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Robot Rock | ||||
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Studio album by | ||||
Released | November 18, 1997 | |||
Recorded | The Electric Joy Toy Company, March–July 1997 | |||
Genre | Synthpop, electropop | |||
Length | 30:50 | |||
Label | BEC Recordings [1] | |||
Producer | Michael Knott | |||
Joy Electric chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Alternative Press | [3] |
Robot Rock is the third full-length album by Joy Electric, released in 1997. [4] [5] [6] It is the group's best-selling album. [2]
The album was recorded solely on analog synthesizers. [7]
The album was reviewed favorably by critics. Heather Phares, writing for AllMusic, designated the album as an "Album Pick" from the group's discography, and praised its simplicity and vocalist Ronnie Martin's vocal performance. [2] Trouser Press wrote that "had the album been released in 1981, songs like 'Sugar Rush' and 'Monosynth' would likely now be beloved new wave classics. Robot Rock is among the best of the neo-new wave albums, and deserves a spot on the shelf next to albums like the Human League’s Dare, Depeche Mode’s Speak and Spell and Soft Cell’s Non-Stop Erotic Cabaret. [1] CMJ New Music Monthly called the album "synth-pop reduced to its [Gary] Numan-ian essence." [8]
(all songs written by Ronnie Martin)
Joy Electric is the brand label for a series of electropop/synthpop productions by Ronnie Martin. Martin began producing music under the Joy Electric name in 1994, after the demise of Dance House Children, a band Ronnie was in with his brother Jason Martin of Starflyer 59. Starflyer 59 bass player and Velvet Blue Music owner Jeff Cloud joined Joy Electric from 1996 until 2002. Joy Electric is currently a solo act.
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Christian Songs is the fourth studio album by the electropop band Joy Electric. A music video was recorded for "Children of the Lord." In 2006, it was rereleased on iTunes, along with Robot Rock and Melody. This album remains to this day the most overtly spiritual Joy Electric release, as the title suggests. Tracks such as "The Magic Of" and "Singing in Gee" maintain the distinct fantasy theme from Joy Electric's previous two albums, whereas tracks such as "Children of the Lord" and the cover "Make My Life a Prayer" speak in very plain and certain terms of Martin's devotion to God.
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