James Edward Hervey MacDonald (1873–1932) was an English-Canadian artist, best known as a member of the Group of Seven who asserted a distinct national identity combined with a common heritage stemming from early modernism in Europe in the early twentieth century. He was the father of the illustrator, graphic artist and designer Thoreau MacDonald.
Marlene Creates is a Canadian artist lives and works in Portugal Cove, Newfoundland. Born in Montreal, Quebec, Creates studied visual arts at Queen's University, then lived in Ottawa for twelve years, moving to Newfoundland in 1985.
Rebecca Belmore D.F.A. is an interdisciplinary Anishinaabekwe artist who is notable for politically conscious and socially aware performance and installation work. She is Ojibwe and member of Obishikokaang. Belmore currently lives in Toronto, Ontario.
Christi Marlene Belcourt is a Métis visual artist and author living and working in Canada. She is best known for her acrylic paintings which depict floral patterns inspired by Métis and First Nations historical beadwork art. Belcourt's work often focuses on questions around identity, culture, place and divisions within communities.
Robert Houle is a Saulteaux First Nations Canadian artist, curator, critic, and educator. Houle has had an active curatorial and artistic practice since the mid-1970s. He played an important role in bridging the gap between contemporary First Nations artists and the broader Canadian art scene through his writing and involvement in early important high-profile exhibitions such as Land, Spirit, Power: First Nations at the National Gallery of Canada. As an artist, Houle has shown both nationally and internationally. He is predominantly a painter working in the tradition of Abstraction, yet he has also embraced a pop sensibility by incorporating everyday images and text into his works. His work addresses lingering aspects of colonialism and their effects on First Nation peoples. Houle often appropriates historical photographs and texts, repurposing and combining them with Anishnaabe language and traditionally used materials such as porcupine quills within his works.
Shirley Cheechoo is a Canadian Cree actress, writer, producer, director, and visual artist, best known for her solo-voice or monodrama play Path With No Moccasins, as well as her work with De-Ba-Jeh-Mu-Jig theatre group. Her first break came in 1985 when she was cast on the CBC's first nations TV series Spirit Bay, and later, in 1997, she found a role on the CBC's TV series The Rez.
Daphne Odjig, D.Litt LL. D., was a Canadian First Nations artist of Odawa-Potawatomi-English heritage. Her paintings are often characterized as Woodlands Style or as the pictographic style.
Bonnie Devine is a Serpent River Ojibwa installation artist, performance artist, sculptor, curator, and writer from Serpent River First Nation, who lives and works in Toronto, Ontario. She is currently an associate professor at OCAD University and the founding chair of its Indigenous Visual Cultural Program.
Ursula Johnson is a multidisciplinary Mi’kmaq artist based in Halifax, Nova Scotia, Canada. Her work combines the Mi’kmaq tradition of basket weaving with sculpture, installation, and performance art. In all its manifestations her work operates as didactic intervention, seeking to both confront and educate her viewers about issues of identity, colonial history, tradition, and cultural practice. In 2017 she won the Sobey Art Award.
Aganetha Dyck is a Canadian sculptor residing in Winnipeg, Manitoba. Dyck is best known for her work with live honeybees, that build honeycomb on objects that she introduces to honeybee hives. In 2007 Dyck was awarded both Manitoba's Arts Award of Distinction and Canada's Governor General's Award in Visual and Media Arts.
Mary Evelyn Wrinch (1877–1969), was a Canadian artist who created miniature paintings, oil paintings, and block prints, sometimes inspired by the Northern Ontario landscape. She pioneered the 'Canadian style', painting landscapes with bold colours of the Algoma, Muskoka and Lake Superior regions, in situ. In her miniature paintings on ivory, she depicted her sitters with freshness and vitality. Her colour block prints are virtuoso examples of the medium.
Joanne Robertson Misko Anungo Kwe is an Anishinaabe author, illustrator, and water protection activist. Joanne is a member of Atikameksheng Anishnawbek and is of the Bald Eagle clan.
Elisapee Ishulutaq was a self-taught Inuit artist, specialising in drawing and printmaking. Ishulutaq participated in the rise of print and tapestry making in Pangnirtung and was a co-founder of the Uqqurmiut Centre for Arts & Crafts, which is both an economic and cultural mainstay in Pangnirtung. Ishulutaq was also a community elder in the town of Pangnirtung. Ishulutaq's work has been shown in numerous institutions, including the Marion Scott Gallery in Vancouver, the Winnipeg Art Gallery and the National Gallery of Canada.
Wanda Nanibush is an Anishinaabe curator, artist and educator based in Toronto, Ontario. She is the Curator of Indigenous Art at the Art Gallery of Ontario and the author of the book Violence No More: The Rise of Indigenous Women.
Cecily Nicholson is a Canadian poet, arts administrator, independent curator, and activist. Originally from Ontario, she is now based in British Columbia. As a writer and a poet, Nicholson has published collections of poetry, contributed to collected literary works, presented public lectures and readings, and collaborated with numerous community organizations. As an arts administrator, she has worked at the Surrey Art Gallery in Surrey, British Columbia, and the artist-run centre Gallery Gachet in Vancouver.
Ann Beam is a multimedia artist based in M'Chigeeng First Nation, Manitoulin Island. Born Ann Elena Weatherby in 1944 in Brooklyn, New York, she is the spouse of artist Carl Beam. She has a BFA from State University of New York at Buffalo. She taught at the Art Gallery of Ontario in the late 1960s and 1970s and later managed the Neon Raven Art Gallery on Manitoulin Island. Themes covered in her art have been described as "cultural histories of women's labour in building homes, in motherhood, cooking and teaching." She has worked with various mediums, including oil and acrylic, found art, recycled materials, pottery, paper and cloth.
Hannah Claus is a multidisciplinary visual artist of English and Kanien'kehá:ka (Mohawk) ancestries and is a member of the Mohawks of the Bay of Quinte First Nation.
Thomas Earl Benner was a Canadian sculptor of large sculptures, a painter and an installation artist who explored such themes as the environment, history and nature. His work was widely exhibited in Canada and the United States in public galleries and even in unconventional places, such as Union Station in Toronto. He is associated with a movement in Canadian art known as London Regionalism, which took place in the city of London, Ontario, where he was born and lived.
Roxanne Charles-George is a mixed media artist, activist, curator, storyteller, and cultural historian of Strait Salish and European descent. She is a current councilor. and active band member of Semiahmoo First Nation in Surrey, British Columbia, where she promotes art, language, and culture. As an artist, she works with a wide range of media. She directly responds to the problems of colonialism, and documents issues that reflect her life experiences such as spirituality, identity, urbanization, food security, resource extraction, trauma, and various forms of systemic violence. As a contemporary storyteller and cultural historian, her goal is to touch, move, and inspire others through her work. Her work employs traditional Semiahma forms of knowledge such as visual representation, oral history, and ceremony.
Maggie Groat is an artist and educator of Skarú:ręʔ and German descent. She received her Master of Fine Arts at the University of Guelph in 2010. Groat has taught at the University of Guelph, University of Toronto, and at Emily Carr University of Art and Design, where she was the Audain Artist Scholar in Residence in 2014.
