Maria Anna Angelika Kauffmann, usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
Marguerite "Peggy" Guggenheim was an American art collector, bohemian, and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who established the Solomon R. Guggenheim Foundation. Guggenheim collected art in Europe and America between 1938 and 1946. She exhibited this collection as she built it. In 1949, she settled in Venice, where she lived and exhibited her collection for the rest of her life. The Peggy Guggenheim Collection is a modern art museum on the Grand Canal in Venice, Italy, and is one of the most visited attractions in Venice.
Howard Chandler Christy was an American artist and illustrator. Famous for the "Christy Girl" – a colorful and illustrious successor to the "Gibson Girl" – Christy is also widely known for his iconic WWI military recruitment and Liberty loan posters, along with his 1940 masterpiece titled, Scene at the Signing of the Constitution of the United States, which is installed along the east stairwell of the United States Capitol.
Prudence Heward was a Canadian figure painter, known for using acidic colour, a sculptural treatment, and giving an intense brooding quality to her subjects. She was a charter member of the Canadian Group of Painters, the Contemporary Arts Society and the Federation of Canadian Artists. Although she did not show her work with the Beaver Hall Group, she was allied with many of its artists in her aesthetic aims and through friendships.
Cornelia Adele Strong Fassett was an American painter. She painted portraits of politicians. Her most famous work is her painting of the Electoral Commission of 1877.
Nora Heysen, was an Australian artist, the first woman to win the prestigious Archibald Prize in 1938 for portraiture and the first Australian woman appointed as an official war artist.
Marie Ellenrieder was a German painter known for her portraits and religious paintings.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for female artists.
Rosina Ferrara (1861–1934) was an Italian artist's model from the island of Capri, who became the favorite muse of American expatriate artist John Singer Sargent. Captivated by her exotic beauty, a variety of 19th-century artists, including Charles Sprague Pearce, Frank Hyde, and George Randolph Barse, made works of art of her. Ferrara was featured in the 2003 art exhibit "Sargent's Women" at New York City's Adelson Galleries, as well as in the book Sargent's Women published that year.
Doris Clare Zinkeisen was a Scottish theatrical stage and costume designer, painter, commercial artist, and writer. She was best known for her work in theatrical design.
Margaret E. Foley (1827–1877) was an American sculptor who worked in a Neoclassical style. In addition to sculpture, she is known for cameo carving, medallion portraits, and direct carving.
Catherine Read was a Scottish artist. Born in the early 18th century, she is most known for her work as a portrait-painter. She was for some years a fashionable artist in London, working in oils, crayons, and miniature. From 1760 she exhibited almost annually with either the Incorporated Society of Artists, the Free Society of Artist, or the Royal Academy, sending chiefly portraits of ladies and children of the aristocracy, which she painted with much grace and refinement.
Betsy Graves Reyneau (1888–1964) was an American painter, best known for a series of paintings of prominent African Americans for the exhibition “Portraits of Outstanding Americans of Negro Origin” that, with those by Laura Wheeler Waring and under the Harmon Foundation, toured the United States from 1944 to 1954. A granddaughter of Michigan Supreme Court Justice Benjamin F. Graves, Reyneau's sitters included Mary McLeod Bethune, George Washington Carver, Joe Louis, and Thurgood Marshall. Reyneau's portrait of Carver, the most famous, was the first of an African American to enter a national American collection.
"We Can Do It!" is an American World War II wartime poster produced by J. Howard Miller in 1943 for Westinghouse Electric as an inspirational image to boost female worker morale.
Anna Rosina de Gasc was a German portrait painter.
Women Painters of the World, from the time of Caterina Vigri, 1413–1463, to Rosa Bonheur and the present day, assembled and edited by Walter Shaw Sparrow, lists an overview of prominent women painters up to 1905, the year of publication.
Dolly Rudeman was a Dutch graphic designer who produced posters for some of the most famous directors and film stars of her day, including Sergei Eisenstein, Charlie Chaplin, and Greta Garbo.
Symeon Shimin was a Russian born American artist and illustrator of Russian Jewish descent. He was principally known as an artist of Hollywood Film Posters and as an award-winning illustrator of 57 children's books including two that he authored himself, I wish there were two of me and A special birthday. His fine art, developed throughout his life, includes the highly acclaimed mural Contemporary Justice and The Child created in 1936, that took four years to complete. Other notable work includes the painting The Pack that he completed in 1959.
The American Schools at War program was a program during World War II run by the U.S. Treasury Department, in which schoolchildren set goals to sell stamps and bonds to help the war effort. The program was also administered by the U.S. Office of Education, the Federal government agency that interfaced with the nation's school systems and its thirty-two million students. The Office, however, allowed the Treasury to work with the schools directly as the main objective of the program was raising money.
