The Pretender is the fourth album by the American singer-songwriter Jackson Browne, released in 1976. It peaked at No. 5 on Billboard's album chart. The singles from the album were "Here Come Those Tears Again", which reached No. 23, and "The Pretender", which peaked at No. 58.
Every Picture Tells a Story is the third studio album by British singer-songwriter Rod Stewart, released on 28 May 1971, by Mercury Records. It incorporates hard rock, folk, and blues styles. It went to number one on both the UK and US charts and finished third in the Jazz & Pop critics' poll for best album of 1971. It has been an enduring critical success, including a number 172 ranking on Rolling Stone's 2003 list of the 500 greatest albums of all time.
The Beach Boys is the 25th studio album by American rock band the Beach Boys, released on June 10, 1985. Produced by Steve Levine, the album is the band's first after the drowning of founding member Dennis Wilson. It was also the band's first album to be recorded digitally and the last released by James William Guercio's Caribou Records. The record sold poorly, charting at number 52 in the U.S. and number 60 in the UK.
A Nod's as Good as a Wink... To a Blind Horse is the third album by British rock group Faces, and their second album of 1971. Bolstered by lead singer Rod Stewart's recent solo success with "Maggie May", it was their most successful album worldwide, peaking at No. 6 in the US, and reaching No. 2 in the UK. It also contains their biggest US hit, the swaggering "Stay with Me", and the album itself would be certified gold by the RIAA in 1972.
Long Player is the second album by the British rock group Faces, released in February 1971. Among the highlights are a live cover version of Paul McCartney's "Maybe I'm Amazed", the ballads "Richmond" and "Sweet Lady Mary", the party tune "Had Me a Real Good Time", and uptempo saloon bar rocker "Bad 'n' Ruin". Two tracks, "Maybe I'm Amazed" and "I Feel So Good", were recorded live at the Fillmore East, New York City, on 10 November 1970.
First Step is the debut studio album by the English rock band Faces, released on 27 March 1970 by Warner Bros. Records. The album was released only a few months after the Faces had formed from the ashes of the Small Faces and The Jeff Beck Group. The album is credited to the Small Faces on all North American issues and reissues, while record labels for initial vinyl printings give the title as The First Step.
Gasoline Alley is the second solo studio album by the British singer-songwriter Rod Stewart. It was released on 12 June 1970 by Vertigo Records. It is a collection of covers combined with Stewart's own compositions. Like many of Stewart's solo albums from the period, it featured significant musical contributions from the other members of his band Faces.
Never a Dull Moment is the fourth solo album by rock musician Rod Stewart. It was released on 21 July 1972; that year it became a UK number-one album and reached number two on the US Album chart. The track "You Wear It Well", co-written by Stewart and classical guitarist Martin Quittenton, was a smash hit, as well as "Twisting the Night Away", a song originally recorded by Sam Cooke.
Hymn of the Seventh Galaxy is a studio album by American jazz fusion band Return to Forever. It was released in October 1973 by Polydor. It was the first album not to feature Flora Purim, Airto and Joe Farrell, and marked a shift away from the largely acoustic fusion they created. Drummer Lenny White and guitarist Bill Connors make their first appearances with the group. Connors would leave shortly after the album's release.
These Foolish Things is the debut solo studio album by Bryan Ferry, who at the time was still Roxy Music's lead vocalist. The album was released in October 1973 on Island Records in the United Kingdom and Atlantic Records in the United States. It is considered to be a departure from Roxy Music's sound, being made up of far more 'straight' versions of standards. Additionally, where Roxy Music's albums were of songs composed by the band, These Foolish Things was a covers album. It was a commercial and critical success, peaking at number five on the UK Albums Chart. It received a gold certification from the British Phonographic Industry in May 1974.
Smiler is the fifth solo album by English rock singer-songwriter Rod Stewart. It was released September 27, 1974 by Mercury Records. It reached number 1 in the UK album chart, and number 13 in the US. The album included covers of Chuck Berry, Sam Cooke and Bob Dylan songs, as well as a duet with Elton John of John's song "Let Me Be Your Car". Stewart also covered Carole King's "(You Make Me Feel Like) A Natural Woman" where 'Woman' is switched to 'Man'. The release of the album was held up for five months due to legal problems between Mercury Records and Warner Bros. Records.
I Sing the Body Electric is the second studio album released by the American jazz fusion band Weather Report in 1972.
Rough Mix is an album by Pete Townshend, guitarist with the Who, and Ronnie Lane, former bassist with Small Faces and Faces. The album was released in September 1977 as Polydor 2442 in the UK and MCA 2295 in the US. It peaked at number 44 on the UK Albums Chart, and at number 45 on the Billboard 200.
Anymore for Anymore is the debut solo album by Ronnie Lane, one of the founding members of Small Faces and Faces. The recording sessions, using Ronnie Lane's Mobile Studio, started in 1973 at his 100-acre (40 ha) farm in Wales with his new band Slim Chance.
I've Got My Own Album to Do is the first solo album by English rock musician Ronnie Wood, released in September 1974. An all-star project recorded outside of his activities with the Faces, it reached number 27 on the UK's NME chart. The album title was thought to be a dig at Rod Stewart, who appeared to be more committed to his solo career than working with the Faces. Wood has said that the title originated from contributors such as George Harrison and Mick Jagger "nagging me to let them go home" and finish their own projects. The album was recorded at The Wick, Wood's house in Richmond, south-west London.
Everybody Knows is the sixth studio album by American country music artist Trisha Yearwood, containing country pop-styled ballads.
One for the Road is the third album by Ronnie Lane and his Slim Chance band. Lane had previously been a founding member of Small Faces and Faces. The album was recorded using Ronnie Lane's Mobile Studio.
Never Letting Go is the fourth album by singer–songwriter Phoebe Snow, released in 1977.
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
See Me is the fourth and the last studio solo album by Ronnie Lane. The album was released 18 years before Lane's death. Lane had previously been a founding member of Small Faces and Faces.
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