Editor | The Comicollector - Jerry Bails 1961–1962 - Ronn Foss 1962–1964 The Rocket's Blast - G. B. Love 1961–1964 RBCC - G. B. Love 1964–1974 - James Van Hise 1974–1983, 2002-2003 |
---|---|
Categories | Comic book Advertising Strips News Reviews Criticism |
Frequency | Monthly |
Publisher | G. B. Love 1964–1974 James Van Hise 1974–1981, 2002–2003 New Media Publishing 1981–1983 |
Total circulation | 3,300 (1979) |
First issue | April 1964 #29 |
Final issue | June 1983 #153 |
Company | S.F.C.A. |
Country | United States |
Based in | Miami, Florida |
Language | English |
Rocket's Blast Comicollector (RBCC) was a comics advertising fanzine published from 1964 to 1983. The result of a merger with a similar publication, RBCC's purpose was to bring fans together for the purpose of adding to their comic book collections. It also proved to be a launching pad for aspiring comic book creators, many of whom corresponded and exchanged their work through RBCC, and published work in the fanzine as amateurs.
RBCC featured fan-generated art, original articles, and advertisements from comic book fans and dealers. Debuting in the pre-direct market era (before the proliferation of comics retailers), RBCC was one of the first and largest forums for buying and selling comics through the mail — often, the only way for fans to acquire back issues was through advertisements in RBCC. [1] And, as ComicSource wrote, "RBCC was also an educational forum, with rich articles devoted to comics and creators long absent from the newsstands, such as EC Comics." [1]
Inspired in part by the science-fiction fanzine/"adzine" The Fantasy Collector, in 1961, Jerry Bails, "the father of comics fandom," created The Comicollector as "a publication devoted primarily to the field" rather than the occasional advertisements of comics for sale that appeared in The Fantasy Collector. [2] After publishing The Comicollector for a year, Bails passed it on to Ronn Foss.
Meanwhile, Miami-based comics and science fiction enthusiast G. B. Love had formed the Science Fiction and Comics Association (S.F.C.A.) and begun publishing his own fanzine, The Rocket's Blast (also debuting in 1961). In 1964 The Comicollector and The Rocket's Blast merged to form The Rocket's Blast and the Comicollector. [2] [3] The first issue of the new publication was #29 (continuing the numbering of The Rocket's Blast) and dated April 1964. (By about issue #50 [1966], the fanzine had shortened its title to Rocket's Blast Comicollector, and often just referred to itself as RBCC.)
Cartoonist Grass Green was an early and frequent contributor to RBCC, as was Buddy Saunders (later proprietor of the Lone Star Comics chain of comic book retailers), and Raymond L. Miller. Contributing writers during this era included science fiction author Howard Waldrop.
Between issues #25 (published Dec. 1963) and #50 (1966), the zine's circulation grew from about 200 to over 1,100. By RBCC #75 (1968), the circulation was 2,000. With issue RBCC #100 (1973), the circulation hit 2,250.
Between 1968 and 1973, comics artist Don Newton produced almost two dozen covers for the Rocket's Blast Comicollector. Newton's science fiction strip The Savage Earth ran from 1968 to 1970 in RBCC.
Joe Kubert serialized his strip "Danny Dreams" in the pages of RBCC in 1971.
From 1972–1975 comics historian James Van Hise serialized his (and Larry Bigman's) "Al Williamson Collector" in the pages of RBCC. [4]
In the early 1970s, RBCC joined the WE Seal of approval program, a consumer protection/anti-mail fraud program.
Love published RBCC until 1974, when he moved from Miami to Houston, Texas, where he became involved with Star Trek fandom (and co-produced Houstoncon '74 and '75).
With Love's departure (issue #113, published in Sept. 1974), long-time contributor James Van Hise took over the publishing duties of Rocket's Blast Comicollector. Van Hise introduced new features and columns to the zine, freshening its aesthetic for new audiences. [5] Van Hise published four issues of RBCC under the auspices of the Science Fiction Comics Association in 1976–1977.
From 1976–1978, cartoonist Don Rosa serialized his adventure comic strip The Pertwillaby Papers in RBCC.
With the rise of the direct market system in the late 1970s and early 1980s, Rocket's Blast Comicollector was forced to shift its focus, as its readers could more easily find comics back issues in local comic shops rather than buying them through the mail. Competition from the likes of Comics Buyer's Guide pressured RBCC as well; after publishing on a monthly schedule for most of its existence, in 1978 RBCC went bimonthly. RRBC published four issues in 1979 (when their circulation hit a peak of 3,300), one issue in 1980, no issues in 1981, two issues in 1982, and its final issue, #153, in 1983. The last few issues were published by New Media Publications, which also published the fanzines Comics Feature and LOC (and published many works by editor Van Hise). RBCC's final issue was a parody issue titled "The Contentious Journal," which appeared to be satirizing one of its competitors, The Comics Journal.
In 2002–2003, James Van Hise temporarily revived The Rocket's Blast and the Comicollector, publishing four issues out of a new headquarters in Yucca Valley, California. [6]
Starting out as a photocopied fanzine, RBCC eventually morphed into a magazine-size publication.
RRBC regular features included columns, articles, reviews, interviews, and cultural commentary; fan-generated art; a letter column (titled "Blasts from the Readers"); and classified comic book ads.
Other columns, most of which appeared a few times at most, were contributed by Bernie Bubnis, Phil Seuling, Paul Gambaccini, Calvin Castine, Tom Fagan, and Rick Weingroff.
A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.
Comics Buyer's Guide, established in 1971, was the longest-running English-language periodical reporting on the American comic book industry. It awarded its annual Comics Buyer's Guide Fan Awards from 1983 to circa 2010. The publication ceased with the March 2013 issue. The magazine was headquartered in Iola, Wisconsin, after originally being published in the Quad Cities region.
Alfonso Williamson was an American cartoonist, comic book artist and illustrator specializing in adventure, Western, science fiction and fantasy.
Don Newton was an American comics artist. During his career, he worked for a number of comic book publishers including Charlton Comics, DC Comics, and Marvel Comics. He is best known for his work on The Phantom, Aquaman, and Batman. Newton also drew several Captain Marvel/Marvel Family stories and was a fan of the character having studied under Captain Marvel co-creator C. C. Beck.
Maggie Thompson, is an American longtime editor of the now-defunct comic book industry news magazine Comics Buyer's Guide, science fiction fan, and collector of comics.
The Alley Award was an American annual series of comic book fan awards, first presented in 1962 for comics published in 1961. Officially organized under the aegis of the Academy of Comic Book Arts and Sciences, the award shared close ties with the fanzine Alter Ego magazine. The Alley is the first known comic book fan award.
Fantasy Advertiser, later abbreviated to FA, was a British fanzine focused on comic books, founded in 1965 by Frank Dobson, the "Godfather of British Fandom." Starting out as an adzine focused on the sale of primarily second-hand comics, it eventually transitioned into a true comics fanzine. FA now operates as a comics webzine.
Jerry Gwin Bails was an American popular culturist. Known as the "Father of Comic Book Fandom," he was one of the first to approach the comic book field as a subject worthy of academic study, and was a primary force in establishing 1960s comics fandom.
Batmania is a term coined by Billy Joe (Biljo) White in the early 1960s and the title of his influential fanzine dedicated to the DC comic book character Batman. The name is "almost certainly" a nod to the then-prominent term "Beatlemania" used to describe the impact of the Beatles in popular culture. When White first published Batmania, interest in the Batman character was at a low point; however, due to changes credited largely to DC editor Julie Schwartz, comic sales improved and the character built a wave of popularity that led to the 1966 Batman television show. White and his fanzine were credited with helping to focus the energy of the dedicated fans during this time.
Alter Ego is an American magazine devoted to comic books and comic-book creators of the 1930s to late-1960s periods comprising what fans and historians call the Golden Age and Silver Age of Comic Books.
Notable events of 1967 in comics. See also List of years in comics.
Richard Edward "Grass" Green was an African American cartoonist notable for being the first black participant in both the 1960s fan art movement and the 1970s underground comics movement. In the 1960s, Green's Harvey Kurtzman-like zany, action-packed, humorous comics parodies appeared in numerous fanzines. His "outrageous" 1970s and 1980s underground work used searing humor to expose America's racism and bigotry.
New Media Distribution/Irjax Enterprises was a comic book distributor and publisher active from the mid-1970s to the mid-1980s. In 1978, the company's legal actions against the dominant distributor of the era, Sea Gate Distributors, widened the field for the direct market to expand. In 1982, when Irjax's distribution arm went out of business, its processing centers and warehouses formed the basis for Diamond Comics Distributors, the now-dominant comics distributor.
The Comic Reader (TCR) was a comics news-fanzine published from 1961 to 1984. Debuting in the pre-direct market era, TCR was the first regularly published comics industry news fanzine, and was able to secure many contacts from within the ranks of the larger publishers. As TCR increased in popularity and influence, it was able to attract professional artist to illustrate the covers. TCR also proved to be a launching pad for aspiring comic book creators, many of whom published work in the fanzine as amateurs. Contributors from the world of fandom included founding editor Jerry Bails, key editor Paul Levitz, Paul Kupperberg, Tony Isabella, Byron Preiss, Neal Pozner, Don Rosa, Carl Gafford, and Doug Hazlewood.
Bill Spicer is an editor and publisher who spearheaded the 1960s movement away from commercial comics, opening the gateway to underground, alternative, and independent comics, notably with his publication Graphic Story Magazine.
The Academy of Comic-Book Fans and Collectors (ACBFC) was the first official organization of comic book enthusiasts and historians. Active during the 1960s, the ACBFC was established by Jerry Bails, the "father of comics fandom". A vital player in the development of comics fandom, the ACBFC brought fans of the medium together, administered the first industry awards, and assisted in the establishment of the first comic book fan conventions.
The Goethe Award, later known as the Comic Fan Art Award, was an American series of comic book fan awards, first presented in 1971 for comics published in 1970. The award originated with the fanzine Newfangles and then shared close ties with The Buyer's Guide to Comics Fandom.
James Van Hise is an American popular culture historian and comic book author. He had a long connection with the popular fanzine Rocket's Blast Comicollector (RBCC), and was its editor/publisher from 1974 to 1983. He also had a lengthy association with Hal Schuster, owner of New Media Publishing and Pioneer Books. Van Hise is the author of more than ten books, many of them published by Pioneer Books.
Southwesterncon was a series of regional multi-genre fan conventions held annually in Texas and Oklahoma between 1966 and 1971. On a rotating basis, conventions were held in Dallas ("D-Con"), Houston ("Houstoncon"), and Oklahoma City ("Multicon"). Southwesterncon is credited with being one of the earliest ongoing comic book conventions in the United States.
David A. Kaler is an American writer. He was a primary force in establishing 1960s comic book fandom, particularly through the form of the comics convention. Later, he had a short-lived career as a comics writer for such publishers as Charlton Comics, DC Comics, and Warren Publishing.