The Royal Ballet and Opera, formerly the Royal Opera House (ROH), is a historic opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.
The Hippodrome is a building on the corner of Cranbourn Street and Charing Cross Road in the City of Westminster, London. The name was used for many different theatres and music halls, of which the London Hippodrome is one of only a few survivors. Hippodrome is an archaic word referring to places that host horse races and other forms of equestrian entertainment.
The Pavilion Theatre is a theatre in Glasgow located on Renfield Street.
The Theatre Royal is the oldest theatre in Glasgow and the longest running in Scotland. Located at 282 Hope Street, its front door was originally round the corner in Cowcaddens Street. It currently accommodates 1,541 people and is owned by Scottish Opera. The theatre opened in 1867, adopting the name Theatre Royal two years later. It is also the birthplace of Howard & Wyndham Ltd, owners and managers of theatres in Scotland and England until the 1970s, created by its chairman Baillie Michael Simons in 1895. It was Simons who as a cultural entrepreneur of his day also promoted the building of Kelvingrove Art Gallery and Museum and Glasgow's International Exhibitions of 1888 and 1901.
The Hawth Theatre is an arts and entertainment complex located in 38 acres (150,000 m2) of woodland about 0.5 mi (800 m) from the town centre of the English town of Crawley. It is wholly owned by Crawley Borough Council and is currently operated by Parkwood Theatres.
The Grand Opera House is a theatre in Belfast, Northern Ireland, designed by the most prolific theatre architect of the period, Frank Matcham. It opened on 23 December 1895. According to the Theatres Trust, the "magnificent auditorium is probably the best surviving example in the United Kingdom of the oriental style applied to theatre architecture". The auditorium was restored to its former glory, and the foyer spaces and bars were reimagined and developed as part of a £12.2 million project in 2020/2021, generously supported by the National Lottery Heritage Fund. [1]
The Golders Green Hippodrome was built in 1913 by Bertie Crewe as a 3,000-seat music hall, to serve North London and the new London Underground Northern line expansion into Golders Green in the London Borough of Barnet, London, England.
Charles John Phipps was an English architect known for more than 50 theatres he designed in the latter half of the 19th century, including several important ones in London. He is noted for his design of the Theatre Royal, Exeter, which caught fire in 1887, killing 186 visitors.
The Theatre Royal in Bath, England, was built in 1805. A Grade II* listed building, it has been described by the Theatres Trust as "One of the most important surviving examples of Georgian theatre architecture". It has a capacity for an audience of around 900.
The Princess Theatre, originally Princess's Theatre, is a 1452-seat theatre in Melbourne, Victoria, Australia. Established in 1854 and rebuilt in 1886 to a design by noted Melbourne architect William Pitt, it is the oldest surviving entertainment site on mainland Australia. Built in an elaborate Second Empire style, it reflects the opulence of the "Marvellous Melbourne" boom period, and had a number of innovative features, including state of the art electric stage lighting and the world's first sliding ceiling, which was rolled back on warm nights to give the effect of an open-air theatre.
The Hippodrome Theatre, also called the New York Hippodrome, was a theater located on Sixth Avenue between West 43rd and West 44th Streets in the Theater District of Midtown Manhattan in New York City. The theater operated from 1905 to 1939 and was called the world's largest theater by its builders, with a seating capacity of 5,300 and a stage measuring 100 by 200 feet. It had state-of-the-art theatrical technology, including a tank built into the stage apron that could be filled with water for aquatic performances.
Hackney Empire is a theatre on Mare Street, in Hackney in the London Borough of Hackney. Originally designed by Frank Matcham it was built in 1901 as a music hall, and expanded in 2001. Described by The Guardian as "the most beautiful theatre in London" it is an Arts Council England National Portfolio Organisation.
The King's Theatre is a theatre in Edinburgh, Scotland.
The Wolverhampton Grand Theatre, commonly known as The Grand, is a theatre located on Lichfield Street, Wolverhampton. The theatre was designed in 1894 by Architect Charles J. Phipps. It is a Grade II Listed Building with a seating capacity of 1200.
The Connaught Theatre is a Streamline Moderne-style theatre and cinema in the centre of Worthing, in West Sussex, England. Built as the Picturedrome cinema in 1914, the venue was extended in 1935 and became the new home of the Connaught Theatre. The theatre houses touring West End theatre productions, musicals, thrillers, dramas and children's productions. Since 1987, it has been a dual use cinema/theatre with two screens, and has a seating capacity of 512. When it opened, it was a rare example of a conversion from a cinema to a theatre: the reverse was much more common in 1930s Britain, when many theatres became cinemas. The Connaught Studio, next door, was the venue for the short-lived The End of the Pier International Film Festival.
Royal & Derngate is a theatre complex in the Cultural Quarter of Northampton, England, consisting of the Royal Theatre, Derngate Theatre and the Northampton Filmhouse. The Royal was built by theatre architect Charles J. Phipps and opened in 1884. Ninety-nine years later in 1983, Derngate, designed by RHWL, was built to the rear of the Royal. Whilst the two theatres were physically linked, they did not combine organisations until a formal merger in 1999; they are run by the Northampton Theatres Trust. The Royal Theatre, established as a producing house, has a capacity of 450 seats and since 1976 has been designated a Grade II listed building; Derngate Theatre seats a maximum of 1,200 and is a multi-purpose space in which the auditorium can be configured for a variety of events including theatre, opera, live music, dance, fashion and sports. The Northampton Filmhouse, an independent cinema built to the side of the complex, opened in 2013.
Brighton Hippodrome is an entertainment venue in Brighton, England. It was built in 1897 and closed in 2007.
The New Theatre Royal is a Victorian Grade II* listed theatre in the heart of Portsmouth, England, with a capacity of 648. The theatre building was constructed in 1854 as Landport Hall. It was converted to a theatre two years later. It was rebuilt in 1884 by Charles J. Phipps and again in 1900 by Frank Matcham.
Birmingham is an important centre for theatre in the United Kingdom. The earliest known performances in the city were medieval pageants and miracle plays. Birmingham's first permanent theatres and theatrical companies were founded in the 1740s, drawing both actors and performance styles from the fashionable theatres of London. During World War II, the Birmingham Blitz forced all performance venues in the city to close; most would stay closed throughout the war. The postwar introduction of television led to further theatre closures.
John Christopher Richard O'Donoghue was an English actor, theatrical entrepreneur and administrator. After training as an actor he performed in repertoire before his call-up in World War II. He served in the British Indian Army and by the end of hostilities had risen to the rank of major. After demobilisation he briefly returned to acting before working for 15 years in management and production in the West End theatre in London, firstly with theatrical entrepreneurs Sir Bronson Albery and his son Sir Donald Albery and then in partnership with Gervase Farjeon. In 1967 he became Registrar and Administrator of RADA, a position of influence over generations of acting and theatre production students which he held for 20 years until his retirement.
United Kingdom 