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Roy Wood is an English musician, singer and songwriter. He was particularly successful in the 1960s and 1970s as member and co-founder of the Move, Electric Light Orchestra and Wizzard. As a songwriter, he contributed a number of hits to the repertoire of these bands. Altogether he had more than 20 singles in the UK Singles Chart under various guises, including three UK No. 1 hits.
Wizzard were an English rock band formed by Roy Wood, former member of the Move and co-founder of the Electric Light Orchestra. The Guinness Book of 500 Number One Hits states, "Wizzard was Roy Wood just as much as Wings was Paul McCartney." They are most famous for their 1973 Christmas single "I Wish It Could Be Christmas Everyday", which has been played during every Christmas season in the UK since its release.
Lynsey de Paul was an English singer-songwriter and producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, scoring another chart-topping hit in Switzerland and had a successful career as a two-time Ivor Novello Award-winning composer, record producer, actress and television celebrity.
Jet Records was a British record label started by Don Arden in 1974, featuring musicians such as Lynsey de Paul, Electric Light Orchestra (ELO), Roy Wood, Gary Moore, Ozzy Osbourne, Alan Price, Adrian Gurvitz, Riot and Magnum.
Wizzard Brew is the debut album by rock group Wizzard, released in 1973 on EMI's Harvest label. It reached a peak of No. 29 in the UK Albums Chart. In the United States, it was released by United Artists Records as Wizzard's Brew but failed to chart there.
Introducing Eddy and the Falcons is the second album by the English rock band Wizzard. It peaked at No. 19 in the UK Albums Chart – ten places higher than its predecessor, Wizzard Brew. As with the previous Wizzard album, all songs were composed by Roy Wood.
Mustard is the second solo album by English musician Roy Wood, released in December 1975 by Jet Records. The album was recorded at De Lane Lea Studios and Phonogram Studios, although a dispute at one of the studios delayed the release of the album. Produced and entirely performed by Wood, who also designed the album artwork, Mustard was a departure from his previous solo album Boulders (1973), with a more ambitious approach and denser, more layered production, again mixing a number of musical styles. Annie Haslam and Phil Everly contributed guest vocals to the album, while Wood's influences on the record included the Andrew Sisters, the Beach Boys and Led Zeppelin.
"All the Way from Memphis" is a single released by Mott the Hoople as the lead track from the album Mott in 1973. The song tells a story about a rock and roller whose guitar is shipped to Oriole, Kentucky, instead of Memphis, Tennessee. The track peaked at No. 10 in the UK Singles Chart. Although it did not chart in the United States, it did receive considerable airplay on album-oriented rock stations. The Mott album, from which it was released, reached the Top 40 of the Billboard 200, peaking at No. 35.
"Roll Away the Stone" is a song written by Ian Hunter, recorded by English rock band Mott the Hoople, and released as a single on the CBS label. On the first version, recorded before Mick Ralphs left the band, Ralphs plays lead guitar and one of the Thunderthighs handles the bridge voice. It was re-recorded by the band for their 1974 album The Hoople, with Ariel Bender on lead guitar and English vocalist Lynsey de Paul singing the vocal bridge.
Boulders is the debut solo album by English musician Roy Wood, recorded from 1969 to 1971 and released in July 1973 by Harvest Records. Wood began work on the album as a whimsical side-project away from his band the Move, and conceived it to explore numerous instruments he had collected in the 1960s but felt unable to use in the Move. Nonetheless, its release was delayed for several years due to his busy schedule with the Move, Wizzard and the Electric Light Orchestra. Apart from harmonium on one song played by John Kurlander, all the instruments on the album, including guitars, cello, saxophones, bouzouki, banjo and recorders, were played by Wood, who also wrote, arranged, and produced the whole record, in addition to providing all the vocals. The musician also painted the unfinished self-portrait on the cover.
"Good Rocking Tonight" is a jump blues song originally released in 1947 by its writer, Roy Brown and was covered by many recording artists. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!" The song anticipated elements of rock and roll music.
"See My Baby Jive" is a 1973 song by the British glam rock band Wizzard.
"California Man" is a song by British rock and roll band The Move. It was written by the band's guitarist/vocalist Roy Wood, who has said he wrote it as a pastiche of Little Richard and Jerry Lee Lewis.
"I Wish It Could Be Christmas Everyday" is a Christmas song recorded by British glam rock band Wizzard. It was first released in December 1973 and, as with most Wizzard songs, was written and produced by the band's frontman Roy Wood—formerly of The Move and a founding member of Electric Light Orchestra. Despite the song's strong, long-lasting popularity, it has reached no higher than number four on the UK Singles Chart, a position it occupied for four consecutive weeks from December 1973 to January 1974. The song was beaten to the 1973 Christmas Number 1 spot by Slade's "Merry Xmas Everybody", which remained at the top of the charts for five weeks, from December 1973 to January 1974.
"I Can Hear the Grass Grow " is the second single by the Move, written by Roy Wood. The song was first released on 31 March 1967, and reached number 5 in the UK Singles Chart on 10 May 1967, staying for ten weeks in the charts. "I Can Hear the Grass Grow" was the second of a string of four consecutive top-5 singles in the UK.
"Night of Fear" is the debut single by British rock band the Move, written by Roy Wood. The song was first released on 9 December 1966, and reached number 2 in the UK Singles Chart on 26 January 1967, staying for ten weeks in the charts. "Night of Fear" was the first of a string of four consecutive top-five singles in the UK.
"Wig-Wam Bam" is a song by British glam rock band The Sweet, written by songwriters Nicky Chinn and Mike Chapman, released as a single in September 1972. It was the first Sweet single on which the band members actually played their instruments, as previous singles featured producer Phil Wainman on drums, and session musicians John Roberts and Pip Williams on bass and guitars respectively.
"Ooh I Do" is the fifth single released by Lynsey de Paul on 17 May 1974 and her only single released on the Warner Bros. label, after moving there from MAM Records. Co-written by de Paul and Barry Blue, this Phil Spector-ish song with a nod to the style of the Roy Wood/Wizzard sound, conveys the angst about parents not believing in a teenage love affair represented a change of style for de Paul, who also produced the recording. De Paul performed the song on TV shows in Spain and Germany, however, her only UK performance was for Top of the Pops, but this was never shown because of industrial action at the BBC. De Paul re-recorded the song for this episode and this version was released on the BBC Transcription Services album, Top Of The Pops-495, which also featured an interview conducted by Brian Matthews.
"I Didn't Know I Loved You (Till I Saw You Rock and Roll)" is a song by English glam rock singer Gary Glitter, written by Glitter with Mike Leander and produced by Mike Leander. It was released as the second single from his debut studio album, Glitter (1972) and peaked at No. 4 on the UK Singles Chart. It was also Glitter's second and last charted record in the US, peaking at #35. Rock Goddess and Planet Patrol both recorded cover versions in 1983.
"Forever" is a 1973 single, which was written and produced by Roy Wood. Wood played all of the musical instruments on the recording, as well as supplying lead and multi-tracked backing vocals. The song was globally published by Carlin Music Corp.
References
- ↑ Stanley, Bob (13 September 2013). "Deluxe and Delightful: Glam". Yeah Yeah Yeah: The Story of Modern Pop. Faber & Faber. p. 336. ISBN 978-0-571-28198-5.
- 1 2 3 4 "Wizzard". 45cat.com. 2019. Retrieved 2019-07-21.
- ↑ Evans, Jeff (December 21, 2013). "The Christmas songs that still sound glam at 40". Telegraph.co.uk.
- ↑ "rock and roll winter | full Official Chart History | Official Charts Company". Officialcharts.com.
- ↑ "The Irish Charts - All there is to know". Irishcharts.ie.
- ↑ La saga de Roy Wood Brumbeat forever (The Move, Wizzard, ELO, etc.) by Vincent Lasserre, Publisher: Camion Blanc, September 20 2017, ASIN: B0764B43R1
- ↑ Robson, Michael (2013-03-18). Sugar and Beyond — Anthology 1972–1974 (booklet). Lynsey de Paul. RPM Records (United Kingdom). p. 8.
- ↑ "Rock 'n' Roll Winter Lyrics - Wizzard". FlashLyrics.
- ↑ "Wizzard (2) - Rock N' Roll Winter". Discogs. 1974.
- ↑ "Wizzard (2) - Introducing Eddy And The Falcons". Discogs. 2000.
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