Author | Alice Munro |
---|---|
Language | English |
Genre | General Fiction |
Publisher | McClelland and Stewart (First edition), Alfred A. Knopf (First American edition), Vintage (American paperback edition) |
Publication date | 2004 |
Publication place | Canada |
Media type | |
Pages | 335 (First edition), 352 |
ISBN | 0-7710-6506-X (First edition), 1-4000-4281-X (First American edition) |
OCLC | 54692750 |
Preceded by | Vintage Munro |
Followed by | The View from Castle Rock |
Runaway is a book of short stories by Alice Munro. First published in 2004 by McClelland and Stewart, it was awarded that year's Giller Prize and Rogers Writers' Trust Fiction Prize. [1]
There are eight short stories in the book. Three of the stories ("Chance", "Soon", and "Silence") are about a single character named "Juliet Henderson".
Carla fell for Clark. They both love animals, horses especially. Clark is handsome, lean, sought after. Carla thinks her family is too materialistic. She runs away with Clark. Turns out Clark is emotionally abusive and has a bit of a temper. Sylvia, or Mrs Jamieson, comes back from Greece. Her husband, a poet, is dead. Clark sends Carla to Sylvia's house as part of his scheme. Instead, she breaks down and confesses her anguish and disappointment about their marriage. Sylvia offers her an option. She runs away on a bus. She begins to have doubts. She calls Clark to pick her up. At night, Clark tells Sylvia not to meddle with his marriage. The two, hostile, become friendlier upon the return of Flora, a goat. It is implied that Clark kills Flora.
"Powers," the eighth and final story in the collection, is divided into five parts. The first part comprises the diaries of Nancy, a self-centered young woman convinced that she is destined to have some great importance. She startles the town doctor, Wilf, on April Fool's Day by pretending to have an illness; when she later tries to apologize to him, he unexpectedly proposes to her. Nancy, ashamed of her conduct, accepts his proposal although she feels little affection for him. She expresses surprise that her life has proved so mundane after all.
The second part shifts into third-person narration and takes place several months after the first part. Nancy and Wilf are engaged and preparing for their wedding. Wilf's cousin Ollie is in town to attend the ceremony, and Nancy becomes fascinated by his worldly affectations. In an attempt to impress him, she takes Ollie to visit Tessa, a friend of hers that lives on the outskirts of town. Tessa has psychic abilities that allow her to see through objects; she correctly identifies all of the items in Ollie's pockets. Ollie seemingly dismisses her, but Nancy fears that he is hiding a deeper interest. She writes Tessa, warning her to avoid Ollie. Tessa responds, revealing that she and Ollie have already eloped to the United States. They intend to get married and test her abilities scientifically.
The third part leaps forward into the 1960s. Nancy is now an aging woman visiting an American mental hospital. The facility is shutting down, but she has received a letter asking that she retrieve Tessa, who has lived there for some time. Nancy has no intention of doing so, and she arranges with the management to leave alone after she has spoken with Tessa. When the two former friends meet, Nancy attempts to learn about Ollie and his life with Tessa. Tessa, however, cannot remember anything; electroshock therapy has ruined her memory. She claims that someone may have strangled Ollie, but she recalls nothing else. Tessa then guesses that Nancy plans to abandon her at the facility. Feeling guilty, Nancy promises to write her after she leaves, although she never does.
The fourth part moves forward a few more years. Wilf has died from the complications of a stroke, and Nancy takes the opportunity to travel. She is in a large city when she randomly encounters Ollie. She and Ollie have a long discussion, in which he discusses his travels with Tessa in the United States. He says that funding for research disappeared after World War II, forcing him and Tessa to work on the vaudeville circuit. The strain of performing gave Tessa horrible headaches and gradually eroded her powers, but she and he developed an intricate system with which to deceive their audiences. Eventually, Ollie says, Tessa died. Nancy does not contradict him. He drives her back to her hotel, and she opens her mouth to invite him up. Before she speaks, however, Ollie refuses. Nancy resolves to find Tessa and bring her to Ollie. She does not succeed.
The fifth part takes place decades later. Nancy has become an elderly woman whose children worry that she is living in the past. She falls asleep and dreams about Tessa and Ollie. They are staying at a motel; Tessa suffers from a terrible headache. In her mind, Tessa suddenly sees a pyramid of flies hidden behind the curtain. Excited that her powers have returned, she awakens Ollie, and they embrace. Ollie, however, worries that Tessa can sense the papers in his front pocket, which will commit her to a mental hospital. It is implied that Tessa does sense their presence. Nevertheless, she no longer cares what happens to her. Nancy then dreams that Ollie decides to spare Tessa. As she does so, a feeling of reprieve lights up her dream. Nancy is pulled out of it as her consciousness disintegrates around her.
On Metacritic, the book received a 88 out of 100 based on twenty-seven critic reviews, indicating "universal acclaim". [2] According to Book Marks, based on mostly American publications, the book received "positive" reviews based on thirteen critic reviews, with five being "rave" and six being "positive" and one being "mixed" and one being "pan". [3] In Bookmarks January/February 2005 issue, a magazine that aggregates critic reviews of books, the book received a (4.00 out of 5) with the summary stating, "Critics agree that the suspense and drama lodged within the characters give each story its power". [4] [5]
The second, third and fourth stories in the book – "Chance", "Soon" and "Silence" – provided the basis for Pedro Almodóvar's screenplay for his 2016 film adaptation, Julieta .
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