Editor | Michael Catron (founding editor) Kim Thompson (1981–1992) |
---|---|
Categories | Comics criticism and news |
Frequency | Varied between monthly and biweekly |
Publisher | Fantagraphics Books |
First issue | June 1981 |
Final issue Number | July 1992 204 (plus a number of special issues and annuals) |
Country | United States |
Based in | Stamford, Connecticut (1981–1984) Greater Los Angeles, California (1984–1989) Seattle, Washington (1989–1992) |
Language | English |
ISSN | 0745-6506 |
Amazing Heroes was a magazine about the comic book medium published by American company Fantagraphics Books from 1981 to 1992. Unlike its companion title, The Comics Journal , Amazing Heroes was a hobbyist magazine rather than an analytical journal. [1]
Fantagraphics decided to publish Amazing Heroes as another income stream to supplement The Comics Journal. As long-time Fantagraphics co-publisher Kim Thompson put it: "If you want to look at it cynically, we set out to steal The Comic Reader 's cheese. Which we did." [2]
Amazing Heroes' first editor was Fantagraphics' head of promotion and circulation, Michael Catron. His inability to meet deadlines led to his being replaced after issue #6 [3] [4] by Comics Journal editor Kim Thompson.
The magazine was initially published under the Fantagraphics imprint Zam Inc., [5] through issue #6. [6] Beginning with #7, the publishing imprint became Redbeard Inc. [7] It remained under Redbeard through at least issue #61, [8] but by issue #68 was being published directly by Fantagraphics Books, Inc. [9]
The magazine began as a monthly, then appeared twice a month for many years, and then went monthly again beginning in 1989. The magazine ran for 204 issues, folding with its July 1992 issue. [10] The final issue was released as a flip book, with issue #203 on the front and issue #204 inverted on the back. It also released a number of special issues, such as Amazing Heroes Preview Special #1–5, 10, & 11 (1985–1990), Amazing Heroes Swimsuit Special #1–5 (1990–1993), and The Best of Amazing Heroes Swimsuit Special (1993).
In February 1993, Fantagraphics announced that the publisher Personality Comics had bought the rights to Amazing Heroes, and planned to revive the magazine. [11] Nothing came of it, however, as Personality itself folded later that year, and by 1994 the rights had reverted back to Fantagraphics. [12]
Amazing Heroes' first 13 issues were magazine-sized, while the rest were comic book-sized.
The regular content included industry news, comics creator interviews, histories of comic book characters and reviews. Features included Hero Histories of various characters/features, previews of upcoming series, and letters page. Other regular features were a column called "Doc's Bookshelf" by Dwight Decker (which ran from 1987–1989), [5] and a question-and-answer feature called "Information Center", which ran from 1986–1989. [5]
There were regular special editions presenting previews of all comics slated to appear over the next six months, with Amazing Heroes Preview Special appearing twice a year, beginning with the Summer 1985 issue #1. [5] These were extra-sized issues (often square-bound), and many issues also contained joke entries. The editors fluctuated between publishing these as separately numbered specials and special issues of the regular series itself, with issues #133, 145, 157, and 170 of the regular series (released in 1988 and 1989) taking the place of specials six through nine.
The Amazing Heroes Swimsuit Special, featuring pin-ups of characters in bikinis and similar beach apparel by various artists, debuted with a June 1990 edition. [5] It was preceded by annual swimsuit issues of Amazing Heroes: #115 (April 1987), #138 (April 1988), and #164 (May 1989).
Amazing Heroes #200 (Apr. 1992) contained an extended preview of Scott McCloud's Understanding Comics ; the issue was later awarded a Don Thompson Award for Best Non-Fiction Work.
From 1985 to 1987, the magazine presented The Jack Kirby Award for achievement in comic books, voted on by comic-book professionals and managed by Amazing Heroes managing editor Dave Olbrich. [13] After a dispute in 1987 over who owned them, [13] the Kirby Awards were discontinued. Starting in 1988, the Kirby Award was discontinued [14] and two new awards were created: the Eisner Award, managed by Olbrich, and the Fantagraphics-managed Harvey Award.
Amazing Heroes won the U.K.'s Eagle Award for Favourite Specialist Comics Publication four years in a row, from 1985 to 1988:
Fantagraphics is an American publisher of alternative comics, classic comic strip anthologies, manga, magazines, graphic novels, and (formerly) the erotic Eros Comix imprint.
The Comics Journal, often abbreviated TCJ, is an American magazine of news and criticism pertaining to comic books, comic strips and graphic novels. Known for its lengthy interviews with comic creators, pointed editorials and scathing reviews of the products of the mainstream comics industry, the magazine promotes the view that comics are a fine art, meriting broader cultural respect, and thus should be evaluated with higher critical standards.
The Jack Kirby Comics Industry Awards were a set of awards for achievement in comic books, presented from 1985 to 1987. Voted on by comic-book professionals, the Kirby awards were the first such awards since the Shazam Awards ceased in 1975. Sponsored by Amazing Heroes magazine, and managed by Amazing Heroes managing editor Dave Olbrich, the Kirby Awards were named after the pioneering writer and artist Jack Kirby.
Airboy is a fictional Golden Age aviator hero of an American comic book series initially published by Hillman Periodicals during the World War II, before ending his initial run in 1953. The hero was the costumed identity of crack pilot Davy Nelson II, and created by writers Charles Biro and Dick Wood with artist Al Camy.
Eclipse Comics was an American comic book publisher, one of several independent publishers during the 1980s and early 1990s. In 1978, it published the first graphic novel intended for the newly created comic book specialty store market. It was one of the first to offer royalties and creator ownership of rights.
Aztec Ace is an American creator-owned science fiction comic book formerly published by Eclipse Comics. Created by writer Doug Moench, it was published for 15 issues from 1984 to 1985. Amazing Heroes would describe the series as "a strange cross between Dr. Who and the Illuminati trilogy".
Axel Pressbutton is a fictional character appearing in comic books. A violent cyborg with the face of Ernest Borgnine, a button on his chest which delivers orgasmic pleasure when pressed, and a phobia about vegetation, he was created by Steve Moore and Alan Moore, under the pseudonym "Curt Vile".
Scout is an American dystopian comic book series created and written by Timothy Truman, and first published by Eclipse Comics in 1985. The story stars a Native American Apache named Emanuel Santana. The setting of the series is a future United States which has become a Third World country.
Alien Encounters is an American science fiction anthology comic book published by FantaCo Enterprises and then Eclipse Comics. The comic debuted with FantaCo in 1981, and in 1985 was taken over by Eclipse.
The Masked Man is a fictional comic book crime-fighter created by B.C. Boyer and published by Eclipse Comics. His first appearance was in Eclipse #7, dated November 1982. The Masked Man is the alter ego of private eye Dick Carstairs, who takes on the identity of the Masked Man so that his friend Barney McAllister, a reporter, could grab headlines using tales of his crime-fighting adventures.
The Eagle Awards were a series of British awards for comic book titles and creators. They were awarded by UK fans voting for work produced during the previous year. Named after the UK's seminal boys' comic Eagle, the awards were launched in 1977 for comics released in 1976.
Crossfire is an American comic book series created by writer Mark Evanier and artist Dan Spiegle originally for Eclipse Comics. It was a spin-off from DNAgents, which was also written by Evanier. The series ran for 26 issues from May 1984 to October 1988.
The Comic Reader (TCR) was a comics news-fanzine published from 1961 to 1984. Debuting in the pre-direct market era, TCR was the first regularly published comics industry news fanzine, and was able to secure many contacts from within the ranks of the larger publishers. As TCR increased in popularity and influence, it was able to attract professional artist to illustrate the covers. TCR also proved to be a launching pad for aspiring comic book creators, many of whom published work in the fanzine as amateurs. Contributors from the world of fandom included founding editor Jerry Bails, key editor Paul Levitz, Paul Kupperberg, Tony Isabella, Byron Preiss, Neal Pozner, Don Rosa, Carl Gafford, and Doug Hazlewood.
Doc Stearn...Mr. Monster is a comic book featuring a superhero created by Michael T. Gilbert, most recently published by Dark Horse Comics.
Dave Olbrich is an editor and executive in the American comic book industry. He was instrumental in the creation of two awards for achievement in comic books, voted on by professionals, the Kirby Awards and the Eisner Awards. He was a co-founder and publisher of Malibu Comics. While at Malibu, he helped launch Image Comics. Currently he produces and hosts a YouTube channel about comics and comic-related issues, Geekview Tavern, which began releasing episodes in 2020.
Speakeasy was a British magazine of news and criticism pertaining to comic books, comic strips and graphic novels. It published many interviews with both British and American comics creators.
Martin Lock is a British comic book critic, writer, and publisher. As publisher of the fanzines BEM and Fantasy Advertiser, and then publisher of Harrier Comics, he was an important figure in British comics fandom in the 1970s and 1980s.
Night Music is an American comic book anthology created by artist P. Craig Russell, published by Eclipse Comics. It consists of comic adaptations of operas, novels, classical music and poems, and followed an irregular publishing model that changed formats according to the needs of the material.