Rock art of Uganda

Last updated
Uganda relief map.svg
Red pog.svg
Nyero
Rock Art Sites in Uganda

Within the African nation of Uganda there is rock art that "sits within a broad geometric rock art belt straddling East and Central Africa." [1] More specifically, "In Uganda, rock art is mostly concentrated in eastern part of the country, especially in the districts of Kumi, Pallisa and Kaberamaido." [2] The rock art has a few aspects that make it unique. Most of it is geometric art with circular, rectangular, sausage, dot and lines making up the basic shapes. These shapes occur repeatedly throughout the country. Some shapes do occur more frequently than others. Catherine Namono notes that "concentric circles are the most commonly painted shapes in the rock art of Uganda." There are also concentric circles with rays coming out of them, possibly representing the sun. Red was the most common color along with white, or both creating a bi-chrome pigment. [3]

Contents

Archaeology

Not only have they found rock paintings at sites but they also have found lithic assemblages and pottery assemblages as well. The most challenging part of this kind of archaeology is dating the rock art, as radiocarbon is not possible. Other artifacts found on sites are often used to try to date the paintings uncovered. Another worry about archaeology for rock art is weathering can also occur, especially because the art is exposed to the weather almost always. Almost all rock art in Africa is put on open-faces, exposed completely to the elements. Because of weathering we have lose some information but a lot of the rock art still survives. Vandalism has also been reported at sites.

The archaeological relevance of these paintings is apparent in just their appearance. If there was ever a way to without a doubt know that what the meanings of these paintings were then we would have a window into cultural thought. Archaeologists strive to better understand cultures of the past, figuring out the meanings behind these paintings could help archaeologists to better understand what culture made them.

Important sites

Nyero is one of the most important rock art sites not just in Uganda but in Africa as well. It has well-preserved rock paintings that are utilized in study of rock art.

Nyero

The Nyero site was discovered by C.A.E Harwich in 1945. Nyero was the first rock art site to be catalogued and described in full within Uganda. Nyero itself is composed of granite, and just under 40m high. There are two areas of the site which are considered to be shelters. Nyero 1 is a small one with only a small overhang of 2m. Nyero 2 is much larger with a 16m overhang and is where the most rock paintings have been found. [4]

Nyero 1

This is a very small portion of rock paintings in comparison with those at Nyero 2. They consist of several concentric circles and all the paintings are white, no red was found here. Overlapping of the paintings may suggest that there were several time periods of painting. [4]

Nyero 2

The main group of paintings cover a panel that is 13.5m long and 6m broad. Throughout time weathering has occurred, mostly vertical weathering from water coming down the face of the rock. Vandalism has also played a part is of lessening these paintings. Concentric circles make up the main part of the large panel of paintings. 47 have been counted with a variety of sizes, some being only 8 cm and other being recorded at 75 cm. There are three to seven circles each concentric circular pattern. Another prominent shape at this site is the canoe shape. The longest would have been two and half meters when it was fully intact. Not all the canoes are the same, some are more angular while others are more rounded, in relation to how the canoe is drawn. Six canoes have been recorded here. Other traditional shapes are also present such dots, dashes and u-shaped drawings. [4]

Symbolism of the art

The symbolism behind this rock art has also been debated for a long time. There are a couple of different theories that may be discussed keeping in mind there is no way to prove any of the theories. There is one problem with trying to interpret these paintings. While, most rock paintings depict humans or animals, rock paintings in Uganda this is not the case. Being abstract in nature makes it much more challenging to understand what the creators were trying to convey. [5]

On that note here a few theories about what the rock paintings are. The concentric circles with what appears to be rays have been associated with chiefs. Michael G. Kenny makes the argument that these sun-shapes are connected with chief figures. The spiral, something that can be defined as the same thing as a concentric circle, is considered a symbol for chiefs.

Another interpretation depends more strongly on the theory that pygmies created the rock art. Based on that theory there have been a lot interpretations that the art is based on astronomy of the pygmy culture. There is also the common theory that these paintings were associated with some kind ritual.

These theories are based on pure interpretation with none of them being proven. There is no way really knowing what the artist intent was.

Pygmy debate

There has been quite a bit of debate about who the creators of this rock art were. Since there is no way to properly date rock art, there is no way to know with certainty who created these paintings. Radiocarbon dating is not possible on these paintings. Even so, Colin M. Turnbull makes the argument that pygmies are responsible for this art. "Pygmy" can be defined as the forest-dwelling hunter-gatherers of the Congo Basin. [3] The term pygmy is debated as well, since it could be inferred as culturally insensitive. To be more specific the Batwa, a subculture of the Twa, are believed to have created this art. They live in Uganda down all the way to the Democratic Republic of Congo. Adopting to living conditions of the swamp and deserts these people only numbered 80,000 in 2000. Many of them have been turned out from their homes and dominated by other culture, more specifically the Bantu expansion affected their land immensely. Many don't even speak their original language but the one of whoever happened to take their land. In the past, the Batwa had a much larger population and more habitation to make a living. First, the Bantu expansion set them back, then colonization and now modernization is putting pressure on these people as well. Contemporary Batwa are far from what they used to be. "In 2007, it was reported that with no source of income, over 40 percent of the Batwa in the Rwanda earned a living through begging." [6] Daily life is a struggle for many pygmies now. Yet, there is no mistaking this culture that was once great. If the theories are correct then these peoples created a great art work.

Pygmies creating these paintings is the number one theory about who created this art. Even without radiocarbon dating there are some way to estimate the dates. Through the excavation of sites such as Nyero, artifacts, uncovered projectile points, date to about 15,000 B.P. The artifacts can fairly confidently be dated to the Later Stone Age. This means that rock paintings can be associated with the Later Stone Age as well, not with one hundred percent confidence though.

Later Stone Age (LSA)

The Later Stone Age is a chronological term only is used in Africa. The two distinct time periods before this one in Africa are the Early Stone Age (ESA) and the Middle Stone Age (MSA). Together the timelines are relatively similar to those in European prehistory but they differ in important ways. Rock art in Uganda is typically attributed to the LSA, a time period in which many scholars used to note the appearance of modern human behavior. From 40,000 years ago, we see changes in behavior and tool assemblages that make up sites. Tools are more advanced, more planning was needed and more care was taken with the tools. Bones tools also seem to make their first recorded appearance in the LSA. This idea that humans gained their modern behavior has led to the idea that the rock paintings were completed in the LSA, due to the fact that humans, by then, could think abstractly. [7] Still, the idea that modern human behavior emerged in the LSA has changed. Now, scholars are much more inclined to say that modern human behavior began in the MSA, due to findings at sites such Blombos Cave and Pinnacle Point. The LSA is the time period in which modern humans did leave Africa, spreading across the world in a few generations.

The rest of Africa

Despite the focus on Uganda there is rock art outside of Uganda. There is a few things that the rock art of Africa and the rock art of Uganda have in common. The subjects are not similar for most of Africa with the art depicting: giraffes, ostriches, elephants, rhinoceros, antelope and humans. Either the art is painted or drawn onto the surface of the rocks or it is engraved instead with variation depending on the site. As for the sites with rock art present, they are spread across Africa stretching from north to south. There is a concentration to the very south and scattered across the northern half of Africa. The central section has less art then north or south. Most of the rock art can be dated to have been created during the LSA sometime. [8]

Related Research Articles

<span class="mw-page-title-main">Cave painting</span> Paintings, often prehistoric, on cave walls and ceilings

In archaeology, cave paintings are a type of parietal art, found on the wall or ceilings of caves. The term usually implies prehistoric origin, and the oldest known are more than 40,000 years old and found in the caves in the district of Maros. The oldest are often constructed from hand stencils and simple geometric shapes. More recently, in 2021, cave art of a pig found in Sulawesi, Indonesia, and dated to over 45,500 years ago, has been reported.

<span class="mw-page-title-main">Prehistoric art</span> Art produced in preliterate cultures

In the history of art, prehistoric art is all art produced in preliterate, prehistorical cultures beginning somewhere in very late geological history, and generally continuing until that culture either develops writing or other methods of record-keeping, or makes significant contact with another culture that has, and that makes some record of major historical events. At this point ancient art begins, for the older literate cultures. The end-date for what is covered by the term thus varies greatly between different parts of the world.

<span class="mw-page-title-main">Stone circle</span> Ring of standing stones

A stone circle is a ring of standing stones. Most are found in Northwestern Europe – especially in Britain, Ireland, and Brittany – and typically date from the Late Neolithic and Early Bronze Age, with most being built from 3000 BC. The best known examples include those at the henge monument at Avebury, the Rollright Stones, and elements within the ring of standing stones at Stonehenge. Scattered examples exist from other parts of Europe. Later, during the Iron Age, stone circles were built in southern Scandinavia.

<span class="mw-page-title-main">Cup and ring mark</span> Form of prehistoric art

Cup and ring marks or cup marks are a form of prehistoric art found in the Atlantic seaboard of Europe (Ireland, Wales, Northern England, Scotland, France, Portugal, and Spain – and in Mediterranean Europe – Italy, Azerbaijan and Greece, as well as in Scandinavia and in Switzerland.

<span class="mw-page-title-main">Rock art</span> Human-made markings on natural stone

In archaeology, rock art is human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:

<span class="mw-page-title-main">Blombos Cave</span> Archaeological site in Western Cape, South Africa

Blombos Cave is an archaeological site located in Blombos Private Nature Reserve, about 300 km east of Cape Town on the Southern Cape coastline, South Africa. The cave contains Middle Stone Age (MSA) deposits currently dated at between c. 100,000 and 70,000 years Before Present (BP), and a Late Stone Age sequence dated at between 2000 and 300 years BP. The cave site was first excavated in 1991 and field work has been conducted there on a regular basis since 1997, and is ongoing.

<span class="mw-page-title-main">Tsodilo</span> UNESCO World Heritage Site in Botswana

The Tsodilo Hills are a UNESCO World Heritage Site (WHS), consisting of rock art, rock shelters, depressions, and caves in southern Africa. It gained its WHS listing in 2001 because of its unique religious and spiritual significance to local peoples, as well as its unique record of human settlement over many millennia. UNESCO estimates there are over 4500 rock paintings at the site. The site consists of a few main hills known as the Child Hill, Female Hill, and Male Hill.

<span class="mw-page-title-main">Kondoa Rock-Art Sites</span> National Historic Site of Tanzania

The Kondoa Rock-Art Sites or Kondoa Irangi Rock Paintings are a series of ancient paintings on rockshelter walls in central Tanzania. The Kondoa region was declared a UNESCO World Heritage Site in 2006 because of its impressive collection of rock art. These sites were named national monuments in 1937 by the Tanzania Antiquities Department. The paintings are located approximately nine kilometres east of the main highway (T5) from Dodoma to Babati, about 20 km north of Kondoa town, in Kondoa District of Dodoma Region, Tanzania. The boundaries of the site are marked by concrete posts. The site is a registered National Historic Sites of Tanzania.

<span class="mw-page-title-main">Rock art of the Chumash people</span>

Chumash rock art is a genre of paintings on caves, mountains, cliffs, or other living rock surfaces, created by the Chumash people of Southern California. Pictographs and petroglyphs are common through interior California, the rock painting tradition thrived until the 19th century. Chumash rock art is considered to be some of the most elaborate and plentiful rock art tradition in the region.

Mumba Cave, located near the highly alkaline Lake Eyasi in Karatu District, Arusha Region, Tanzania. The cave is a rich archaeological site noted for deposits spanning the transition between the Middle Stone Age and Late Stone Age in Eastern Africa. The transitional nature of the site has been attributed to the large presence of its large assemblage of ostrich eggshell beads and more importantly, the abundance of microlith technology. Because these type artifacts were found within the site it has led archaeologists to believe that the site could provide insight into the origins of modern human behavior. The cave was originally tested by Ludwig Kohl-Larsen and his wife Margit in their 1934 to 1936 expedition. They found abundant artifacts, rock art, and burials. However, only brief descriptions of these findings were ever published. That being said, work of the Kohl-Larsens has been seen as very accomplished due to their attention to detail, especially when one considers that neither was versed in proper archaeological techniques at the time of excavation. The site has since been reexamined in an effort to reanalyze and complement the work that has already been done, but the ramifications of improper excavations of the past are still being felt today, specifically in the unreliable collection of C-14 data and confusing stratigraphy.

<span class="mw-page-title-main">Nyero rock paintings</span>

The Nyero rock paintings are located in eastern Uganda in Kumi District, 8 km (5.0 mi) west of Kumi town, about 250 km (155.3 mi) from the capital city Kampala. The Nyero rock paintings are among the most important rock art in Uganda.

<span class="mw-page-title-main">Art of the Upper Paleolithic</span> Oldest form of prehistoric art

The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old as 64,000 years. This latter estimate is due to a controversial 2018 study based on uranium-thorium dating, which would imply Neanderthal authorship and qualify as art of the Middle Paleolithic.

<span class="mw-page-title-main">Border Cave</span> Rock shelter in South Africa

Border Cave is an archaeological site located in the western Lebombo Mountains in Kwazulu-Natal. The rock shelter has one of the longest archaeological records in southern Africa, which spans from the Middle Stone Age to the Iron Age.

<span class="mw-page-title-main">Gabarnmung</span> Archaeological site in Australias Northern Territory Australia

Gabarnmung is an archaeological and rock art site in south-western Arnhem Land, in the Top End of Australia’s Northern Territory. Habitation of the site has been dated to at least 44,000 years ago, placing it among the oldest radiocarbon dated sites in Australia. The oldest rock art was produced more than 28,000 years ago, making it the oldest securely dated prehistoric art in Australia. The cave was still visited by members of the Jawoyn within living memory, possibly until as late as the 1950s, but its existence had been forgotten until its 2006 rediscovery.

<span class="mw-page-title-main">Twa</span> Group of African Pygmy peoples

The Twa are a group of indigenous African Pygmy tribes.

<span class="mw-page-title-main">Great Lakes Twa</span> Pygmy ethnic group of the African Great Lakes region

The Great Lakes Twa, also known as Batwa, Abatwa or Ge-Sera, are a Bantu ethnic group native to the African Great Lakes region on the border of Central and East Africa. As an indigenous pygmy people, the Twa are generally assumed to be the oldest surviving population of the Great Lakes region. Current populations of Great Lakes Twa people live in the states of Rwanda, Burundi, Uganda and the eastern portion of the Democratic Republic of Congo. In 2000 they numbered approximately 80,000 people, making them a significant minority group in these countries. The largest population of Twa is located in Burundi estimated in 2008 at 78,071 people.

<span class="mw-page-title-main">Catherine Namono</span> Ugandan archaeologist

Catherine Namono is a Ugandan archaeologist and art historian who specializes in the study of Rock art. She is the first Ugandan woman to qualify as an archaeologist.

<span class="mw-page-title-main">Apollo 11 Cave</span> Archeological site in ǁKaras, Namibia

The Apollo 11 Cave is an archeological site in the ǁKaras Region of south-western Namibia, approximately 250 km (160 mi) southwest of Keetmanshoop. The name given to the surrounding area and presumably the cave by the Nama people was "Goachanas". However, the cave was given its name by German archaeologist Wolfgang Erich Wendt in reference to Apollo 11's then recent return to Earth.

<span class="mw-page-title-main">Archaeology of Malawi</span>

People first began to be interested in Malawi's prehistoric past in the 1920s. Excavations of sites in nearby countries, Tanzania and Zambia, made archaeologists believe that they may find the same type of material culture in Malawi. In the 1920s, a series of lacustrine deposits was found at the northwest end of Lake Malawi. These beds contained fragmentary fossils and were mapped by Dr. F. Dixey. These findings sparked an interest to excavate more locations in Malawi.

<span class="mw-page-title-main">Mlambalasi Rock Shelter</span> National Historic Site of Tanzania

The Mlambalasi Rock Shelter is a historic site located in Iringa District of Iringa Region in southern Tanzania, 50 km away from Iringa City. Excavations in 2006 and 2010 by the Iringa Region Archaeological Project uncovered artifactual deposits from the Later Stone Age (LSA), the Iron Age, and the historic periods, as well as external artifacts from the Middle Stone Age (MSA). Direct dating on Achatina shell and ostrich eggshell beads indicates that the oldest human burials at Mlambalasi are from the terminal Pleistocene. Mlambalasi is characterized by interment LSA and Iron Age periods, as well as by cycles of use and abandonment.

References

  1. Namono, Catherine (November 6, 2014). "Pongo Symbolism in Geometric Rock Art of Uganda". Antiquity. 85 (330): 1209–1224. doi:10.1017/S0003598X00062013.
  2. Musinguzi, Bamuturaki. "Uganda Wants Rock Art Site Put On World". African News Service.
  3. 1 2 Namono, Catherine (October 17, 2014). "Dumbells and Circles: Symbolism of Pygmy Rock Art of Uganda". Journal of Social Archaeology. 3 (12): 404–425.
  4. 1 2 3 Posnansky, Merrick (1968). "Rock Paintings and Excavations at Nyero, Uganda". Azania. 3 (1): 147–166. doi:10.1080/00672706809511490.
  5. Kenny, Michael G. (1976). "The Symbolism of East African Rock Art". Zeitschrift für Ethnologie. 1 (101): 147–160.
  6. Shoup, John A. (2011). Ethnic Groups of Africa and Middle East: An Encyclopedia . Santa Barbara. pp.  45–47.{{cite book}}: CS1 maint: location missing publisher (link)
  7. Ambrose, Stanley H. (1997-03-26). "Chronology of the Later Stone Age and Food Production in". Journal of Archaeological Science. 25: 377–392. doi:10.1006/jasc.1997.0277.
  8. Coulson, David; Campbell, Alec (2001). African Rock Art. New York: Harry N. Abrams, inc., publishers. pp. 40–60.