Sugar and Beyond | ||||
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Compilation album by | ||||
Released | March 18, 2013 | |||
Lynsey de Paul chronology | ||||
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Sugar and Beyond is a double compilation album by the British singer-songwriter Lynsey de Paul released on 18 March 2013, [1] together with a second double album, Into My Music . [2] De Paul personally oversaw the project and was involved in the digital remastering of the tracks from the original tapes. The CD includes all her hits as well as the two LPs released in the period between 1972 and 1974. [3]
The majority of the tracks on this CD had not been reissued previously. The first CD (and the first four tracks on the second CD) contained all of the recordings for MAM Records (the four singles with A-sides and B sides) as well as tracks from the Surprise album. The version of "Sugar Me" included is the longer album version produced by de Paul, rather than the single version which was produced by Gordon Mills. Similarly, the version of "All Night" is longer than the single version originally released in 1973 and it includes an extra section that reprises "Baby sugar me" from her first hit. Sugar and Beyond also contains two unreleased songs performed by de Paul from 1972 and orchestrated by Nick Drake collaborator, Robert Kirby - "House of Cards" (a song covered by many artists) and "Taking It On", a song co-written with Ron Roker and previously released by Sacha Distel and Petula Clark, [4] as well as dance troupe The Young Generation on their 1973 album, Give Me Love. [5]
The second CD includes the one off international hit single on the Warner Bros label "Ooh I Do" and its B-side "Nothing Really Lasts Forever", and subsequent releases on the Jet Records/Polydor Records label such as the UK top 40 hit "My Man and Me" plus de Paul's version of "Dancin' (on a Saturday Night)" (the B-side to that single) and it concludes with de Paul's second biggest hit single "No, Honestly" and the B-side of this single "Central Park Arrest", which was a UK hit for Thunderthighs. The remaining tracks come from de Paul's second vinyl album Taste Me... Don't Waste Me . All of the songs of the album were either written or co-written by de Paul. [6] The album came with a booklet with photographs and memorabilia from de Paul's personal archive, as well her as anecdotes about the songs and her career. [7]
The album received positive reviews in the music press such as the UK music magazines Record Collector [8] and Music Week , [9] plus the US music magazine Goldmine , [10] with one review stating "it paints the portrait of an artist whose songs stand apart from the rest, her lyrics show her as a very good lyricist and the songs span everything from piano ballads to pop, rock and even some early 70s disco tinged material". [11] The CD was the 37th best selling album on the label in the first quarter after its release [12] It was also listed as one of the best albums of 2013 by Dave Bash of International Pop Overthrow [13]
Lynsey de Paul was an English singer-songwriter and producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, scoring another chart-topping hit in Switzerland and had a successful career as a two-time Ivor Novello Award-winning composer, record producer, actress and television celebrity.
"Won't Somebody Dance with Me" is a song written by Lynsey de Paul in 1973, which was awarded an Ivor Novello Award in 1974. Her original version of the ballad made the UK, Irish and Dutch Top 20s, and the song was featured in Michael Winner's remake of the film The Big Sleep, The Muppet Show, and the 1970s version of the New Mickey Mouse Club.
"Storm in a Teacup" is a song written by Lynsey de Paul and Ron Roker, recorded by the British group The Fortunes and released as a single in 1972.
"My Man and Me" is a song written, recorded and produced by the British female singer-songwriter Lynsey de Paul for her second album, Taste Me... Don't Waste Me, and released as a single backed with de Paul's smoochy version of "Dancing on a Saturday Night" on 21 February 1975.
Tigers and Fireflies is an album recorded in 1978 and released by Lynsey de Paul in April 1979 on the Polydor record label in the UK, Europe, Japan, Hong Kong, Singapore, Malaysia and South America. It was launched at a special event at the Mayfair Club in London, with de Paul looking similar to the 1940s film star Veronica Lake. The album was recorded at Long View Farm Studios with additional recording at Mediasound Studios, New York and produced by Rupert Holmes. In his 1986 biography, Justin de Villeneuve, de Paul's manager at the time wrote "I gave Rupert Holmes a call in New York. He agreed to see me if I flew to America. Polydor, with the prospect of the involvement with Holmes, agreed to up the budget". The collaboration between de Paul and Holmes on Tigers and Fireflies was mentioned on the Ray Shasho Show, when Shasho interviewed Holmes on his BBS radio show on 7 August 2018. The story behind the recording of the album was also discussed in the book Dervish Dust: The Life and Words of James Coburn. Speaking to Music Week about the album, Jim Cook said "Throw away all of your preconceived ideas about Lynsey de Paul".
"If I Don't Get You The Next One Will" is a song written, recorded and produced by Lynsey de Paul and released in April 1976 in the UK as her last single on Jet Records. The B-side of the single was another de Paul song and fan favourite "Season to Season". A longer version of the song was recorded as a track for the 1976 album Take Your Time, but the album was shelved as part of a dispute between de Paul and Arden, and when it was finally released on CD in 1990 in Japan as Before You Go Tonight, the single version was included. This humorous and tongue in cheek song relates many of de Paul's negative dating experiences. One well known muse for the song was former boyfriend, Ringo Starr, who missed a dinner date with de Paul. De Paul herself described the song as being about revenge, after Starr missed a dinner appointment with her because he fell asleep in his office. Stylistically, it was quite a departure from previous releases, with prominent use of synthesiser and a sparse arrangement that received positive reviews. At the time, the Record Mirror wrote "Cleverly constructed song with Lynsey's voice playing leap-frog over itself. Uptempo rhythm that winds itself all over the place, following the intricate vocal patterns."
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul, who was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics.
"Sugar Me" is a song written by Lynsey de Paul and Barry Green. The first version of this song to be released was recorded by de Paul as her first single on MAM Records in 1972. It was produced by Gordon Mills and the B-side was de Paul's version of "Storm in a Teacup", a song she had co-written and had been a hit for the Fortunes earlier that year.
"You Give Me Those Feelings" is a song written by Lynsey de Paul, and produced by de Paul and Jon Kelly. It was released as a non-album single, with the B-side "Beautiful" also composed by de Paul, on Polydor in August 1977, as the follow-up to the European hit single "Rock Bottom". The German and French releases of the single both had picture sleeves. The romantic song makes clever use of vocal overdubbing and has a false ending making the shorter version more radio friendly that the whole song, which clocks in at over four minutes. The song was play listed by a number of British radio stations. It is listed as one of the songs of 1977 in a German music database as one of the songs of the year 1977.
"Beautiful" is a song written by Lynsey de Paul. It first appeared as the B-side to her 1977 single "You Give Me Those Feelings" on the Polydor record label and reflected her real life philosophy that all forms of life are beautiful, including household flies. This recording was co-produced by de Paul and Jon Kelly. An extended and reworked version of the song with snatches of songs from de Paul's 1979 Tigers and Fireflies album as a reprise that was produced by Rupert Holmes, was featured as the last track on this album. The latter version of the song was finally released on CD on Lynsey's 2013 double CD anthology Into My Music, whereas the original version has yet to be released on CD.
"House of Cards" is a song written by Lynsey de Paul and Barry Blue and is one of their most covered songs. It was first released as a single by Chris Kelly on the CBS label on 7 April 1972, credited as being written by Rubin and Green (Blue). The song was a radio hit in Italy, receiving multiple plays on national radio stations.
"So Good to You" is a song that was written by Lynsey de Paul, and first released by Zakatek as the B-side to his 1973 single, "I Gotcha Now", which also penned by de Paul. The single was released on 2 March 1973 and both songs were produced and arranged by de Paul. Her own version appeared in October 1973 as the B-side to her award-winning single "Won't Somebody Dance with Me", which was arranged by Christopher Gunning and produced by de Paul. In Japan and some South American countries, however, "So Good to You" was released as the A-side of the single release with "Won't Somebody Dance with Me" being relegated to the B-side on its release in 1974. AllMusic lists "So Good to You" as one of De Paul's song highlights. It was also a radio hit in Italy and ranks as one of de Paul's biggest songs there according to Radiocorriere magazine. It is still played on radio stations around the world.
Into My Music - Anthology 1975-1979 is a digitally remastered double album, featuring songs written and performed by Lynsey de Paul, that was released on 18 March 2013 on Cherry Red's RPM Retrodisc label. All recordings have been remastered by de Paul and Simon Murphy from original tape sources and co-produced by de Paul and Mark Stratford. The album is packaged with photographs and memorabilia from de Paul's personal archive and text by Michael Robson.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S. military style clothing was taken by Brian Aris.
Just a Little Time is an album by Lynsey de Paul. It was originally released on 30 September 1994 on the Music Deluxe label but has since been released on the Tring International PLC label and on Arc Records/The Magic Collection. All of the songs on the album are written or co-written by de Paul.
"All Night" is a song written by Lynsey de Paul and Ron Roker. De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. The song is listed in the U.S. Library of Congress Catalog of Copyright Entries and in the "The Directory of American 45 R.p.m. Records" It features an uncredited male vocal. A slinky, sexy song, it compares a love relationship to that of the spider and a fly. The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. "Surprise" had been released a little more than a month earlier and this song was in a different style.
"Sugar Shuffle" is a song written by Lynsey de Paul and Barry Blue. It first appeared as the lead-in track on de Paul's album Love Bomb as an ethereal, chilled and dreamy song about nightlife and dating. AllMusic rated "Sugar Shuffle" as one of de Paul's song highlights. Musician and music critic Bob Stanley wrote in The Guardian, "Sugar Shuffle is an especially gorgeous, woozy mid-70s confection, fit to sit at the table with Liverpool Express’s You Are My Love".
"Water" is a song written by the British female singer-songwriter Lynsey de Paul and Barry Blue, who was credited as Barry Green. It was first released as a track on De Paul's debut album Surprise in March 1973. Shortly afterwards, a live version that de Paul recorded for the BBC, appearing on the BBC Transcription Services album number 443 in April 1973. It was released as a single later that year in Peru with the title "Agua" but the song was not released as a single in Europe, Japan and the USA. It has since appeared on a number of de Paul compilation albums such as Greatest Hits, The Best of Lynsey de Paul and the Sugar and Beyond anthology.
"Rock 'n' Roll Winter " was a song written by Roy Wood. It was released by the British rock band Wizzard, as their first single on the Warner Bros label in 1974. It was originally meant to be issued early in 1974 but the date was pushed back to 29 March 1974, before it was finally released on 19 April that year. Nevertheless, it sold well and reached number 6 on the UK Singles Chart, and number 13 on the Irish Singles Chart.
"Taking It On" is a song written by Lynsey de Paul and Ron Roker, and originally published by ATV Music. Although de Paul recorded her own demo version of the song in 1972, her version of the song was not released until 2013 on her Anthology CD album Sugar and Beyond. De Paul also arranged and produced this recording.