," and "There She Goes Again," are featured on the album.

Background

In the late 1970s, Marshall Crenshaw moved from his home state of Michigan to New York City to perform in the musical Beatlemania . [3] During this time, Crenshaw began to write songs that later appeared on his debut album, including "Someday, Someway"; he said "While I was on the verge of leaving the show, in Boston, I wrote 'Someday, Someway' and five or six of the other tunes on my first album. I wrote those in my hotel room. That was my next move in life, to be a recording artist." After releasing his debut single "Something's Gonna Happen," on Shake Records, Crenshaw received offers from RCA and Warner Brothers to record and release an album; Crenshaw ultimately chose Warner Brothers due to its more welcoming environment. [4]

Crenshaw also formed a backing band consisting of his brother Robert Crenshaw on drums and Chris Donato on bass. This band recorded with Crenshaw for his first two albums.

Recording

Marshall Crenshaw was recorded with producer Richard Gotterher at the Record Plant in New York. [5] Crenshaw wanted to produce his debut album alone, but Gotterher was brought in by Warner Bros. after sessions stalled; Crenshaw said "We started making our first album and I sort of [BS'd] my way into the producer's chair but it didn't work out. So Richard Gottehrer came in and he helped me make the record." [5] [6] Gotterher, a veteran hit songwriter and record-producer, was managing and producing Robert Gordon when he and Crenshaw first crossed paths, about a year prior to the recording of Marshall Crenshaw.

In addition to Gotterher, Thom Panunzio served as engineer for the album; Crenshaw recalled, "All I can remember is my co-producer, Richard Gottehrer, eating a lot of pasta and me pumping Thom Panunzio, our engineer, for stories about his days working with John Lennon." [7] Gotterher had originally proposed using drummer Anton Fig and bassist Will Lee for the sessions, but Crenshaw insisted on using his band instead, citing the "group identity" the trio had formed. [7] The album was recorded in approximately five weeks, in spite of several Vox lighting on fire.

Marshall Crenshaw features layered performances with clean production. Crenshaw later expressed dissatisfaction with the way the album was produced, saying "That band back then was really slick. Almost too slick. I see the tapes of that now and I think, 'This is a little too polished, almost.' We just rehearsed all the time. We were just playing clubs in the city, but we would still get together twice a week and go over stuff, and I would really drill those guys: 'Here's how the bass drum goes, and put the cymbal crash here.' I was very specific all the time—probably too much so. Now I think it was too much." [8]

Songs

Marshall Crenshaw features several of Crenshaw's most famous songs, such as "Someday, Someway", "There She Goes Again", "Cynical Girl", and "Mary Anne". [9] Crenshaw spoke favorably of the songwriting on the album, saying "The stuff was really well written. There was a discernible viewpoint that came across. It captured something, a statement was being made. We generated a lot of excitement in New York City from grassroots and built it up in less than a year. We had it really nailed down, but things got tricky after that." Despite several comparisons to Buddy Holly, Crenshaw cited Squeeze and Rockpile as the primary influences for the album. [7]

"Someday, Someway" was among the early songs Crenshaw wrote for the album and was inspired by "Lotta Lovin'" by Gene Vincent. [5] "I'll Do Anything" was often played live during this time and features lyrics which Crenshaw described as "a one-to-one conversation with somebody [where there is] one person trying to comfort another person or reassure another person." Crenshaw also said that both "I'll Do Anything" and "Mary Anne" were about "try[ing] not to let your anxieties overwhelm you." [8]

"Cynical Girl" was, according to Crenshaw, "really not about a girl—that's just off-the-shelf rock-and-roll language. To me, what the song says in a funny way is 'I hate brain-dead mass-culture [stuff] and I want to hang around with people who feel the same.' People have always really loved that song and identified with it and of course I love that" [10]

Crenshaw chose not to include his debut single, "Something's Gonna Happen," on the album. He recalled, "I'm glad we didn't re-record it ... I like 'Something's Gonna Happen,' sonically speaking, more than a lot of tracks on the debut album." [11]

Release and reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [12]
Christgau's Record Guide A [13]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [14]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [15]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [16]
Spin Alternative Record Guide 9/10 [17]

Marshall Crenshaw was released in April 1982. The album spent over six months on the Billboard chart, peaking at No. 50, [18] and eventually sold close to 400,000 copies in the United States. Contemporary reviews were glowing, with Rolling Stone calling it "1982's most gorgeous singer-songwriter debut" and claiming that "every song here sounds like a classic." [19] Rolling Stone later included the album in its list of The 100 Best Albums of the Eighties, coming in at number 72. [7]

The album's debut single "Someday, Someway" reached No. 36 on the Billboard Hot 100 in the summer of 1982, [20] as well as No. 31 on the Cash Box singles chart. The single is Crenshaw's highest-charting song. "Cynical Girl" and "There She Goes Again" were released as singles; the latter reached number 110 in the United States. [21] [22]

Despite its initial promise, the album failed to hit platinum, and his follow-up album Field Day was a commercial failure. Crenshaw explained "After the first album didn't go platinum—everybody thought it would; I thought it would—it was '82–'83, and we were out promoting these records. I made both my first two albums just in that space of time. Eighty-four came around, and I thought: 'Here I worked all my life to get to this point and now it's over, right now. It's all over now!" [19]

Musician Jeffrey Foskett include the album on his list of top ten recordings, writing, "Not since Rubber Soul or Pet Sounds was there an LP where every single cut was as good as the previous. The production by Richard Gottehrer and the performances by the band make this a true classic." [23]

Track listing

All tracks are written by Marshall Crenshaw, except where noted

Side one
No.TitleLength
1."There She Goes Again"2:39
2."Someday, Someway"2:53
3."Girls..."3:04
4."I'll Do Anything"3:03
5."Rockin' Around in N.Y.C."3:10
6."The Usual Thing"3:06
Side two
No.TitleLength
1."She Can't Dance" (Crenshaw, Rick Cioffi, Fred Todd)2:47
2."Cynical Girl"2:37
3."Mary Anne"2:57
4."Soldier of Love (Lay Down Your Arms)" (Buzz Cason, Tony Moon)2:39
5."Not for Me"2:38
6."Brand New Lover"2:39

A 2000 remastered, reissued version on Rhino/Warner Archives features bonus tracks, which include demos and live tracks.

  1. "Starlit Summer Sky" (Demo, 1979) (Crenshaw, Cioffi, Todd) – 2:48
  2. "Whenever You're on My Mind" (Demo, 1979) (Crenshaw, Bill Teeley) – 3:02
  3. "You're My Favorite Waste of Time" (1979, Marshall Crenshaw & the Handsome, Ruthless and Stupid Band) – 2:38
  4. "Somebody Like You" (1980) – 3:17
  5. "Rave On!" (Live, 1982) (Sonny West, Bill Tilghman, Norman Petty) – 1:35
  6. "The Usual Thing" (Live, 1982) – 3:14
  7. "Stop Her on Sight (S.O.S.)" (Live, 1982) (Albert Hamilton, Richard Morris, Charles Hatcher) – 2:45
  8. "Look at What I Almost Missed" (Live, 1982) (George Clinton, Tamala Lewis) – 3:58
  9. "I've Been Good to You" (Live, 1981) (Smokey Robinson) – 2:55
  10. "Brand New Lover (Alternate Version) (hidden track) – 3:01

Personnel

Guest musicians

Album design - Spencer Drate, Judith Salavetz

Photography - Gary Greene

Related Research Articles

<span class="mw-page-title-main">Arthur Alexander</span> American country-soul songwriter and singer (1940–1993)

Arthur Alexander was an American country-soul songwriter and singer. Jason Ankeny, music critic for AllMusic, said Alexander was a "country-soul pioneer" and that, though largely unknown, "his music is the stuff of genius, a poignant and deeply intimate body of work on par with the best of his contemporaries." Alexander's songs were covered by such stars as the Beatles, the Rolling Stones, Bob Dylan, Gerry and the Pacemakers, Otis Redding, Tina Turner, Pearl Jam, and Jerry Lee Lewis.

<span class="mw-page-title-main">Marshall Crenshaw</span> American musician (born 1953)

Marshall Howard Crenshaw is an American musician, singer, songwriter, and guitarist best known for hit songs such as "Someday, Someway," a US top 40 hit in 1982, "Cynical Girl," and "Whenever You're on My Mind." He is also the co-author of one of the biggest radio hits of the 1990s, the Gin Blossoms's "Til I Hear It from You." His music has roots in classic soul music and Buddy Holly, to whom Crenshaw was often compared in the early days of his career, and whom he portrayed in the 1987 film La Bamba.

Don Dixon is an American record producer, songwriter, and musician. He is considered to be one of the key producers of what is called the jangle pop movement of the early 1980s, including working with R.E.M. and The Smithereens.

<i>Smash Your Head Against the Wall</i> 1971 studio album by John Entwistle

Smash Your Head Against the Wall is the debut solo studio album by English rock musician John Entwistle, released in May 1971 by Track Records in the UK and Decca Records in the US. Smash Your Head Against the Wall was the first solo album by any member of rock band the Who, born out of Entwistle's frustrations within the band, namely not having as many of his songs featured on their albums as he would've liked, and it features a guest appearance by the Who's drummer Keith Moon on one track, as well as strong musical influences from the band's work.

Richard Gottehrer is an American songwriter, record producer and record label executive. In 1997, he co-founded The Orchard with longtime business partner Scott Cohen, an independent music distribution company. His career began as a Brill Building songwriter in the 1960s. His first number one record as a songwriter and producer was "My Boyfriend's Back" by the Angels, followed by other hits like "Hang On Sloopy" by the McCoys and "I Want Candy" by the Strangeloves, of which the latter Gottehrer was a member. In 1966, he formed Sire Records with Seymour Stein, which played a crucial role in the rise of new wave, and went on to launch the careers of Blondie, Madonna, Ramones and Talking Heads. His career continued as producer for the Go-Go's' 1981 debut album, Dr. Feelgood, Richard Hell, the Bongos and Moonpools & Caterpillars' first release with a major label, 1995's Lucky Dumpling. In 2013, the Orchard was described as "the biggest digital music distributor on the planet".

<i>Good Evening</i> 1989 studio album by Marshall Crenshaw

Good Evening is a 1989 album by Marshall Crenshaw. Although critically well-received, it failed to chart.

<i>Another World</i> (The Roches album) 1985 studio album by the Roches

Another World is the fourth studio album by the American musical trio the Roches, released in 1985 on Warner Bros. Records. The trio supported the album with a North American tour.

<span class="mw-page-title-main">You're My Favorite Waste of Time</span> 1982 single by Marshall Crenshaw

"You're My Favorite Waste of Time" is a song written and first released by American singer Marshall Crenshaw. His 1979 home demo of the song was released as the B-side of his 1982 hit "Someday, Someway" and is available on his compilations The 9 Volt Years and This Is Easy: The Best of Marshall Crenshaw.

<i>Field Day</i> (Marshall Crenshaw album) 1983 studio album by Marshall Crenshaw

Field Day is the second album by American rock musician Marshall Crenshaw. Recorded quickly after the moderate success of his self-titled debut album, Field Day featured a change in style and production after Crenshaw switched producers from Richard Gottehrer to Steve Lillywhite. The recording of the album was remembered positively by Crenshaw as was the album's sound.

<i>Home</i> (BoDeans album) 1989 studio album by BoDeans

Home is the BoDeans' third studio album, and was released in 1989. It peaked at number 94 on the Billboard 200 chart.

<span class="mw-page-title-main">Some Hearts (song)</span> 1989 single by Marshall Crenshaw

"Some Hearts" is a song written by Diane Warren. The track was originally written for Belinda Carlisle, who recorded it as a demo for her 1987 Heaven on Earth album, but it was not included on the album. It was released as a single by Marshall Crenshaw from his 1989 album, Good Evening, but it failed to chart. Singers that have covered the song include Kelly Levesque, featured in the 2001 film America's Sweethearts, Maria Arredondo for her 2004 album Not Going Under, and Carrie Underwood for her debut album of the same name.

<i>Downtown</i> (Marshall Crenshaw album) 1985 studio album by Marshall Crenshaw

Downtown is the third album by singer/songwriter Marshall Crenshaw. Recorded after the relative failure of his album Field Day, Downtown was a departure from his previous albums due to its more rootsy sound.

<i>Mary Jean & 9 Others</i> 1987 studio album by Marshall Crenshaw

Mary Jean & 9 Others is the fourth album by singer-songwriter Marshall Crenshaw. The album was produced by Don Dixon and features a return to the sounds of Crenshaw's earlier work after the country rock excursion of his previous album, Downtown.

<i>The 9 Volt Years</i> 1998 compilation album by Marshall Crenshaw

The 9 Volt Years is a compilation of early recordings by Marshall Crenshaw. It includes first versions of Crenshaw's best known songs, including "Someday, Someway" and "You're My Favorite Waste Of Time".

<i>This Is Easy: The Best of Marshall Crenshaw</i> 2000 greatest hits album by Marshall Crenshaw

This Is Easy: The Best of Marshall Crenshaw is a greatest hits album by singer-songwriter Marshall Crenshaw. It was released in 2000 on Rhino Records.

<i>Ive Suffered for My Art...Now Its Your Turn</i> 2001 live album by Marshall Crenshaw

I've Suffered For My Art…Now It's Your Turn is a live album by singer/songwriter Marshall Crenshaw. It was recorded at the noted venue The Stone Pony in Asbury Park, N.J. on February 16, 2001. It includes many of Crenshaw's best known songs, four tunes from his most recent studio album, #447, and a pair of vintage covers; Jody Reynolds' "Endless Sleep" and The Left Banke's "Walk Away Renée". The acoustic show was performed by Crenshaw solo but for a few songs accompanied by bass and accordion.

<span class="mw-page-title-main">Someday, Someway</span> 1982 single by Marshall Crenshaw

"Someday, Someway" is a 1982 song by American rock musician Marshall Crenshaw. The song was released on his 1982 debut album, Marshall Crenshaw.

<span class="mw-page-title-main">Whenever You're on My Mind</span> 1983 song by American rock musician Marshall Crenshaw

"Whenever You're on My Mind" is a 1983 song by American rock musician Marshall Crenshaw. The song was released on his 1983 album Field Day. The song, notable for its booming production, originally was written during the making of Crenshaw's debut album but was saved for his second album release. Crenshaw felt the song was his best to date, and the song was released as Field Day's first single.

<span class="mw-page-title-main">Cynical Girl</span> 1983 single by Marshall Crenshaw

"Cynical Girl" is a 1982 song by American rock musician Marshall Crenshaw. The song was released on his 1982 debut album, Marshall Crenshaw. Written as a satire on the "mass culture" that Crenshaw disliked, the song was not based on a specific girl.

"Mary Anne" is a 1982 song by American rock musician Marshall Crenshaw. The song was released on his 1982 debut album, Marshall Crenshaw. Written from the perspective of trying to console someone, the song's title was not based on a specific girl. The song's hook was described by Crenshaw as going for a "hypnotic" effect and the song features layered 12-string guitar parts.

References

  1. de Visé, Daniel. "Thirteen New Wave Album Classics". AllMusic . Retrieved May 7, 2023.
  2. Kot, Greg (2004). "Marshall Crenshaw". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 200–201. ISBN   0-7432-0169-8.
  3. "Someday, Someway by Marshall Crenshaw". SongFacts. Retrieved 30 January 2019.
  4. Ragogna, Mike. "Thirty Years Of Sublime Rock 'n' Roll: A Conversation With Marshall Crenshaw, Plus Chatting With Petra Haden, Cory Mon and Wes Kirkpatrick". Huffington Post. Retrieved 31 January 2019.
  5. 1 2 3 "Marshall Crenshaw". Michigan Rock and Roll Legends. Retrieved 5 March 2019.
  6. Harrison, Don. "Q&A: Marshall Crenshaw". Richmond Magazine. Retrieved 31 January 2019.
  7. 1 2 3 4 "100 Best Albums of the Eighties". Rolling Stone. 16 November 1989. Retrieved 26 October 2022.
  8. 1 2 Murray, Noel. "Marshall Crenshaw on songwriting, covers, and the album cover he absolutely hates". The AV Club. Retrieved 30 January 2019.
  9. Pennington, Juliet. "The VIP Lounge with Marshall Crenshaw". Boston Globe. Retrieved 18 March 2019.
  10. Brady, Bradford; Maron, John. "ON THE RECORD: 'Cynical Girl' off the top of Crenshaw's head". Rapid City Journal. Retrieved 18 March 2019.
  11. "Popdose Flashback '82: Marshall Crenshaw on "Marshall Crenshaw"". Popdose. 23 April 2012. Retrieved 2 June 2020.
  12. Ruhlann, William. "Marshall Crenshaw[1982] – Marshall Crenshaw". AllMusic . Retrieved September 24, 2015.
  13. Christgau, Robert (1990). "Marshall Crenshaw: Marshall Crenshaw". Christgau's Record Guide: The '80s . Pantheon Books. ISBN   0-679-73015-X . Retrieved May 4, 2011.
  14. Larkin, Colin (2011). The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN   978-0-85712-595-8.
  15. Schruers, Fred (May 13, 1982). "Marshall Crenshaw: Marshall Crenshaw". Rolling Stone . Archived from the original on January 12, 2002. Retrieved June 14, 2016.
  16. Kot, Greg (2004). "Marshall Crenshaw". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp.  200–01. ISBN   0-7432-0169-8.
  17. Weisbard, Eric; Marks, Craig, eds. (1995). Spin Alternative Record Guide . Vintage Books. ISBN   0-679-75574-8.
  18. Marshall Crenshaw – Marshall Crenshaw > Charts & Awards > Billboard Album at AllMusic . Retrieved 28 September 2009.
  19. 1 2 Kaufman, Peter. "POP MUSIC; Oh, How the Critics Raved. Why Didn't the Masses Follow?". The New York Times. Retrieved 18 March 2019.
  20. Marshall Crenshaw – Marshall Crenshaw > Charts & Awards > Billboard Singles at AllMusic . Retrieved 28 September 2009.
  21. "Bubbling Under". Billboard. Vol. 94. 23 October 1982. p. 84. Retrieved 1 May 2020.
  22. "Marshall Crenshaw Top Songs". Music VF. Retrieved 18 March 2019.
  23. Borack, John M. (2007). Shake Some Action - The Ultimate Guide To Power Pop. p. 170. ISBN   978-0-9797714-0-8.