"Sugar Me" | |
---|---|
Single by Lynsey de Paul | |
B-side | "Storm in a Teacup" |
Released | 1972 |
Venue | Studio One AIR Studios, Oxford Circus, London |
Genre | Pop |
Label | MAM Records |
Songwriter(s) | Lynsey de Paul and Barry Green |
Official audio | |
"Sugar Me" on YouTube |
"Sugar Me" is a song written by Lynsey de Paul and Barry Green. [1] The first version of this song to be released was recorded by de Paul as her first single on MAM Records in 1972. It was produced by Gordon Mills and the B-side was de Paul's version of "Storm in a Teacup", a song she had co-written and had been a hit for the Fortunes earlier that year. [2]
The single was a hit in many countries, notably reaching the top of the singles chart in the Netherlands (where it stayed for five weeks), [3] Belgium, Sweden and Spain as well as the top 20 in the UK, Australia, Germany, Austria, Denmark and Japan. It also reached the no. 1 position on the Bangkok HSA chart in October 1972, and was play listed on some (WERS-FM, KCRW, KFAI, WPKN etc) US radio stations. [4] It also received favourable reviews in the United States, [5] [6] and was listed as being among the best 5 singles of 1972 by Cashbox . [7] [8] "Sugar Me" was ranked the 14th best selling single of 1972 in the Netherlands, [9] the 40th best seller the same year in Australia, [10] the 80th best selling single of 1972 in the UK, [11] and the 89th best selling single on the 1973 German chart. [12] It entered the Netherlands Digital Top 100 on the 5 October 2014, just after De Paul died. The version on de Paul's debut album, Surprise , was a re-recorded and slightly extended version that featured a longer solo by violinist Johnny Van Derek and was produced by de Paul. [13] "Sugar Me" was re-released as a single in 1977 backed with "Won't Somebody Dance With Me" on the MAM label to tie in with the release of her Eurovision Song contest entry "Rock Bottom". [14]
De Paul re-recorded the song in an updated style including a club mix version and both versions appeared on her 1994 album, Just a Little Time . [15] The club mix was also included on the 2001 compilation album, Dance Sensation (The Ultimate Urban Dance Remix Collection). [16]
Chart (1974) | Peak position |
---|---|
Belgium | 1 |
Netherlands | 1 |
Spain | 1 |
Sweden | 1 |
Austria | 2 |
Australia | 4 |
UK | 5 |
Turkey | 9 |
Germany | 16 |
The song has been recorded by many other artists, notably Nancy Sinatra, as a non-LP single, [17] and received positive reviews. [18] This version appeared as the lead track on her 1999 album How Does It Feel and on her 2023 album Keep Walkin': Singles, Demos & Rarities 1965-1978. [19] Claudine Longet also recorded her version of the song on her 1993 album Sugar Me. [20] The song was also covered by actress Abigail on her 1973 self-titled album. [21] Later it was covered by Dutch group Gigantjes, [22] Belgian female trio "Candy", [23] Nydia Caro (both as a single and also as a track on her 1978 album), [24] [25] Esmaye on her album Elements in Me, [26] plus singer-songwriter Nasia Christie who released her version of "Sugar Me" as her first single produced by Brian Canham from Pseudo Echo in 2007. [27] There has also been a rock version of the song performed by the German group Gwen Stacey, on their 1989 EP "Sugar Me". [28] More recently, it has been recorded by Papernut Cambridge, [29] Italian artist, LIM [30] [31] and Karl Jonas on his 2016 album, In a Gilbert Play. [32]
In 1973, Klaus Wunderlich performed an instrumental version of "Sugar Me" as a medley with "Standing in the Road", [33] originally by Blackfoot Sue. This version was sampled for the song "Certified" by Guru on his 2000 album Guru's Jazzmatazz, featuring Bilal on vocals and de Paul received co-writing credits. [34] The track was also released as a single with various remixes. [35] This version of the song also appeared on the album Rap History 2000 [36] and also on the 2007 CD Sound Maeuvers by DJ Mitsu The Beats, DJ Mu-R, where it is entitled "Certified/Sugar Me", [37] and the 2010 CD Wolt Beats – My Brain Dilla's Anthology, [38] as well as on the 2016 CD Mr.Beats a.k.a. DJ Celory J Dilla Mix Pt. 2. [39]
The de Paul album version of "Sugar Me" is featured as the first song in the movie Cut Snake , [40] and it is performed by Austrian actress Sophie Rois in the German comedy film La série" aka "Fräulein Phyllis. [41] It was also featured in the 1980 Russian movie Тростинка на ветру (Reed in the Wind). [42] It was also featured in episode 1 of the 2021 TV series Physical . [43] [44] The version by Claudine Longet appears on the sound track to the 2019 German film, Club der einsamen Herzen (Lonely Hearts Club). [45]
Lynsey de Paul was an English singer-songwriter and record producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, coming second and scoring another chart-topping hit in Switzerland, and had a successful career as a songwriter, record producer, actress and television celebrity.
MAM Records was a British record label launched in 1970 by the management company Management Agency & Music Ltd. (MAM). It was founded by Gordon Mills and Tom Jones and distributed by Decca Records. The first single released on MAM was "I Hear You Knocking" by Dave Edmunds in 1970. Later that year, Gilbert O'Sullivan started his run of hit singles on MAM with "Nothing Rhymed", and he also provided MAM with its first hit album in 1971 with Himself. Other hit albums such as Back to Front, I'm a Writer, Not a Fighter, and A Stranger In My Own Back Yard followed.
Barry Blue is an English singer, producer, and songwriter. As an artist, he is best known for his hit songs "Dancin' " and "Do You Wanna Dance".
"Won't Somebody Dance with Me" is a song written by Lynsey de Paul in 1973, which was awarded an Ivor Novello Award in 1974. Her original version of the ballad made the top 20 of the UK, Irish and Dutch charts, and the song was featured in Michael Winner's remake of the film The Big Sleep, The Muppet Show, and the 1970s version of the New Mickey Mouse Club.
Taste Me...Don't Waste Me is the third album by the English singer-songwriter Lynsey de Paul but the second album of completely new material and de Paul also was the producer for all of the songs. It was released in the UK in November 1974 and was the first album on Don Arden's then new label, Jet Records, and initially distributed by Polydor, although Island Records was soon contracted by Arden to take over distribution and this confusion may have negatively affected sales. Releases in all other countries, such as Spain, Germany, Australia, Japan and South America, were on the Polydor label in early 1975. The album was generally well received by music critics from leading magazines of the day. AllMusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career" and lists this as one of her best albums. The Sunday Sun reviewed the album and wrote "Lynsey de Paul has shown her fine smoochy new album "Taste Me Don’t Waste Me" that she consistent song-writing talent". It was also de Paul's personal favourite album and she wrote on her music store website some years later "The Taste Me... Don't Waste Me album was a romantic collection of songs that I wrote and recorded as a relaxing, late night album", echoing earlier comments to the music press. The LP was listed as one of the best album releases of 1975 by journalist Judith Simons. It has stood the test of time in that it is listed as one of the top albums released in 1974 by online site "Best ever albums", as well as one of the top 1000 albums released in the 1970s.
"Getting a Drag" was the second single released by Lynsey de Paul. The song was co-written with David Jordan, and featured the de Paul penned b-side "Brandy". Released in November 1972 on MAM Records, the single entered the UK Singles Chart and peaked at number 18 and was still in the charts in early 1973. The single also reached number 46 on the German Singles Chart and had a four week run on the Dutch Single Tip chart where it peaked at number 7. It reached number 1 on the Israeli Galei Tzahal chart, No. 2 on the Radio Northsea International chart, and No. 12 in January 1973 on the Turkish singles chart as published in Milliyet.
"Storm in a Teacup" is a song written by Lynsey de Paul and Ron Roker, recorded by the British group The Fortunes and released as a single in 1972.
"Ooh I Do" is the fifth single released by Lynsey de Paul on 17 May 1974 and her only single released on the Warner Bros. label, after moving there from MAM Records. Co-written by de Paul and Barry Blue, this Phil Spector-ish song with a nod to the style of the Roy Wood/Wizzard sound, conveys the angst about parents not believing in a teenage love affair represented a change of style for de Paul, who also produced the recording. De Paul performed the song on TV shows in Spain and Germany, however, her only UK performance was for Top of the Pops, but this was never shown because of industrial action at the BBC. De Paul re-recorded the song for this episode and this version was released on the BBC Transcription Services album, Top Of The Pops-495, which also featured an interview conducted by Brian Matthews.
"My Man and Me" is a song written, recorded and produced by the British female singer-songwriter Lynsey de Paul for her second album, Taste Me... Don't Waste Me, and released as a single backed with de Paul's smoochy version of "Dancing on a Saturday Night" on 21 February 1975.
"All I Am" is a song written by Lynsey de Paul and Susan Sheridan. It was first released as an album track on Candles, the 1980 Billboard charting album from the soul group, Heatwave. Band member Johnnie Wilder, Jr. revealed that he invited de Paul to contribute the track. It was also released as the B-side to the Heatwave single "Dreamin' You" released in 1980 in Australia. This version has also been released on the Heatwave compilation album Maximum Heat, as well as on the compilation albums The Love Box II: 75 Love Song Sensations, "Hits of the Year 3", "Greatest Slow Legendary" and "Do You Remember This". In 2010, it was released as a track on the expanded and remastered CD version of Candles. It ranked number 7 in the Indonesian top 100 "JazzyTunes songs" chart.
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul. On the album, de Paul was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics.
"Papa Do" is a song written by Lynsey de Paul and Barry Blue, who are credited as Rubin and Green. The song was released as a single performed by Barry Green in February 1972 backed with "Boomerang" on the Decca label and had a modicum of chart success in Spain, France and Sweden. It received a number of favourable reviews, including one from the BBC DJ Alan Freeman on his Sunday radio show Pick of the Pops. The Dutch group, Cardinal Point, recorded a version which was similar in style to that recorded by Green, as a track on their self-named album, and the Greek group, The Daltons, also released a version of the song as a single. The song was re-titled "Mama Do" and the text slightly modified for de Paul's own jazzed up version, that served as the opening track for her debut album, Surprise, which was released in 1973. In January 1974, Decca Records re-released the single to capitalize on Barry Blue's chart success and it again received positive reviews.
"House of Cards" is a song written by Lynsey de Paul and Barry Blue and is one of their most covered songs. It was first released as a single by Chris Kelly on the CBS label on 7 April 1972, credited as being written by Rubin and Green (Blue). The song was a radio hit in Italy, receiving multiple plays on national radio stations.
"So Good to You" is a song that was written by Lynsey de Paul, and first released by Zakatek as the B-side to his 1973 single, "I Gotcha Now", which also penned by de Paul. The single was released on 2 March 1973 and both songs were produced and arranged by de Paul. Her own version appeared in October 1973 as the B-side to her award-winning single "Won't Somebody Dance with Me", which was arranged by Christopher Gunning and produced by de Paul. In Japan and some South American countries, however, "So Good to You" was released as the A-side of the single release with "Won't Somebody Dance with Me" being relegated to the B-side on its release in 1974. AllMusic lists "So Good to You" as one of De Paul's song highlights. It was also a radio hit in Italy and ranks as one of de Paul's biggest songs there according to Radiocorriere magazine. It is still played on radio stations around the world.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S. military style clothing was taken by Brian Aris.
Just a Little Time is an album by Lynsey de Paul. It was originally released on 30 September 1994 on the Music Deluxe label but has since been released on the Tring International PLC label and on Arc Records/The Magic Collection. All of the songs on the album are written or co-written by de Paul.
"All Night" is a song written by Lynsey de Paul and Ron Roker. De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. The song is listed in the U.S. Library of Congress Catalog of Copyright Entries and in "The Directory of American 45 R.p.m. Records". It features an uncredited male vocal. A slinky, sexy song, it compares a love relationship to that of the spider and a fly. The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. Surprise had been released a little more than a month earlier - presumably it was not included since "All Night" has a very different style than the tracks on Surprise.
Sugar and Beyond is a double compilation album by the British singer-songwriter Lynsey de Paul released on 18 March 2013, together with a second double album, Into My Music. De Paul personally oversaw the project and was involved in the digital remastering of the tracks from the original tapes. The CD includes all her hits as well as the two LPs released in the period between 1972 and 1974.
"Sugar Shuffle" is a song written by Lynsey de Paul and Barry Blue. It first appeared as the lead-in track on de Paul's album Love Bomb as an ethereal, chilled and dreamy song about nightlife and dating. AllMusic rated "Sugar Shuffle" as one of de Paul's song highlights. Musician and music critic Bob Stanley wrote in The Guardian, "Sugar Shuffle is an especially gorgeous, woozy mid-70s confection, fit to sit at the table with Liverpool Express's You Are My Love".
"Taking It On" is a song written by Lynsey de Paul and Ron Roker, and originally published by ATV Music. Although de Paul recorded her own demo version of the song in 1972, her version of the song was not released until 2013 on her Anthology CD album Sugar and Beyond. De Paul also arranged and produced this recording.