"All Night" is a song written by Lynsey de Paul and Ron Roker. [1] De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. [2] The song is listed in the U.S. Library of Congress Catalog of Copyright Entries [3] and in "The Directory of American 45 R.p.m. Records". [4] It features an uncredited male vocal (repeating the title "All Night" after de Paul sings it). A slinky, sexy song, it compares a love relationship to that of the spider and a fly. [5] The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. [6] The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. Surprise had been released a little more than a month earlier - presumably it was not included since "All Night" has a very different style than the tracks on Surprise. [7]
As well as being released in the UK, it was issued in France, Germany, Netherlands, Belgium, Portugal, Sweden, Turkey, New Zealand, Japan and the US. [8] [9] Cashbox reviewed the single and wrote "Lynsey's initial Stateside release, "Sugar Me" received wide industry acclaim, and this one is certain to follow in same path. Excellent single for major top 40 programmers is melodic and rhythmic. This will be the one to watch". [10] It was listed as a "Spins & Sales" pick in Record World [11] and also as a "discopick" in DJ and Radio Monthly magazine. [12] [13] In his column "Pop Picking" journalist James Craven wrote "Lynsey de Paul should be chart bound soon with her "All Night". I must admit it took one or two plays before coming to this conclusion. It builds up from a quiet start but I must confess Lynsey knows how to handle a lyric." [14] Record Mirror reviewed the single "Noted composer, singer, pianist, producer, arranger, talent scout Lynsey does have style you know. She's got a feel for the right approach in pop, and there is an element of sauciness about her songs which come over well. This one is a persuasive, intriguing sort of performance which registers instantly. Nice one - chart cert". [15] A week later the music paper listed the single as one of Hamilton's Disco Picks and wrote "She "Gets Down" quite sexily, MoR/Pop." [16] [17] Writing in the music newspaper Sounds , English DJ John Peel wrote "a dapper little strutter" about the song. [18]
As well as garnering radio plays on BBC Radio, Radio Luxembourg and pirate radio stations, the song was also play listed on Italian radio stations such as "Secondo" (channel 2) [19] and it was playlist by various Canadian radio stations. [20] De Paul appeared on numerous prime time TV shows performing "All Night" such as Top of the Pops in the UK on 4 May 1973. [21] [22] [23] She performed a liver version of the song together with her song "Sleeping Blue Nights" (from the album "Surprise") on the German TV music show Hits-a-Go-Go on 24 June 1973 (re-screened as an episode of Einsfestival on 28 March 2015), where she performed with Mott The Hoople. [24] De Paul also gave a memorable performance surrounded by male dancers on Top A Gérard Lenorman in France and Popzein in the Netherlands, alongside ABBA on 6 June 1973 [25] performing the song. The Top of the Pops version was released on the BBC Transcription Services for broadcast world wide, together with live versions of her songs "Ivory Tower" and "Water". [26]
The single reached No. 17 on the Dutch Single Tip chart [27] and No. 20 on the Turkish singles chart as published by Milliyet. [28] It was also playlist by a number of pirate radio stations and it reached No. 27 on the Radio North Sea International (RNI) Top 30 in June 1973, [29] Although it did not appear in the UK Singles Chart, it bubbled under as a chart breaker. [30] [31] In 1974, it was released for a second time in Japan, as one of the tracks on a four track EP that featured all four de Paul singles recorded for the MAM label. [32]
Even though it was originally a non-album single, it has since been released on almost every de Paul compilation album, such as Lynsey Sings aka The World of Lynsey De Paul, [33] and the German album Profile. [34] A version that is longer than the one appearing as the single and that referenced "Sugar Me" was released on the album Greatest Hits, [35] and in remastered form on Sugar and Beyond. In the accompanying booklet to Sugar and Beyond, de Paul revealed it was not one of her own favourite compositions. [36] [37] Nevertheless, AllMusic lists "All Night" as one of de Paul's song highlights. [38]
The song was recorded with Japanese lyrics by singer/actress Jun Fubuki (real name Reiko Horikawa) [39] as "Futari No Hodou", [40] which was released as a single as well as an album track on the L.P. "ジュンとあなたの世界〜風吹じゅん ファースト・アルバム〜" in Japan in 1974. It was later released for the first time on the CD collection Golden Best: Jun Fubuki in 2012. [41] Fubuki performed her version of the song on the popular Japanese TV show, 風吹ジュン - 二人の舗道, in 1975. [42]
In 2019, it was included as a track on Denim & Diamante vol. 1, a selection of 1970s glam pop and discotheque rock, mixed by Denim Disco. [43] In 2020, it comprised one of the tracks on I Start Counting #10, an album compiled by Saint Etienne. [44] The song was also included in the 2024 collection "Rose Coloured Glasses". [45] It still receives airplay, notably in the US as recently as 2021. [46]
Lynsey de Paul was an English singer-songwriter and record producer. After initially writing hits for others, she had her own chart hits in the UK and Europe in the 1970s, starting with UK top 10 single "Sugar Me", and became the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, coming second and scoring another chart-topping hit in Switzerland, and had a successful career as a songwriter, record producer, actress and television celebrity.
"Won't Somebody Dance with Me" is a song written by Lynsey de Paul in 1973, which was awarded an Ivor Novello Award in 1974. Her original version of the ballad made the top 20 of the UK, Irish and Dutch charts, and the song was featured in Michael Winner's remake of the film The Big Sleep, The Muppet Show, and the 1970s version of the New Mickey Mouse Club.
Taste Me...Don't Waste Me is the third album by the English singer-songwriter Lynsey de Paul but the second album of completely new material and de Paul also was the producer for all of the songs. It was released in the UK in November 1974 and was the first album on Don Arden's then new label, Jet Records, and initially distributed by Polydor, although Island Records was soon contracted by Arden to take over distribution and this confusion may have negatively affected sales. Releases in all other countries, such as Spain, Germany, Australia, Japan and South America, were on the Polydor label in early 1975. The album was generally well received by music critics from leading magazines of the day. AllMusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career" and lists this as one of her best albums. The Sunday Sun reviewed the album and wrote "Lynsey de Paul has shown her fine smoochy new album "Taste Me Don’t Waste Me" that she consistent song-writing talent". It was also de Paul's personal favourite album and she wrote on her music store website some years later "The Taste Me... Don't Waste Me album was a romantic collection of songs that I wrote and recorded as a relaxing, late night album", echoing earlier comments to the music press. The LP was listed as one of the best album releases of 1975 by journalist Judith Simons. It has stood the test of time in that it is listed as one of the top albums released in 1974 by online site "Best ever albums", as well as one of the top 1000 albums released in the 1970s.
"Getting a Drag" was the second single released by Lynsey de Paul. The song was co-written with David Jordan, and featured the de Paul penned b-side "Brandy". Released in November 1972 on MAM Records, the single entered the UK Singles Chart and peaked at number 18 and was still in the charts in early 1973. The single also reached number 46 on the German Singles Chart and had a four week run on the Dutch Single Tip chart where it peaked at number 7. It reached number 1 on the Israeli Galei Tzahal chart, No. 2 on the Radio Northsea International chart, and No. 12 in January 1973 on the Turkish singles chart as published in Milliyet.
"Storm in a Teacup" is a song written by Lynsey de Paul and Ron Roker, recorded by the British group The Fortunes and released as a single in 1972.
"Ooh I Do" is the fifth single released by Lynsey de Paul on 17 May 1974 and her only single released on the Warner Bros. label, after moving there from MAM Records. Co-written by de Paul and Barry Blue, this Phil Spector-ish song with a nod to the style of the Roy Wood/Wizzard sound, conveys the angst about parents not believing in a teenage love affair represented a change of style for de Paul, who also produced the recording. De Paul performed the song on TV shows in Spain and Germany, however, her only UK performance was for Top of the Pops, but this was never shown because of industrial action at the BBC. De Paul re-recorded the song for this episode and this version was released on the BBC Transcription Services album, Top Of The Pops-495, which also featured an interview conducted by Brian Matthews.
"My Man and Me" is a song written, recorded and produced by the British female singer-songwriter Lynsey de Paul for her second album, Taste Me... Don't Waste Me, and released as a single backed with de Paul's smoochy version of "Dancing on a Saturday Night" on 21 February 1975.
Surprise is the first album released by Lynsey de Paul on the MAM record label in 1973. In Australia, the album name was changed to Sugar Me, after de Paul's first hit single. All of the songs on the album were written or co-written by de Paul. On the album, de Paul was accompanied by some of the UK's leading session musicians including Terry Cox, Ralph McTell, Ray Cooper, Jeff Daly, John Gustafson, Chris Rae, Danny Thompson, Gary Boyle, Barry de Souza, Dick Katz, Robert Kirby, Francis Monkman, John Richardson and violinist Johnny Van Derrick. The album front cover is a portrait photo of de Paul photographed by Clive Arrowsmith, and a gatefold sleeve with illustrations provided by de Paul, a nod to her previous career of designing album sleeves and song lyrics.
"Sugar Me" is a song written by Lynsey de Paul and Barry Green. The first version of this song to be released was recorded by de Paul as her first single on MAM Records in 1972. It was produced by Gordon Mills and the B-side was de Paul's version of "Storm in a Teacup", a song she had co-written and had been a hit for the Fortunes earlier that year.
"Papa Do" is a song written by Lynsey de Paul and Barry Blue, who are credited as Rubin and Green. The song was released as a single performed by Barry Green in February 1972 backed with "Boomerang" on the Decca label and had a modicum of chart success in Spain, France and Sweden. It received a number of favourable reviews, including one from the BBC DJ Alan Freeman on his Sunday radio show Pick of the Pops. The Dutch group, Cardinal Point, recorded a version which was similar in style to that recorded by Green, as a track on their self-named album, and the Greek group, The Daltons, also released a version of the song as a single. The song was re-titled "Mama Do" and the text slightly modified for de Paul's own jazzed up version, that served as the opening track for her debut album, Surprise, which was released in 1973. In January 1974, Decca Records re-released the single to capitalize on Barry Blue's chart success and it again received positive reviews.
"Hollywood Romance" is a song written by Lynsey de Paul and David Jordan. It was released as a single on Polydor Records on 20 October 1978 in a picture sleeve, almost six years to the day after the release of their last hit collaboration "Getting a Drag", and it was play-listed on BBC Radio 1. The record label for this single was unusual in that it was printed in silver instead of the usual Polydor red label. The release was announced in a full page advert "Hollywood Romance - a new single from a very special lady" published in Music Week. In Japan, it was released in February 1979 in the same picture sleeve cover with the title in Japanese added, plus the lyrics were included on the back cover. It was listed as a major release in Hong Kong. It was also released as a track on the 1978 BBC transcription album Servicio Latinoamericano de la BBC vol. 44 together with "Don't Take Love for Granted" by Lulu and "Got to Get You into My Life" by Earth, Wind and Fire.
"House of Cards" is a song written by Lynsey de Paul and Barry Blue and is one of their most covered songs. It was first released as a single by Chris Kelly on the CBS label on 7 April 1972, credited as being written by Rubin and Green (Blue). The song was a radio hit in Italy, receiving multiple plays on national radio stations.
"So Good to You" is a song that was written by Lynsey de Paul, and first released by Zakatek as the B-side to his 1973 single, "I Gotcha Now", which also penned by de Paul. The single was released on 2 March 1973 and both songs were produced and arranged by de Paul. Her own version appeared in October 1973 as the B-side to her award-winning single "Won't Somebody Dance with Me", which was arranged by Christopher Gunning and produced by de Paul. In Japan and some South American countries, however, "So Good to You" was released as the A-side of the single release with "Won't Somebody Dance with Me" being relegated to the B-side on its release in 1974. AllMusic lists "So Good to You" as one of De Paul's song highlights. It was also a radio hit in Italy and ranks as one of de Paul's biggest songs there according to Radiocorriere magazine. It is still played on radio stations around the world.
"I Gotcha Now" is a song written by Lynsey de Paul and released as a single by Zakatek on the Bell Records label on 2 March 1973. The release of the single received interest from the British music press. The song features a pounding piano, fuzz guitar and "I Am the Walrus"-esque strings. De Paul's own demo of the song, with the title "Got You Here Now" and recorded at Orange Studios, London, by David Humphries in early 1973 resurfaced in 2022 and features a xylophone in place of the piano break in the middle of the song. The B-side is also a de Paul song, "So Good To You", and both songs were recorded at 10cc's Strawberry Studios with Eric Stewart, the lead guitarist and singer of The Mindbenders and later a member of 10cc, being the co-engineer. De Paul recorded her own version of "So Good To You" and released it in October 1973 as the flip side to her single "Won't Somebody Dance with Me". In Japan, this was the A-side of the release. Both songs were however, originally written by de Paul for Zakatek, after she co-discovered him together with the actor Dudley Moore, her boyfriend at the time. However, some years later de Paul revealed that she had offered "I Gotcha Now" to Slade. Lenny Zakatek discussed recording the song in an interview given to Black Music & Jazz Review.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S. military style clothing was taken by Brian Aris.
Just a Little Time is an album by Lynsey de Paul. It was originally released on 30 September 1994 on the Music Deluxe label but has since been released on the Tring International PLC label and on Arc Records/The Magic Collection. All of the songs on the album are written or co-written by de Paul.
"Rhythm and Blue Jean Baby" is a song that was written and produced by Lynsey de Paul, and released in July 1975 as her third single on the newly designed yellow Jet Record label in the UK, as a follow-up to the hit single "My Man and Me". It was released on Polydor in Belgium, France and Germany ; backed with another de Paul composition "Into My Music". The release of the single was also announced in the American music industry magazine Cashbox. The song as well as the lyrics and credits are listed on the Italian music resource "Rockol".
Sugar and Beyond is a double compilation album by the British singer-songwriter Lynsey de Paul released on 18 March 2013, together with a second double album, Into My Music. De Paul personally oversaw the project and was involved in the digital remastering of the tracks from the original tapes. The CD includes all her hits as well as the two LPs released in the period between 1972 and 1974.
"Sugar Shuffle" is a song written by Lynsey de Paul and Barry Blue. It first appeared as the lead-in track on de Paul's album Love Bomb as an ethereal, chilled and dreamy song about nightlife and dating. AllMusic rated "Sugar Shuffle" as one of de Paul's song highlights. Musician and music critic Bob Stanley wrote in The Guardian, "Sugar Shuffle is an especially gorgeous, woozy mid-70s confection, fit to sit at the table with Liverpool Express's You Are My Love".
"Water" is a song written by the British female singer-songwriter Lynsey de Paul and Barry Blue, who was credited as Barry Green. It was first released as a track on De Paul's debut album Surprise in March 1973. Shortly afterwards, a live version that de Paul recorded for the BBC, appearing on the BBC Transcription Services album number 443 in April 1973. It was released as a single later that year in Peru with the title "Agua", where it reach No.16 on the singles chart, but the song was not released as a single in Europe, Japan and the USA. It has since appeared on a number of de Paul compilation albums such as Greatest Hits, The Best of Lynsey de Paul and the Sugar and Beyond anthology.