Russell Geoffrey Banks | |
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 Banks in 2017 | |
| Occupations | |
| Years active | 2010 – present |
Russell Geoffrey Banks is a British actor and screenwriter. [1]
Russell Geoffrey Banks | |
|---|---|
| Banks in 2017 | |
| Occupations | |
| Years active | 2010 – present |
Russell Geoffrey Banks is a British actor and screenwriter. [1]
In 2017, he co-wrote and starred as the titular character in Who's Watching Oliver (2017), [2] [3] [4] for which he won a Fright Night Film Fest Best Actor Award in 2017. [5] He has had notable supporting roles in the films Ghost House (2017), [6] the Kollywood film Vishwaroopam II (2018), and Bambi: The Reckoning (2025). [7] [8]
Carolyn Laurie Kane is an American actress. She gained recognition for her role in Hester Street (1975), for which she received an Academy Award nomination for Best Actress. She became known in the 1970s and 1980s in films such as Dog Day Afternoon (1975), Annie Hall (1977), When a Stranger Calls (1979), The Princess Bride (1987), Scrooged (1988) and Flashback (1990).
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Vishwaroopam II, or Vishwaroop II, is a 2018 Indian action spy film written and directed by Kamal Haasan and co-written by Atul Tiwari and Chakri Toleti. It is the sequel to Vishwaroopam (2013) and features Kamal Haasan alongside Rahul Bose, Shekhar Kapur, Pooja Kumar and Andrea Jeremiah, reprising their roles. While the first film was set in the United States, Vishwaroopam II takes place in India. The film was simultaneously shot in Tamil and Hindi.
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Who's Watching Oliver is a 2017 romance horror film directed by Richie Moore in his feature film debut. It was written by Moore, Raimund Huber and Russell Geoffrey Banks. The film stars Banks, Sara Malakul Lane and Margaret Roche.
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The Twisted Childhood Universe (TCU), also known as the Poohniverse, is a British film series and shared universe of independent slasher horror films. It was conceived and created by Rhys Frake-Waterfield, and produced by the filmmaker's Jagged Edge Productions film studio. The films center around characters from children's media reimagined as murderous villains.
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