Sergei Pavlovich Diaghilev, usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise.
VaslavNijinsky was a Russian ballet dancer and choreographer of Polish ancestry. He is regarded as the greatest male dancer of the early 20th century. He was celebrated for his virtuosity and for the depth and intensity of his characterizations. He could dance en pointe, a rare skill among male dancers at the time, and was admired for his seemingly gravity-defying leaps.
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops.
David Garshen Bomberg was a British painter, and one of the Whitechapel Boys.
Blast was the short-lived literary magazine of the Vorticist movement in Britain. Two editions were published: the first on 2 July 1914 and featured a bright pink cover, referred to by Ezra Pound as the "great MAGENTA cover'd opusculus"; and the second a year later on 15 July 1915. Both editions were written primarily by Wyndham Lewis. The magazine is emblematic of the modern art movement in England, and recognised as a seminal text of pre-war 20th-century modernism. The magazine originally cost 2/6.
Bronislava Nijinska was a Russian ballet dancer of Polish origin, and an innovative choreographer. She came of age in a family of traveling, professional dancers.
William Patrick Roberts was a British artist.
Léon Bakst – born as Leyb-Khaim IzrailevichRosenberg, Лейб-Хаим Израилевич (Самойлович) Розенберг was a Russian painter and scene and costume designer of Jewish origin. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes. He designed the décor for such productions as Carnaval (1910), Spectre de la rose (1911), Daphnis and Chloe (1912), The Sleeping Princess (1921) and others.
Natalia Sergeevna Goncharova was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Larionov invented Rayonism (1912–1914). She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death.
Edward Alexander Wadsworth was an English artist, closely associated with modernist Vorticism movement. He painted coastal views, abstracts, portraits and still-life in tempera medium and works printed using wood engraving and copper. In the First World War he designed dazzle camouflage for the Royal Navy, and continued to paint nautical themes after the war.
Alexandre Nikolayevich Benois was a Russian artist, art critic, historian, preservationist and founding member of Mir iskusstva, an art movement and magazine. As a designer for the Ballets Russes under Sergei Diaghilev, Benois exerted what is considered a seminal influence on the modern ballet and stage design.
Mikhail Fyodorovich Larionov was a Russian avant-garde painter who worked with radical exhibitors and pioneered the first approach to abstract Russian art. His lifelong partner was fellow avant-garde artist, Natalia Goncharova.
The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.
Léopold Frédéric Léopoldowitsch Survage was a Russian-French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Pablo Picasso and the Ballets Russes collaborated on several productions. Pablo Picasso's Cubist sets and costumes were used by Sergei Diaghilev in the Ballets Russes's Parade, Le Tricorne, Pulcinella, and Cuadro Flamenco. Picasso also drew a sketch with pen on paper of La Boutique fantasque, and designed the drop curtain for Le Train Bleu, based on his painting Two Women Running on the Beach, 1922.
The Mud Bath is a 1914 oil-on-canvas painting by David Bomberg. The work is considered a masterpiece of Bomberg's work in this period. Bomberg was a founder member of the London Group, and the painting is considered a leading example of Vorticism, although Bomberg resisted being described as a Vorticist.
Lilian Thirza Charlotte Holt (1898–1983) was a British artist, also known by her married name, Bomberg. She was a founding member of the Borough Group. Her dedication to her partner and family limited her career and opportunities as an artist.
Horace Ascher Brodzky was an Australian-born artist and writer most of whose work was created in London and New York. His work included paintings, drawings and linocuts, of which he was an early pioneer. An associate in his early career of many leading artists working in Britain of his period, including Henri Gaudier-Brzeska, Mark Gertler, and members of the Vorticism movement, he ended his life relatively neglected.
Henderson's, better known as The Bomb Shop, was a bookshop at 66 Charing Cross Road, London known for publishing and selling both radical left and anarchist writing and modernist literature. The shop was founded in 1909, and was a father and son operation run by Francis Riddell Henderson, formerly the London representative of Walter Scott Publishing. The shop was bought by Eva Collet Reckitt, and became the first of the Collet's chain of left-wing bookshops.
The Chenil Gallery was a British art gallery and sometime-music studio in Chelsea, London between 1905 and 1927, and later the location of various businesses referencing this early use.
