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The Bard Graduate Center: Decorative Arts, Design History, Material Culture is a graduate research institute and gallery located in New York City. It is affiliated with Bard College, located in Annandale-on-Hudson, New York. The gallery occupies a six-story townhouse at 18 West 86th Street while the academic building and library are located at 38 West 86th Street.
Benjamin Heinz-Dieter Buchloh is a German art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University.
Joseph Rykwert CBE is Paul Philippe Cret Professor Emeritus of Architecture at the University of Pennsylvania, and one of the foremost architectural historians and critics of his generation. He has spent most of his working life in the United Kingdom and America. He has taught the history and theory of architecture at several institutions in Europe and North America. Rykwert is the author of many influential works on architecture, including The Idea of a Town (1963), On Adam's House in Paradise (1972), The Dancing Column (1996) and The Seduction of Place (2000). All his books have been translated into several languages.
Robert de Cotte was a French architect-administrator, under whose design control of the royal buildings of France from 1699, the earliest notes presaging the Rococo style were introduced. First a pupil of Jules Hardouin-Mansart, he later became his brother-in-law and his collaborator. After Hardouin-Mansart's death, de Cotte completed his unfinished projects, notably the royal chapel at Versailles and the Grand Trianon.
Jean Aubert was a French architect, the most successful of the Régence and designer of two of the most important buildings of the period: the stables of the Château de Chantilly and the Hôtel Biron in Paris. He also created innovative interior designs, the most notable, the separation of private and public spaces for the Palais Bourbon in Paris.
The Académie Royale d'Architecture was a French learned society founded in 1671. It had a leading role in influencing architectural theory and education, not only in France, but throughout Europe and the Americas from the late 17th century to the mid-20th.
Thomas E. Crow is an American art historian and art critic who is best known for his influential writing on the role of art in modern society and culture. Since 2007, Crow has served as the Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, NYU.
John Dixon Hunt is an English landscape historian whose academic career began with teaching English literature. He became a professor at the University of Pennsylvania in 1994 and served as the department chair of landscape architecture and regional planning until June 2000, now being emeritus. One aspect of his work focuses on the time between the turn of the seventeenth through the end of the 18th centuries in France and England. He is the author of many articles, not only in landscape journals but also Apollo, Lincoln Center Theater Review, and Comparative Criticism, and chapters on topics including T. S. Eliot and modern painting, Utopia in and as garden, and garden as commemoration.
Louise Françoise, Duchess of Bourbon was the eldest surviving legitimised daughter of Louis XIV of France and his maîtresse-en-titre Françoise-Athénaïs, Marquise de Montespan. She was said to have been named after her godmother, Louise de La Vallière, the woman her mother had replaced as the king's mistress. Before her marriage, she was known at court as Mademoiselle de Nantes.
Pierre Lepautre or Le Pautre was a French draughtsman, engraver and architect, especially known as an ornemaniste, a prolific designer of ornament that presages the coming Rococo style. He was the son of the designer and engraver Jean Lepautre and nephew of the architect Antoine Lepautre. His appointment in 1699 as Dessinateur in the Bâtiments du Roi, the official design department of the French monarchy, headed by Jules Hardouin-Mansart and later Robert de Cotte in the declining years of Louis XIV, was signalled by the historian of the Rococo, Fiske Kimball, as a starting point in the genesis of the new style.
Marie Thérèse de Bourbon was the titular Queen consort of Poland in 1697. She was the daughter of the Prince of Condé. As a member of France's reigning House of Bourbon, she was a princesse du sang.
Gerard Henri Luc Béhague was an eminent Franco-American ethnomusicologist and professor of Latin American music. His specialty was the music of Brazil and the Andean countries and the influence of West Africa on the music of the Caribbean and South America, especially candomblé music. His lifelong work earned him recognition as the leading scholar of Latin American ethnomusicology.
Poppelsdorf Palace is a Baroque building in the Poppelsdorf district of Bonn, western Germany, which is now part of the University of Bonn.
Mary Diana Lee Sheriff was an American art historian, and W.R. Kenan, Jr. Distinguished Professor of Art History at University of North Carolina at Chapel Hill who specialized in eighteenth-century French art, decorative arts, gender studies, and material culture.
Susana Torre is an Argentine-born American architect, critic and educator, based in New York City (1968–2008) and in Carboneras, Almeria, Spain. Torre has developed a career that combined “theoretical concerns with the actual practice of building” and architectural and urban design with teaching and writing. Torre was the first woman invited to design a building in Columbus, IN, “a town internationally known for its collection of buildings designed by prominent architects.”
Mark Louis Hallett is a Welsh art historian specialising in the history of Welsh art. He is the Märit Rausing Director of the Courtauld Institute of Art.
Eran Neuman is an Israeli architect and architectural historian. Currently, he is the dean of the Yolanda and David Katz Faculty of the Arts, Tel Aviv University. Between 2010 and 2018, Neuman headed the Azrieli School of Architecture at TAU. He is the founder of the Azrieli Architectural Archive at the Tel Aviv Museum of Art and was a co-founder of the international research collaborative Open Source Architecture.
Elizabethan Baroque is a term for the Russian Baroque architectural style, developed during the reign of Elizabeth of Russia between 1741 and 1762. It is also called style Rocaille or Rococo style. The Italian architect Francesco Bartolomeo Rastrelli is the key figure of this trend, which is still given the name 'Rastrellian Baroque'. The Russian architect Savva Chevakinsky is also a renowned figure representing this style.
The Château de Chanteloup was an imposing 18th-century French château with elaborate gardens, compared by some contemporaries to Versailles. It was located in the Loire Valley on the south bank of the river Loire, downstream from the town of Amboise and about 2.3 kilometres (1.4 mi) southwest of the royal Château d'Amboise. From 1761 to 1785 Chanteloup belonged to King Louis XV's prime minister, the Duke of Choiseul. The château was mostly demolished in 1823, but some features of the park remain, notably the Pagoda of Chanteloup, a significant tourist attraction.
Christopher M. S. Johns was an American art historian, and the Norman L. and Roselea J. Goldberg Professor of History of Art at Vanderbilt University, who specialized in eighteenth-century Italian art, decorative art, material culture, and architecture. He was a leading scholar of early modern Italian art and culture, especially the relationship between art, politics, and religion in eighteenth-century Rome.
References
Faculty webpage page at Florida State University
Society of Architectural Historians
Florida Center for Advising & Academic Support (FCAAS)
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