Royal Institute for Cultural Heritage

Last updated
KIK-IRPA logo.svg
Location of the awards ceremony of WLM: Royal Institute for Cultural Heritage, Brussels Brussels-KIK-IRPA-1.JPG
Location of the awards ceremony of WLM: Royal Institute for Cultural Heritage, Brussels

The Royal Institute for Cultural Heritage (KIK-IRPA, for Koninklijk Instituut voor het Kunstpatrimonium - Institut Royal du Patrimoine Artistique) is a Belgian federal institute of the Belgian Federal Science Policy Office (BELSPO). The institute studies and conserves the artistic and cultural assets of Belgium. Its mission consists in research and public service. The personnel of the institute consists of conservator-restorers, historians of art, photographers, chemists, physicists and many other scientists. Hilde De Clercq is the General Director of the institute.

Contents

History

The institute was established in 1948 as the Archives Centrales iconographiques d’Art national et Laboratoire central des Musées de Belgique  [ fr ] (Central Iconographic Archives of National Art and the Central Laboratory of Belgian Museums, ACL). Its founder and first director was Paul B. Coremans (1908-1965). In 1957 the ACL becomes one of the ten national scientific institutions under the name Royal Institute for Cultural Heritage (KIK-IRPA). The building of the institute, finished in 1963, was the first in the world specially designed to promote the interdisciplinary approach to works of art. The building was designed by architect Charles Rimanque based on an initial technical concept by René Sneyers.

Departments

The institute consists of three departments:

Online artworks pages

In the images database BALaT, each artwork is assigned a record number. To reference an artwork page directly, use the code listed at the bottom of the record, usually of the form: http://balat.kikirpa.be/object/ followed by the artwork's record number. For example, the artwork record number for the Ghent Altarpiece is 21, so its BALaT artwork page can be referenced as http://balat.kikirpa.be/object/21. [1]

See also

Related Research Articles

Conservation and restoration of cultural property Process of protecting cultural property

The conservation and restoration of cultural property focuses on protection and care of cultural property, including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. This field is closely allied with conservation science, curators and registrars.

Art museum Building or space for the exhibition of art

An art museum or art gallery is a building or space for the display of art, usually from the museum's own collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily concerned with visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections.

Meise Botanic Garden

The Meise Botanic Garden is located in the grounds of Bouchout Castle in the town of Meise, just north of Brussels, in the province of Flemish Brabant. It is one of the largest botanical gardens in the world with an extensive collection of living plants in addition to a herbarium of over 3 million specimens. The current garden was established in 1958 after it moved from the centre of Brussels; the former site is now the Botanical Garden of Brussels. Researchers at the garden conduct research particularly on Belgian and African plants.

Conservation science (cultural property)

With respect to cultural property, conservation science is the interdisciplinary study of the conservation of art, architecture, technical art history and other cultural works through the use of scientific inquiry. General areas of research include the technology and structure of artistic and historic works. In other words, the materials and techniques from which cultural, artistic and historic objects are made.

Royal Greenhouses of Laeken Heated greenhouses in the park of the Royal Castle of Laeken i

The Royal Greenhouses of Laeken are a vast complex of monumental heated greenhouses in the park of the Royal Palace of Laeken in the north of Brussels, Belgium. The historic complex contains tropical, subtropical and cold greenhouses. The greenhouses are part of the Royal Domain, and the royal private gardens and usually not open for visitors.

Horta Museum

The Horta Museum is a museum dedicated to the life and work of the Belgian Art Nouveau architect Victor Horta and his time. The museum is housed in Horta's former house and workshop, Maison & Atelier Horta (1898), in the Brussels municipality of Saint-Gilles.

Hôtel Solvay

The Hôtel Solvay is a large Art Nouveau town house designed by Victor Horta on Avenue Louise/Louizalaan in Brussels, Belgium. The house was commissioned by Armand Solvay, the son of the wealthy Belgian chemist and industrialist Ernest Solvay. For this wealthy patron, Horta could spend a fortune on precious materials and expensive details. Horta designed every single detail; furniture, carpets, light fittings, tableware and even the doorbell. He used expensive materials such as marble, onyx, bronze, tropical woods etc. For the decoration of the staircase, Horta cooperated with the Belgian pointillist painter Théo van Rysselberghe.

Conservator-restorer

A conservator-restorer is a professional responsible for the preservation of artistic and cultural artifacts, also known as cultural heritage. Conservators possess the expertise to preserve cultural heritage in a way that retains the integrity of the object, building or site, including its historical significance, context and aesthetic or visual aspects. This kind of preservation is done by analyzing and assessing the condition of cultural property, understanding processes and evidence of deterioration, planning collections care or site management strategies that prevent damage, carrying out conservation treatments, and conducting research. A conservator's job is to ensure that the objects in a museum's collection are kept in the best possible condition, as well as to serve the museum's mission to bring art before the public.

== This is a list of Training programs for Conservation and Restoration of cultural property. == There are a variety of training and entry routes into the profession of conservation. Whereas training in conservation has traditionally taken the form of an apprenticeship, in more recent years training in a recognized conservation course at a university has become the norm. Today it is more common for professional conservators to have taken a university course combined with a period of time as an intern.

Balat may refer to:

The eighth-century Codex Eyckensis is a Gospel Book based on two constituent manuscripts that were bound as a single codex from (presumably) the twelfth century until 1988. The Codex Eyckensis is the oldest book in Belgium. Since the eighth century it has been kept and preserved on the territory of the present-day municipality of Maaseik, in Belgium. The book was probably produced in the scriptorium in the Abbey of Echternach. It is housed in the church of St Catherine in Maaseik.

International Centre for the Study of the Preservation and Restoration of Cultural Property

The International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) is an intergovernmental organization dedicated to the preservation of cultural heritage worldwide through training, information, research, cooperation and advocacy programmes. It aims to enhance the field of conservation-restoration and raise awareness to the importance and fragility of cultural heritage.

Heritage science Cross-disciplinary scientific research of cultural heritage

Heritage science is the interdisciplinary domain of scientific study of cultural or natural heritage. Heritage science draws on diverse humanities, sciences and engineering disciplines. It focuses on enhancing the understanding, care and sustainable use of heritage so it can enrich people's lives, both today and in the future. Heritage science is an umbrella term encompassing all forms of scientific enquiry into human works and the combined works of nature and humans, of value to people.

Paul Bernard Joseph Marie Coremans was a Belgian scientist who advanced the fields of cultural heritage management and cultural heritage curation. He was the founder and first director of the Royal Institute for Cultural Heritage.

Conservation scientist

A conservation scientist is a museum professional who works in the field of conservation science and whose focus is on the research of cultural heritage through scientific inquiry. Conservation scientists conduct applied scientific research and techniques to determine the material, chemical, and technical aspects of cultural heritage. The technical information conservation scientists gather is then used by conservator and curators to decide the most suitable conservation treatments for the examined object and/or adds to our knowledge about the object by providing answers about the material composition, fabrication, authenticity, and previous restoration treatments.

Cultural property documentation Aspect of collections care

The documentation of cultural property is a critical aspect of collections care. As stewards of cultural property, museums collect and preserve not only objects but the research and documentation connected to those objects, in order to more effectively care for them. Documenting cultural heritage is a collaborative effort. Essentially, registrars, collection managers, conservators, and curators all contribute to the task of recording and preserving information regarding collections. There are two main types of documentation museums are responsible for: records generated in the registration process—accessions, loans, inventories, etc. and information regarding research on objects and their historical significance. Properly maintaining both types of documentation is vital to preserving cultural heritage.

Conservation and restoration at the Smithsonian Institution deals with the care of the 138 million artifacts located in the collections of Smithsonian Institution. Work is conducted by one research center, the Museum Conservation Institute (MCI), and by conservators at the Smithsonian's museums, galleries, zoo. Smithsonian conservators provide myriad services to their units, including exhibit preparation of the museum collection and loan objects, advising on object care, training for future generations of conservationists, engaging in routine preventive care on a daily basis, conducting research projects related to the collections, and examining objects for evidence of manufacturing techniques and previous restorations All conservation labs collectively further the mission of the Smithsonian Institution, "the increase and diffusion of knowledge." Founded in 1846 the Smithsonian is the world's largest museum and research complex, consisting of 19 museums and galleries, the National Zoological Park, and nine research facilities.

René Victor Gustave Joseph Sneyers was a Belgian chemist. He succeeded Paul B. Coremans as head of the Institut royal du patrimoine artistique (IRPA).

References

  1. "Lam Gods: ensemble open". Royal Institute for Cultural Heritage. Retrieved 26 October 2016.

Commons-logo.svg Media related to KIK-IRPA at Wikimedia Commons