Mark Sheinkman is an American contemporary artist. His primary media are oil painting, drawing, and printmaking.
Philip Grausman is an American sculptor who continues to push the limits of the time-honored portrait in art.
Peter Shelton is a contemporary American sculptor born in 1951 in Troy, Ohio.
Chakaia Booker is an American sculptor known for creating monumental, abstract works for both the gallery and outdoor public spaces. Booker’s works are contained in more than 40 public collections and have been exhibited across the United States, Europe, Africa, and Asia. Booker was included in the 2000 Whitney Biennial, received a Guggenheim Fellowship in 2005, and an American Academy of Arts and Letters Award for Art in 2001. Booker has lived and worked in New York City’s East Village since the early 1980s and maintains a production studio in Allentown, Pennsylvania.
Peter Ford Young is an American painter. He is primarily known for his abstract paintings that have been widely exhibited in the United States and in Europe since the 1960s. His work is associated with Minimal Art, Post-minimalism, and Lyrical Abstraction. Young has participated in more than a hundred group exhibitions and he has had more than forty solo exhibitions in important contemporary art galleries throughout his career. He currently lives in Bisbee, Arizona.
Gladys Triana is a Cuban-American visual artist. Triana's career as an artist has spanned nearly six decades and includes works on paper, paintings, sculpture, mixed-media collage, installations, and photography. Triana currently resides in New York City and is still actively creating artwork.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Edward Dugmore was an abstract expressionist painter with close ties to both the San Francisco and New York art worlds in the post-war era following World War II. Since 1950 he had more than two dozen solo exhibitions of his paintings in galleries across the United States. His paintings have been seen in hundreds of group exhibitions over the years.
Sarah Seager is a conceptual artist associated with the California Conceptualism movement of the late 1980s through mid-1990s based out of Los Angeles, California. She is known for making "clean works, many of them white, in which objects seem not so much removed from function as between functions" as described by Michael Brenson of The New York Times. She is also known for her published art work by the title "Excuse my Dust" that was done in conjunction with the curators of the Smithsonian Institution.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Nancy Rubins is an American sculptor and installation artist. Her sculptural works are primarily composed of blooming arrangements of large rigid objects such as televisions, small appliances, camping and construction trailers, hot water heaters, mattresses, airplane parts, rowboats, kayaks, canoes, surfboards, and other objects. Works such as Big Edge at CityCenter in Las Vegas contain over 200 boat vessels. Stainless Steel, Aluminum, Monochrome I, Built to Live Anywhere, at Home Here, at the Albright-Knox Art Gallery in Buffalo, contains 66 used aluminum boats and rises to a height of 30 ft.
Natasha Boas is a French-American contemporary art curator, writer, and critic. She has taught art history and curatorial studies at Yale, Stanford, and the San Francisco Art Institute. Her exhibition on the Modernist Algerian artist, Baya Mahieddine Baya: Woman of Algiers in 2018 at the Grey Art Gallery at New York University garnered her international critical attention. In 2017 she was featured in Lynn Hershman Leeson's Vertighost, playing the role of herself as an art historian. She also authored the Facebook Artist in Residence book on the recent history of Art and Technology in the Bay Area for the 5th anniversary of Facebook's artist-in-residency program. An adjunct professor at the California College of the Arts, she is an expert in the art of California countercultures, the modernist avant-garde, surrealist women artists, the Mission School and Outsider artists.
Jane Rosen is an American artist, working in sculpture, drawing and printmaking. While Rosen's career was established in her native New York in the 1970s and 80s, with well received exhibitions and a teaching position at the School of Visual Arts, "a trip to Northern California provided an unexpected pivot for her aesthetic vision and her life." She lived on both coasts and subsequently began a teaching position at the University of California, Berkeley. Rosen "made the break from her urban existence as an artist in New York to a life as an artist on her ranch in California."
Nade Haley was an American visual artist whose work has been exhibited at numerous museums and galleries, and is held in public and private collections. After relocating from Washington DC, Haley lived and kept studios in New York City and in Cape Breton, Nova Scotia.
Jonathan Silver was an American figurative sculptor, and visual artist "known for infusing classical forms with an extreme, implicitly modern sense of emotion." His work draws from the hellenistic tradition, as well as Rodin, Giacometti and Freudian psychoanalysis.
Julia Couzens is a California-based, American artist known for a diverse body of work that embraces unconventional materials and methods and includes drawing, sculpture, installation art, and writing. Critic David Roth identifies as a connecting thread in her evolving work, her "decidedly surrealist-symbolist sensibility, in which eroticism, the grotesque and the gothic mix in equal parts." Her work has been shown internationally and throughout the United States, including solo exhibitions at the Christopher Grimes Gallery and California State University, Stanislaus (2009), in surveys at the University of California, Davis and Sonoma Museum of Visual Art (1999), and group shows at the Crocker Art Museum, P•P•O•W, Orange County Museum of Art, Hammer Museum, and BAMPFA, among others. Her art has been reviewed in the Los Angeles Times, San Francisco Chronicle, Flash Art, New Art Examiner, and Art Practical, among other publications, and collected by institutions including the Crocker Art Museum, Fine Arts Museums of San Francisco, Oakland Museum of California and Butler Institute of American Art, among many. In addition to working as an artist, Couzens has taught at several Southern California universities and writes about contemporary art for The Sacramento Bee and Squarecylinder. She lives and works on Merritt Island in the Sacramento River delta community of Clarksburg and maintains a studio in downtown Los Angeles.
Mary Obering was an American painter focusing mainly on geometric abstraction.
Mia Westerlund Roosen is an American sculptor known for largely abstract, often monumental works that reference the body, eroticism, and primal forms.
Brenda Louie is a California-based Chinese American artist known for her large, painterly abstractions and multimedia installations that explore a variety of subject matter, including migration, cultural hybridity, and Eastern philosophy. Louie has also been a longtime professor of studio art at California State University Sacramento, and has taught painting and drawing at California State University, Stanislaus, American River College, Sacramento, University of California, Davis, San Francisco Art Institute, and Stanford University.
Harriet Korman is an American abstract painter based in New York City, who first gained attention in the early 1970s. She is known for work that embraces improvisation and experimentation within a framework of self-imposed limitations that include simplicity of means, purity of color, and a strict rejection of allusion, illusion, naturalistic light and space, or other translations of reality. Writer John Yau describes Korman as "a pure abstract artist, one who doesn’t rely on a visual hook, cultural association, or anything that smacks of essentialization or the spiritual," a position he suggests few post-Warhol painters have taken. While Korman's work may suggest early twentieth-century abstraction, critics such as Roberta Smith locate its roots among a cohort of early-1970s women artists who sought to reinvent painting using strategies from Process Art, then most associated with sculpture, installation art and performance. Since the 1990s, critics and curators have championed this early work as unjustifiably neglected by a male-dominated 1970s art market and deserving of rediscovery.
