Roland MKS20

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The Roland MKS-20 is a digital piano-type sound module released by Roland Corporation in 1986. It is a rackmount version of the popular 1980s-era Roland RD-1000 digital stage piano. The RD-1000 has the exact same sound engine mounted in a musical keyboard-type MIDI controller. Both use Roland's "structured adaptive synthesis approach" to provide eight keyboard sounds, including grand piano, electric piano, harpsichord, vibraphone, and clavinet. Both have three effects units built in: stereo chorus, stereo tremolo, and a three-band equalizer with a sweepable mid-range.

Contents

Features

Structured/Adaptive Synthesis

Roland's structured adaptive synthesis (SAS) has been described as a "...sophisticated re-synthesis technique which involves a highly accurate computer analysis of 'real' sounds, from which a near replica can be synthesised." [1] Roland engineers created samples of each of the 88 keys of various grand pianos, played at 128 different velocities (i.e. everything from very soft to very loud), and then did analysis of the waveform changes. The resulting algorithm of harmonic/velocity sound relationships was put on a VLSI chip. [2]

Roland released the SAS system in Autumn 1986 with several different products, including: [2]

MKS-20 rack unit

The MKS-20 has 16-voice polyphony, which means that 16 keys can be pressed at the same time. It has eight presets for piano and other keyboard instruments (electric piano, harpsichord, vibraphone, clavinet), with 56 variations. The first two piano sounds have been likened to a German grand piano sound; the third has been called similar to a Yamaha CP-70 or CP80's piano sound. [1] The unit responds to velocity (hard or soft playing) when a MIDI controller keyboard that outputs velocity data is connected to it. The MKS-20 has a "voice preserve" feature which can be turned on or off. When voice preserve is on, the player can play a note or chord, and then while holding the notes down on the keyboard, switch to a new synth voice. Even though a new synth voice was selected, the original voice is sustained as long as the player holds down the original note or chord. Subsequent notes or chords use the newly selected voice.

It has three onboard effects units: stereo chorus effect with adjustable rate and depth, stereo tremolo with adjustable rate and depth, and equalizer. The three-band equalizer has bass (100 Hz) and treble (10 kHz) shelving controls and a parametric midrange control. The front panel has sliders, buttons, an alpha-dial for changing settings, a headphone jack, a port for plugging in a M-16C memory cartridge, and a MIDI message light, which flashes when the unit is sending it receiving MIDI messages. The back has 5-pin MIDI "in" and "out" ports for connecting to a MIDI controller or to other MIDI gear (e.g., a music sequencer) and stereo 1/4" (600 ohm) and XLR outputs for plugging into a keyboard amplifier, PA system, or recording system.

The back also has a three-position output level switch which only affects the unbalanced 1/4 outputs. The high level output is for recording applications. The low or medium level are for guitar amplifiers. The medium or high level are for keyboard amplifiers. When connecting the unit to an audio mixer, either three of the level settings can be used. It weighs 8 kg (17 lb 10 oz) and uses the standard 19" rack size. [3] The MKS-20 uses CEM3360 dual voltage controlled amplifier (VCA) integrated circuit chips. Inside the unit, there is a battery to power the memory unit. The battery needs to be replaced every five years by a qualified repair technician.

CEM3360 Dual VCA chips are used in the MKS-20. CEM3360 8247 2791A-01 - faulty VCA on PPG WAVE 2.2.jpg
CEM3360 Dual VCA chips are used in the MKS-20.

RD-1000 keyboard

The RD-1000 has the same electronics and sound features as the MKS-20 mounted in an 88-note weighted MIDI controller keyboard, along with a keyboard stand and a floor unit to house the sustain pedal and a soft pedal. [1] The keyboard alone is 95 pounds; the floor pedal unit is 18 pounds, and the heavy duty stand is another 29 to 39 pounds, depending on which stand is used. The settings offer keyboard touch response changes, which are called A, B, C and D. B is the default value, under which the shift in dynamics and harmonic structure increases in a linear way with the amount of velocity applied to a key. With setting A, there is a more subtle increase in volume and less change of timbre. With the settings C and D, the changes are more dramatic. [2]

Rhodes MK80

Following Roland's acquisition of the Rhodes brand in 1987, the company released the Rhodes MK80 in 1989. This instrument was derived from the MKS20/RD-1000 architecture but with a large emphasis on its Rhodes emulation patches. Harold Rhodes himself was disparaging of the instrument which was released without his approval (who had lost the rights to his own trademark) and therefore the MK80 is not considered part of the classic canon of Rhodes pianos. Roland went on to release several digital pianos and synthesisers under the Rhodes brand.

History and reception

When Roland introduced the structured adaptive synthesis system, Sound on Sound says musicians viewed it as a "revelation". [4] In 1986, pianists seeking a digital piano sound often used sampled pianos. While an individual note on a sampled piano might sound realistic, the samples might not include different dynamics and articulations. The MKS-20 offered "...more than 30 keyboard 'zones' differentiated not just by pitch and brightness, but also by individual formant structures and string enharmonicities", creating a piano sound that was "...far superior to any straightforward sample-replay system" available in 1986. Musicians found that they could "...recreate acoustic and electronic pianos on a range of stage instruments". [4]

Digital instrument versions

In 2016, Fait Clic released a Windows-based Virtual Studio Technology (VST) recreation of the MKS-20, called MKS-20Vst for Windows. The program has a graphical user interface (GUI) which resembles the MKS-20's front panel. It also recreates Roland's chorus effect, the SDD 320 (also called "Dimension D" chorus). [5]

In 2017, VGSG Music released a digital version called iKS20 that makes MKS-20's sounds available on Yamaha's MOXF, MOTIF XF, MONTAGE and MODX synthesizers. These Yamaha keyboards need a 1GB USB flash drive to load the iKS20 file. Additional requirements include the installation of the Yamaha FL1024M 1GB Flash Expansion Board for the MOXF and MOTIF XF. And 1GB of free space for the MONTAGE and MODX's onboard Flash RAM. [6]

Keyscape's Collector Keyboards, a virtual instrument, includes a digital recreation of the MKS-20 in its list of over 500 sounds, 36 instrument models and hybrid “duo” patches. The Keyscape virtual instrument uses multisampled sounds and requires 77 GB to download or the purchase of boxed USB drives. The MKS-20 patch includes controls for effects. [7]

Loot Audio produces a digital version called RP-86. It has two MKS-20-inspired piano sounds, which can be used in Native Instruments' Kontact 5 system. It is not a sample; instead it is a re-synthesis which resembles the original. The MKS-20 sounds are bundled with a number of other 1980s-era sounds. [8]

Notable users

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References

  1. 1 2 3 Graham, Nick (September 1986). "Roland Digital Piano Systems RD1000 (Keyboard Version) & MKS20 (Racked Module Version)". In Tune (Jun 1986). EMM: 33–34. Retrieved 15 January 2021.
  2. 1 2 3 Goldstein, Dan (September 1986). "Structured Sound: Roland RD1000 Piano". Electronics & Music Maker. Retrieved 1 July 2024.
  3. ↑ "Roland MKS-20 user reviews and comments @ Synth Site - home of synth reviews".
  4. 1 2 Reid, Gordon (January 2005). "The History of Roland: Part 3". Sound on Sound. Retrieved 1 July 2024.
  5. ↑ "Fait Clic releases MKS-20Vst digital piano instrument". rekkerd.org. Rekkerd. 22 November 2016. Retrieved 27 December 2020.
  6. ↑ "VGSG's MOTIF Gospel Sound Pack". vgsgmusic.com. VGSG Music. Retrieved 1 April 2021.
  7. ↑ "Keyscape - Collector Keyboards: MKS-20 Digital Piano". www.spectrasonics.net. Spectrasonics. Retrieved 28 December 2020.
  8. ↑ "RP-86 - Roland MKS-20 - Kontakt".
  9. ↑ Goodyer, Tim (June 1988). "The Dolby System (MT Jun 1988)". Music Technology (Jun 1988): 56–59.
  10. ↑ "What Roland keys are being played on the Level 42 tour? - PowerOn | Roland UK". www.roland.co.uk. Archived from the original on 2017-11-21.
  11. ↑ "Artist Profile: Paul Sidoti".
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