Critical reception
Phillip Mlynar of Pitchfork gave the album an 8.1 out of 10, writing, "the two emcees have delved deeper and burrowed further into the leftfield, carving out a shadowy nook that not only shuns the commercial trappings of the mainstream but also moves on from the boom-bap theology that can plague these kinds of records." [5] Anthony Fantano of The Needle Drop gave it a strong 6. [7] Paul Thompson of Vulture gave the album a favorable review, saying, "Rome, their newest record, is also their best, a master class in style and form, and a pointed look at the grand and tiny grasps for power people make every day, from private property seizures to nationalist Facebook rants." [6] He added, "It's a record that fully utilizes each artist's greatest strengths, and stands up to any rap album released in 2017." [6] Charles Aaron of City Pages described the album as "a grimly volatile, frightfully insightful spew of epic-poem proportions." [8]
Tom Breihan of Stereogum placed Rome at number 28 on the "40 Best Rap Albums of 2017" list. [3] In 2025, Pitchfork placed it at number 73 on their list of the "100 Best Rap Albums of All Time". [9]
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