Robert Mangot (died 1566) was a French goldsmith who supplied the royal court and Mary, Queen of Scots. He was a son of the goldsmith Pierre Mangot who worked for Francis I of France. [2]
Pierre Mangot was a goldsmith who worked for Francis I of France. [8] [9] Works attributed to Pierre Mangot include the "Royal Clock Salt" now owned by the London Goldsmith's Company which once belonged to Henry VIII of England, [10] [11] and may have been a gift from Francis II when Henry married Anne Boleyn, [12] and a gold casket decorated with Limoges enamel plaques held by the British Museum known as the "Sibyls Casket". [13] [14]
Mangot's hallmark appears on the silver-gilt mount of a book belonging to Trinity College, Cambridge, which seems to be depicted in the portrait of Thomas Cromwell by Hans Holbein the younger, [15] [16] [17] and on a jewelled cup known as "Le baguier de Pierre Mangot". [18] Mangot's use of a hallmark depicting a crowned "M" was identified by a Louvre curator, Michèle Bimbenet-Privat. [19]
Pierre Mangot and Louis Deuzan or Denzen mounted jewels and made an imperial-style arched crown for the funeral regalia of Louis XII, in 1515. [20] Mangot made a crown for the effigy of Anne of Brittany at her funeral, and was possibly, with Geoffroy Jacquet and the artist Jean Perréal, the maker of her crowned heart reliquary (which survives at the Musée Dobrée). [21]
Pierre Mangot supplied Francis I with some items before the King went to Italy, and was paid for these pieces and a covered cup and a covered jug in January 1527. [22] In 1526, Mangot provided a gold collar of the Order of Saint Michael given to John Stewart, Duke of Albany, in compensation for his losses in the Italian campaign. [23] Mangot replaced two collars of the Order that the King had lost at Pavia. [24] Mangot made more collars of the Order in 1527, one intended to compensate Francis de Bourbon, Count of St. Pol for his service in Italy. [25]
In January 1529/30, Pierre Mangot's servant or assistant, Pierre Le Mussier, received payment for a chain made as a diplomatic gift for the English ambassador, George Boleyn, Viscount Rochford. [26] Mangot made a coronet for the wedding of Catherine de' Medici and the Duke of Orleans in 1533. [27]
Some older sources include another goldsmith called Pierre Mangot, or perhaps the same man. He married the widow of Louis Deuzan or Denzan, Jehanne Boulyer, who owned property in Blois. He died around 1563, and is known as Pierre Mangot II. Their daughter, Magdalene Mangot married another goldsmith, Gilles de Suramond or Suraulmone, who worked for Henry II of France. [28] Pierre Mangot II made gold chains for diplomatic gifts to ambassadors, [29] and Gilles de Suramond worked in enamels and made collars of the Order of Saint Michael. [30] [31]
Robert Mangot, Pierre's son and successor, was based in Paris. One of Pierre Mangot's apprentices, a compagnon or facteur, François Dujardin, is also regarded as a successor to Pierre as a goldsmith to the French court and served Charles IX of France. [32] Dujardin was Pierre Mangot's facteur in October 1538, and received payment for another collar of the Order given to Francis de Bourbon, Count of St. Pol, by now the Duke of Estouteville. [33]
In 1551 Robert Mangot supplied a gem of green jasper spotted with red, known as a heliotrope, engraved with the figure of an Indian. [34] He attended the funeral of Henry II of France as a royal goldsmith, as did his kinsman Gilles de Suramond and Jean II Cousin (died 1568), a goldsmith and medal engraver. [35]
The young Mary, Queen of Scots, had jewels repaired and refashioned by Parisian goldsmiths including Robert Mangot, Jean Doublet and Mathurin Lussault. An account for the household of the royal children in 1551 held by the Bibliothèque nationale de France includes some of Mangot's bills, and is digitized and available online. [36] Mangot made gold paternoster beads and "gerbes" for her rosaries. An entry for these reads:
Pour xlviii grosses gerbes d'or poisant ensemble onc quatre gros pour garnir paternostres ... Pour facon desdict gerbes
For 48 large "gerbes" of gold weighing one and a quarter ounces to garnish paternosters ...For the fashion (making) of the said "gerbes"
The "gerbes" in this account seem to be small entredeux spacing beads. Larger beads used in rosaries to separate decades were known as "gauds" in Scottish and English inventories. [37] The wife of John Port, a servant of Henry VIII, owned a rosary described as a "pair of coral beads gawdyd with gawdys of silver". [38] A belt or girdle, refashioned in 1566, [39] with knots of pearl and coral with gold "jarbis" or "gerbes" appears in the 1579 inventory of jewels that Mary left behind in Edinburgh. [40] The goldsmith George Heriot held a necklace with 80 gold "jerbs" belonging to Margaret Douglas, Countess of Bothwell the wife of Francis Stewart, 5th Earl of Bothwell. [41] [42]
Mangot provided Mary with a girdle or belt and a descending chain, made in Spanish fashion, and supplied 1,500 gold buttons to decorate bands of silver embroidery that edged a black velvet gown, with several other items and pieces for the other royal children. At the same time, Jean Doublet made several accessories for Mary, and silver mounts for a coffer or coffret for Elisabeth of Valois. [43] [44] Jean Doublet became the goldsmith to Francis II of France as Dauphin. [45]
Francis I was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a legitimate son.
Madeleine of Valois was a French princess who briefly became Queen of Scotland in 1537 as the first wife of King James V. The marriage was arranged in accordance with the Treaty of Rouen, and they were married at Notre-Dame de Paris in January 1537, despite French reservations over her failing health. Madeleine died in July 1537, only six months after the wedding and less than two months after arriving in Scotland, resulting in her nickname, the "Summer Queen".
The Chapelle expiatoire is a chapel located in the 8th arrondissement of Paris, France. The chapel was constructed on the grounds where King Louis XVI and Queen Marie Antoinette had been buried after they had been guillotined, and it is therefore dedicated to them.
Antoine-Robert Gaudreau was a Parisian ébéniste who was appointed Ébéniste du Roi and was the principal supplier of furniture for the royal châteaux during the early years of Louis XV's reign. He is largely known through the copious documentation of the Garde-Meuble de la Couronne; he entered the service of the Garde-Meuble in 1726. However, since his career was spent before the practice of stamping Paris-made furniture began (1751), no stamped piece by Gaudreau exists and few identifications have been made, with the exception of royal pieces that were so ambitious and distinctive that they can be recognized from their meticulous inventory descriptions.
Thomas Germain (1673–1748) was the pre-eminent Parisian silversmith of the Rococo.
Sire Philippe Van Dievoet called Vandive, écuyer, (1654–1738) was a celebrated goldsmith and jeweller. He was goldsmith to King Louis XIV, councillor of the King, officier de la Garde Robe du Roi, trustee of the Hôtel de ville of Paris, and Consul of Paris.
Balthazar Martinot (1636–1714) was a French clockmaker, and valet de chambre of the Queen and the King.
Nicolas-Félix Van Dievoet called Vandive, écuyer, (c.1710–1792) was a French court official
Jean-Claude Chambellan Duplessis, called Duplessis père to distinguish him from his son, Jean-Claude-Thomas Chambellan Duplessis, was a goldsmith, sculptor and ceramics modeller, bronze-founder and decorative designer working in the Rococo manner. He served as artistic director of the Vincennes porcelain manufactory and its successor at Sèvres from 1748 to his death in 1774 and as royal goldsmith from 1758 to 1774.
Francis I de Bourbon, Count of St. Pol, Duke of Estouteville, was a French prince and important military commander during the Italian Wars.
José Germain Drouilly, more commonly writing under the name José Germain, was a French writer. Some of his works were turned into Silent era film scripts, such as The Magnificent Flirt (1928), from the novel Maman.
Guillaume-Isidore Baron de Montbel was a French politician who was a mayor of Toulouse, a deputy and a minister in the French government during the last year of the Bourbon Restoration. He was an ardent royalist and opposed to the freedom of press. After the July Revolution of 1830 he was tried in absentia and sentenced to civil death. He was later pardoned and returned to France.
Église Sainte-Marthe de Tarascon or Collégiale Royale Sainte-Marthe is a collegiate church in Tarascon, France, dedicated to Saint Martha. It is where, according to a local tradition, the biblical figure Martha is buried.
The Great 'H' of Scotland was a jewel belonging to Mary, Queen of Scots comprising a large diamond, a ruby, and a gold chain. It was broken up in 1604 and made into the Mirror of Great Britain for James VI and I.
The Vandive family was a Parisian branch of the Van Dievoetfamily from Brussels, descended from goldsmith Philippe Van Dievoet, the elder brother of famous Brussels sculptor Peter Van Dievoet. The family were first bourgeois of Paris before becoming part of the French nobility.
Events from the year 1634 in France.
The jewels of Mary, Queen of Scots (1542–1587), are mainly known through the evidence of inventories held by the National Records of Scotland. She was bought jewels during her childhood in France, adding to those she inherited. She gave gifts of jewels to her friends and to reward diplomats. When she abdicated and went to England many of the jewels she left behind in Scotland were sold or pledged for loans, first by her enemies and later by her allies. Mary continued to buy new jewels, some from France, and use them to reward her supporters. In Scotland her remaining jewels were worn by her son James VI and his favourites.
Martin-Guillaume Biennais was a French goldsmith and silversmith.
The Marie Antoinette Diamond Earrings are a pair of diamond earrings on permanent display in the Smithsonian National Museum of Natural History in Washington, D.C., United States. They are so named for their assumed provenance: that they were commissioned by King Louis XVI of France for his wife, Queen Marie Antoinette. While there is limited documentation and circumstantial evidence attesting to the truth of this claim, the origin of the earrings has never been definitively proven.
Mathurin Lussault was a French goldsmith based in Paris who supplied the royal family and Mary, Queen of Scots.