Royal Armouries Ms. I.33

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fol. 32r showing the priest in first ward and in schutzen, and Walpurgis remaining in her 'special ward' on the right shoulder MS I33 32r.jpg
fol. 32r showing the priest in first ward and in schutzen, and Walpurgis remaining in her 'special ward' on the right shoulder
fol. 4v showing the student first in krucke and then gripping the priest's arms with his shield arm Ms I33 fol 04v.jpg
fol. 4v showing the student first in krucke and then gripping the priest's arms with his shield arm

Royal Armouries Ms. I.33 is the earliest known surviving European fechtbuch (combat manual), and one of the oldest surviving martial arts manuals dealing with armed combat worldwide. I.33 is also known as the Walpurgis manuscript, after a figure named Walpurgis shown in the last sequence of the manuscript, [1] and "the Tower manuscript" because it was kept in the Tower of London during 1950-1996; also referred to as British Museum No. 14 E iii, No. 20, D. vi.

Contents

It was created around 1300 in Franconia and is first mentioned by Henricus a Gunterrodt in his De veriis principiis artis dimicatoriae of 1579.

The manuscript is anonymous [2] and is so titled through an association with the Royal Armouries Museum. [1]

The manuscript

The manuscript including the text date to about 1270-1320 CE [3] [4] [5] [6] It is first mentioned by Henricus a Gunterrodt in his De veriis principiis artis dimicatoriae of 1579, where he reports it to have been acquired (looted) by a friend of his, one Johannes Herbart of Würzburg when serving in the force of Albert Alcibiades, Margrave of Brandenburg-Kulmbach in the campaigns of 1552/3. It remained in a Franconian monastery (presumably in Upper Franconia) until the mid-16th century. From the 17th century, the manuscript was part of the ducal library of Gotha (signature Cod. Membr. I. no. 115) until it disappeared in World War II and resurfaced at a Sotheby's auction in 1950, where it was purchased by the Royal Armouries. The author of the treatise may be a cleric called Lutegerus (viz. a Latinised form of the German proper name Liutger).

The treatise expound a martial system of defensive and offensive techniques between a master and a pupil, referred to as sacerdos (priest) and scolaris (student), each armed with a sword and a buckler, drawn in ink and watercolour and accompanied with Latin text, interspersed with German fencing terms. On the last two pages, the pupil is replaced by a woman called Walpurgis.

The pages of the manuscript are vellum, [7] the 32 parchment folia (64 pages) of the manuscript show Latin text written in a clerical hand, using the various sigla which were standard at the time (but which fell out of use at the end of the medieval period; an image from the manuscript (the second image on fol 26r) was copied into Codex Guelf 125.16.Extrav. in the 1600s by a draughtsman who under his drawing stated that he could not decipher the Latin text).

Contents

The pages are thought possibly or very likely from an earlier larger work, which have later been subsequently bound together separated from the other pages. [6] [7] The text provides guidance on the use of a single-handed sword. [8] The fencing system is based on a number of wards (custodie) which are answered by defensive postures (obsessiones). The wards are numbered 1 to 7 on the first two pages and supplemented by various 'special' wards later in the text. The seven basic wards are:

  1. under the arm (sub brach)
  2. right shoulder (humero dextrali)
  3. left shoulder (humero sinistro)
  4. head (capiti)
  5. right side (latere dextro)
  6. breast (pectori)
  7. 'long-point' (langort)

The German terms appearing in the Latin text are the following:

Sporadic dialectal elements in these terms (notably nucken and halpschilt) suggest a location of composition consistent with the reported discovery in a Franconian monastery in the wider area of Würzburg.

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References

  1. 1 2 Kenner, Andrew (2014). I33: Fencing in the Style of the Walpurgis Manuscript. Lulu Enterprises Incorporated. p. 11. ISBN   9781291649475.
  2. Green, Thomas A; Svinth, Joseph R (2010). Martial Arts of the World: An Encyclopedia of History and Innovation. Vol. 2. ABC-CLIO 2010. p. 244. ISBN   978-1598842432.
  3. Kellett, Rachel E (2012). "Royal Armouries MS I.33: The Judicial Combat And The Art Of Fencing In Thirteenth- And Fourteenth-Century German Literature". Oxford German Studies. 41 (1): 32–56. doi:10.1179/0078719112Z.0000000003. S2CID   161823139.
  4. Wadge, Richard (2015). Verneuil 1424: The Second Agincourt: The Battle of Three Kingdoms. History Press. ISBN   978-0750963350.
  5. The manuscript is dated to the "late 13th century" in the description by Royal Armouries. Alphonse Lhotsky in a handwritten note suggested the late 13th century and identified the scribe as a secretary to the bishop of Würzburg.
  6. 1 2 Hester, James (2012). "A Few Leaves Short of a Quire: Is the 'Tower Fechtbuch' Incomplete?". Arms & Armour. 9 (1): 20–24. doi:10.1179/1741612411Z.0000000003. S2CID   161975656.
  7. 1 2 Morgan, Martin (Spring 2014). "Publishing Royal Armouries 1.33 - The Illuminated Fightbook". Arms & Armour. 11 (1): 68–70. doi:10.1179/1741612414Z.00000000033. S2CID   161204950.
  8. Windsor, Guy (2013). The Swordsman's Companion: A Modern Training Manual for Medieval Longsword. Guy Windsor. ISBN   978-9526793429.