Related Research Articles
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds, in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers, while others include sampling capability in addition to digital synthesis.
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
A music sequencer is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.
A groovebox is a self-contained electronic or digital musical instrument for the production of live, loop-based electronic music with a high degree of user control facilitating improvisation. The term "Groovebox" was originally used by Roland Corporation to refer to its MC-303, released in 1996. The term has since entered general use, and the concept dates back to the Movement Computer Systems Drum Computer in 1981 and Fairlight CMI Page R in 1982.
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.
The Roland JX-3P is a synthesizer produced by Roland Corporation of Japan from 1983–1985. The "3P" in its name refers to "Programmable Preset Polyphonic". It is notable as one of the company's first synthesizers to incorporate a MIDI interface.
Novation Digital Music Systems Ltd. is a British musical equipment manufacturer, founded in 1992 by Ian Jannaway and Mark Thompson as Novation Electronic Music Systems. Today the company specializes in MIDI controllers with and without keyboards, both analog and virtual analog performance synthesizers, grid-based performance controllers, and audio interfaces. At present, Novation products are primarily manufactured in China.
The Yamaha QY10 is a hand-held music workstation produced by the Yamaha Corporation in the early 1990s. Possessing a MIDI sequencer, a tone generator and a tiny single-octave keyboard, the portable and battery-powered QY10 enables a musician to compose music while traveling.
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981.
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features.
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI, which is a standardized interface designed for this purpose.
A stage piano is an electronic musical instrument designed for use in live performances on stage or in a studio, as well as for music recording in Jazz and popular music. While stage pianos share some of the same features as digital pianos designed for home use and synthesizers, they have a number of features which set them apart. Stage pianos usually provide a smaller number of sounds, with these being of higher quality than the ones found on regular digital pianos and home synthesizers.
The Roland XP-30 is a 61-key, 64-voice expandable synthesizer. Released in 1999, it was produced until 2002. Based on the acclaimed mid-90s JV sound engine built around a 32-bit RISC processor, it is considered to be the best value-for-money of all of the Roland JV and XP series synthesizers.
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS.
The Roland JD-800 is a digital synthesizer that was manufactured between 1991 and 1996. It features many knobs and sliders for patch editing and performance control — features that some manufacturers, including Roland, had been omitting in the name of streamlining since the inception of the Yamaha DX7. The JD-800 thus became very popular with musicians who wished to take a hands-on approach to patch programming. The introduction in the manual states that Roland's intention with the JD-800 was to "return to the roots of synthesis".
The Roland JX-10 Super JX is a 12-voice analog synthesizer keyboard produced by Roland Corporation from 1986 to 1989, along with a rack-mounted version, the MKS-70. For nearly 30 years, it was the last true analog synthesizer made by Roland and has been critically acclaimed as one of their classic analog instruments. In 2015, Roland once again started producing analog synthesizers beginning with their JD-XA and JD-Xi keyboards as analog/digital crossover synthesizers. The design on the JX-10 is essentially two Roland JX-8P synthesizers put together, with a 76-note velocity-sensitive keyboard with aftertouch. It also includes features not found on the JX-8P, including a simple 1-track sketchbook sequencer and a delay effect. However, the JX-10 is not exactly the same as "two JX-8P's" because the chorus is not identical to the JX-8P. The JX-10 also has a slightly different amplifier section as well as different electronic components which further distinguish its sound from its predecessor, the JX-8P.
A guitar synthesizer is any one of a number of musical instrument systems that allow a guitarist to access synthesizer capabilities.
Roland JX-8P is a 61-key, velocity- and aftertouch-sensitive, six-note polyphonic, almost entirely analog synthesizer released by Roland in 1985. In a time of rising popularity of digital frequency modulation synthesizers, such as Yamaha DX7, JX-8P was marketed as the best of both worlds: while it was possible to create classic analog synth sounds, several new modulation parameters and redesigned hardware enabled it to produce certain types of sounds associated with FM synthesis, such as metallic percussive sounds. Likewise, traditional hands-on controls were replaced with a Yamaha DX7-style interface with membrane buttons and one "edit" slider.
The Korg DSS-1 is a polyphonic sampling synthesizer released by Korg in 1986. As Korg's initial entry into the sampling market, the DSS-1 combines sampling, additive synthesis, and waveform drawing with an analog signal path. The DSS-1 was released a time when major synthesizer manufacturers like Yamaha and Casio were beginning to explore sampling, an area of sound design dominated by companies like Fairlight, E-mu, and Ensoniq. Korg did not stay long in the sampling arena; the DSS-1 was the company's only sampler until 1998 when Korg introduced sampling options on their Triton and Trinity series of workstations.
The Jupiter-50 is a discontinued 128 voice polyphonic digital subtractive synthesizer introduced by Roland Corporation in 2011. The Jupiter-50 is a part of Roland's flagship synthesizer series, which began with the Jupiter-4 between the years of 1978 and 1981. The Jupiter-50 is considered a hybrid/combination of both the Jupiter-80 and the JUNO series.
References
- 1 2 3 Colbeck, Julian (Aug 1991). "Roland JX1". Sound On Sound. United Kingdom: SOS Publications Ltd. pp. 44–46. Retrieved 2024-09-30.
- 1 2 Trask, Simon (Jul 1991). "Roland JX1". Music Technology. United Kingdom: Music Maker Publications (UK), Future Publishing. pp. 40–46. Retrieved 2024-09-30.
 | This article relating to electronic musical instruments is a stub. You can help Wikipedia by expanding it. |