Jeu de Paume is an arts centre for modern and postmodern photography and media. It is located in the north corner of the Tuileries Gardens next to the Place de la Concorde in Paris. In 2004, Galerie Nationale du Jeu de Paume, Centre national de la photographie and Patrimoine Photographique merged to form the Association Jeu de Paume.
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of that movement. He was a significant influence on Henri Matisse and many other artists. His work was instrumental in the development of Fauvism.
The Neue Galerie New York is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House at 86th Street and Fifth Avenue in New York City. Established in 2001, it is one of the most recent additions to New York City's famed Museum Mile, which runs from 83rd to 105th streets on Fifth Avenue in the Upper East Side of Manhattan.
The USC Trojan Marching Band, also known as the Spirit of Troy and nicknamed The Greatest Marching Band in the History of the Universe, Ever (TGMBITHOTUE), represents the University of Southern California (USC) at various collegiate sports, broadcast, popular music recording, and national public appearance functions.
Kenny Scharf is an American painter known for his participation in New York City's interdisciplinary East Village art scene during the 1980s, alongside Jean-Michel Basquiat and Keith Haring. Scharf's do-it-yourself practice spanned painting, sculpture, fashion, video, performance art, and street art. Growing up in post-World War II Southern California, Scharf was fascinated by television and the futuristic promise of modern design. His works often includes pop culture icons, such as the Flintstones and the Jetsons, or caricatures of middle-class Americans in an apocalyptic science fiction setting.
Paul Durand-Ruel was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system.
Guy Orlando Rose was an American Impressionist painter and California resident, who received national recognition in the late 19th and early 20th centuries.
Georges Petit was a French art dealer, a key figure in the Paris art world and an important promoter and cultivator of Impressionist artists.
Arthur Hill Gilbert was an American Impressionist painter, notable as one of the practitioners of the California-style. Today, he is remembered for his large, colorful canvases depicting meadows and groves of trees along the state's famed 17 Mile Drive. Gilbert was part of the group of American impressionist artists who lived and painted in the artists' colony scene in California at Carmel and Laguna Beach during the 1920s and 1930s.
The California Art Club (CAC) is one of the oldest and most active arts organizations in California. Founded in December 1909, it celebrated its centennial in 2009 and into the spring of 2010. The California Art Club originally evolved out of The Painters Club of Los Angeles, a short-lived group that lasted from 1906–09. The new organization was more inclusive, as it accepted women, sculptors and out-of-state artists.
Urs Fischer is a Swiss-born contemporary visual artist living in New York City and Los Angeles. Fischer’s practice includes sculpture, installation, photography, and digitally-mediated images.
Henrietta Mary Shore was a Canadian-born artist who was a pioneer of modernism. She lived a large part of her life in the United States, most notably California.
Alfredo Ramos Martínez was a painter, muralist, and educator, who lived and worked in Mexico, Paris, and Los Angeles. Considered by many to be the 'Father of Mexican Modernism', Ramos Martínez is best known for his serene and empathetic paintings of traditional Mexican people and scenes. As the renowned Nicaraguan poet Rubén Darío wrote, "Ramos Martínez is one of those who paints poems; he does not copy, he interprets; he understands how to express the sorrow of the fisherman and the melancholy of the village."
Blanche Hoschedé Monet was a French painter who was both the stepdaughter and the daughter-in-law of Claude Monet.
The terms California Impressionism and California Plein-Air Painting describe the large movement of 20th century artists who worked out of doors, directly from nature in California, United States. Their work became popular in the San Francisco Bay Area and Southern California in the first three decades after the turn of the 20th century. Considered to be a regional variation on American Impressionism, the California Impressionists are a subset of the California Plein-Air School.
Ethel Carrick, later Ethel Carrick Fox was an English Impressionist and Post-Impressionist painter. Much of her career was spent in France and in Australia, where she was associated with the movement known as the Heidelberg School.
Peter Plagens is an American artist, art critic, and novelist based in New York City. He is most widely known for his longstanding contributions to Artforum and Newsweek, and for what critics have called a remarkably consistent, five-decade-long body of abstract formalist painting. Plagens has written three books on art, Bruce Nauman: The True Artist (2014), Moonlight Blues: An Artist's Art Criticism (1986) and Sunshine Muse: Modern Art on the West Coast, 1945-70 (1974), and two novels, The Art Critic (2008) and Time for Robo (1999). He has been awarded major fellowships for both his painting and his writing. Plagens's work has been featured in surveys at the Museum of Modern Art, Los Angeles County Museum of Art (LACMA), Whitney Museum, and PS1, and in solo exhibitions at the Hirshhorn Museum and Las Vegas Art Museum. In 2004, the USC Fisher Gallery organized and held a 30-year traveling retrospective of his work. Critics have contrasted the purely visual dialogue his art creates—often generating more questions than answers—with the directness of his writing; they also contend that the visibility of his bylines as a critic has sometimes overshadowed his artmaking—unduly. Los Angeles Times critic David Pagel described Plagens's painting as a "fusion of high-flying refinement and everyday awkwardness" with an intellectual savvy, disdain for snobbery and ungainliness he likened to Willem de Kooning's work. Reviewing Plagens's 2018 exhibition, New York Times critic Roberta Smith called the show an "eye-teasing sandwich of contrasting formalist strategies," the hard-won result of a decade of focused experimentation.
William Posey Silva (1859–1948) was an early 20th century American painter noted for atmospheric landscapes painted in a lyrical impressionist style. His work is associated with the Charleston Renaissance and with the art colony in Carmel, California, where he lived for thirty-six years.
Donna N. Schuster was an American easel painter, who created work in the style of modern impressionism using the medium of oil and watercolor. She focused her work in Wisconsin then later moved to Los Angeles, California where she died in 1953.
Arthur Charles Bartner is an American musician best known as the director of Spirit of Troy, the marching band for the University of Southern California, a position he held from 1970 to 2020. During this time he has become closely identified with USC Trojans football and has been credited with establishing the Spirit of Troy as "one of the most-famous bands in America." In addition to his longtime work directing the USC marching band, Bartner also served as director of bands at Davison High School in Davison, Michigan, and as director of the band of the 1984 Summer Olympics.
