Bartolomé Maximiliano Moré Gutiérrez, better known as Benny Moré, was a Cuban singer, bandleader and songwriter. Due to his fluid tenor voice and his great expressivity, he was known variously as "El Bárbaro del Ritmo" and "El Sonero Mayor". Moré was a master of the soneo – the art of vocal improvisation in son cubano – and many of his tunes developed this way. He often took part in controversias with other singers, including Cheo Marquetti and Joseíto Fernández. Apart from son cubano, Moré was a popular singer of guarachas, cha cha cha, mambo, son montuno, and boleros.
Guillermo Álvarez Guedes was a Cuban comedian, actor, writer & businessman. He was better known across Latin America as Álvarez Guedes.
Pablo Milanés Arias was a Cuban guitar player and singer. He was one of the founders of the Cuban nueva trova, along with Silvio Rodríguez and Noel Nicola. His music, originating in the Trova, Son and other traditional styles of early 20th Century Cuban music, set him apart from the style of Silvio Rodríguez.
A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
Dionisio Ramón Emilio Valdés Amaro, better known as Bebo Valdés, was a Cuban pianist, bandleader, composer and arranger. He was a central figure in the golden age of Cuban music, especially due to his big band arrangements and compositions of mambo, chachachá and batanga, a genre he created in 1952.
Luciano Pozo González, known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to the age of 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as "Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. According to Rebeca Mauleón, "Few percussionists have played as integral a role in shaping Latin music as Luciano 'Chano' Pozo González".
Israel Castro Vélez, better known as Shorty Castro was a Puerto Rican comedian, actor, comedy writer, stage director, radio host, singer, dancer, composer and musician, with a career spanning over 60 years.
Issac Delgado is one of the founders of the band NG La Banda and is a popular salsa and timba performer.
Alfredo Rodríguez was a Cuban pianist who played Afro-Cuban music as well as Latin jazz. Born in Havana, his musical career began in New York, where he struggled to establish himself, playing with dozens of Latin music groups over two decades. In 1983, he moved to Paris, where he enjoyed greater success, recording several albums as a leader to critical acclaim. In his later years, he founded a new group, los Acerekó, featuring Tata Güines, Changuito and Joel Hierrezuelo among others.
Sammy Figueroa is an American percussionist. At 18, he joined the band of bassist Bobby Valentín and also co-led the Brazilian/Latin fusion group Raíces. He is known as an extremely prolific session player, having played on nearly 400 albums, including ten platinum records.
Rodrigo Prats was a Cuban composer, arranger, violinist, pianist and orchestral director.
Descemer Bueno is a Cuban singer, songwriter, and record producer. His first professional gigs were playing bass with Cuban troubadour Santiago Feliú.
Tony Álvarez was a Cuban singer and television actor and personality in the 1940s and the 1950s. He was born in Havana. Álvarez had started music early and was the host of the Cuban radio musical program Ritmos del Plata. He met Olga Chorens, a Cuban female singer during the broadcast and the duo were a sensation in Cuba known as Olga y Tony and got married. They both played with Orquesta Rió De La Plata.
Pedro Nolasco Jústiz Rodríguez, better known as Peruchín, was a Cuban pianist specializing in jazz-influenced Cuban popular music. He was an important figure in the 1950s descarga scene in Havana, and one of the most influential Cuban pianists of the 20th century.
Julio Gutiérrez was a Cuban music director, pianist, composer and arranger. He was one of the main figures in the music scene of Havana in the 1940s and 1950s, and a pioneer of the descarga. As a songwriter, he is remembered for his 1944 bolero "Inolvidable", which has been performed by numerous artists.
Francisco Fellove Valdés, also known as El Gran Fellove, was a Cuban songwriter and singer. A prolific composer of the feeling generation, he is well known for his particular style of scat singing known as chua chua. He is the author of the famous guaracha-pregón "Mango mangüé", recorded by Machito and Celia Cruz among others. He was the cousin of conga drummer Carlos "Patato" Valdés.
"Sabor a Mí" is a 1959 bolero by Mexican musician and composer Álvaro Carrillo. Upon its release, it was recorded by many acts such as Los Tres Ases and Rolando Laserie, becoming the most successful song of 1960 in Mexico. It was further popularized by Los Panchos, who collaborated on their rendition with Eydie Gormé in 1964. Among the over 300 songs that he wrote, the song was considered Carrillo's most successful and popular both in Mexico and worldwide. Since its creation, the song has been covered by various artists, including Luis Miguel and José José, Bebo Valdes, EXO, José Feliciano, and Los Lobos.
Puchito Records was Cuba's second independent record label. It was founded in 1954 during the mambo and cha-cha-chá explosion. Many of its recordings, produced by its founder Jesús Gorís, became instant hits.
Manolo Álvarez Mera(néManuel Ernesto Álvarez-Mera 7 November 1923 Havana, Cuba – 16 October 1986 New York City) was a Cuban-born tenor who flourished as a bel canto during the late 1940s and 1950s. Despite having an operatic caliber voice, he gained popularity singing in operettas, musical reviews, radio, television, vaudeville, and major night clubs in Cuba, New York, and Latin America. He became a Cuban exile in 1960 after the Cuban Revolution.
Glenda del Monte Escalante, known professionally as Glenda del E, is a Cuban-Canadian pianist, singer, record producer, arranger and composer, nominated for a Latin Grammy Award in 2022 for her album Ella, in collaboration with Venezuelan violinist Daniela Padrón.
