Ruth Dworin

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Ruth Dworin is a feminist, women's activist, sound engineer, music producer and concert organizer based in Toronto, Canada. She is the owner of music production company Womynly Way Productions, an important contributor to the women's music scene in Toronto during the 1980s.

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Dworin was introduced to feminism from a women's workshop at the Philadelphia Folk Festival. [1] She moved to Canada in the 1970s, settling in Toronto. Dworin was an important part of the women's festival scene in the United States, sitting on the board of directors of the Association of Women's Music and Culture. [2] She was actively involved in the women's cultural scene in Toronto in the 1980s and 1990s and was involved in the publication of The Other Woman and Broadside: A Feminist Newspaper. She viewed her involvement in music production as a political act, reflecting: "[m]aking culture is a way of shaping how people perceive the world and it's a powerful and relatively painless [activity]." [3]

Music production and concert organizing

Ruth Dworin founded music production company Womanly Way Productions in 1980. She organized concerts in Toronto and southern Ontario featuring women performers. [4] [5] She established an open door policy for her concerts, advertising in both queer and mainstream media. [6] This occasionally led to controversy within the lesbian and feminist communities. [7] [2] In addition to music production, the company also offered workshops on sound and light editing. [8]

In an interview, Dworin noted:

...when I put on a concert, I'm trying to do two things. One is to provide the meeting place, the sustenance, the emotional support for the lesbian-feminist community. I know I need that! I wasn't getting enough of it in Toronto. But the other thing I'm trying to do is outreach – to attract the broader audience, to make some of the people politically aware. [9]

In the 1980s, Dworin's company organized multiple one-day festival events featuring women. Some notable performers included Holly Near, Meg Christian, Alix Dobkin, Lucie Blue Tremblay, Lillian Allen, Cris Williamson and Heather Bishop. [10] [8] She focused on making events accessible to differently-abled people, including the hearing-impaired, and those who use wheelchairs, as well as providing childcare at all events.

Some festivals she produced included:

Womynly Way Productions also put on joint events, including:

Some records related to Womynly Way Productions were collected by the University of Ottawa as part of the Canadian Women's Movement Archives. [12]

Collecting

Dworin, along with Kathy Lewis and Lucia Kimber founded the Women's Music Archives in the fall of 1978. [13] The group's aim was "to collect and preserve, for herstorical listening and research purposes, all types of materials related to women's music." [14] This material was eventually deposited with the Sophia Smith Collection in 2004. [14]

Dworin was also an avid collector of lesbian pulp fiction novels. This collection was featured in the 1991 documentary Forbidden Love: The Unashamed Stories of Lesbian Lives . [15] [16] In 2005 she donated her collection to York University Archives & Special Collections, along with her personal papers which contain recordings of the Michigan Womyn's Music Festival. [17] [18]

Interviews

Publications

Related Research Articles

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References

  1. ↑ Baker, Edna (January–February 1983). "Upfront: What keeps Ruth Dworin Producing concerts? Edna Baker Finds Out. Music, Money, Politics and Lipstick". The Body Politic. No. 90. pp. 37–38.
  2. 1 2 Kuhns, Connie (1990). Turner, Joan (ed.). Women's Music and the Mothers of Invention. Winnipeg: University of Manitoba. pp. 27–37. ISBN   0887556248.{{cite book}}: |work= ignored (help)
  3. ↑ Ross, Becki (1995). The house that Jill Built: a lesbian nation in formation. Toronto: University of Toronto. p. 146.
  4. ↑ "Womynly Way Productions". Connextions. Retrieved 2019-03-09.
  5. ↑ Cole, Susan G. (2017-05-19). "Get mad, play rock 'n' roll: how my bands queered up Toronto's clubs". NOW Magazine. Retrieved 2019-03-09.[ permanent dead link ]
  6. ↑ McCaskell, Tim (2018). Queer Progress: from homophobia to homonationalism. Between the Lines.
  7. ↑ Bearchell, Chris (March 1982). "Deliberations: The closet and the umbrella". The Body Politic. Vol. 81. p. 7.
  8. 1 2 Sweet, Lois (1988-05-18). "Production company a cultural leader". Toronto Star. p. C17.
  9. ↑ Baker, Edith (February 1983). "Upfront: What keeps Ruth Dworin Producing concerts? Edna Baker Finds Out. Music, Money, Politics and Lipstick". The Body Politic. 90: 37–38.
  10. ↑ Brown, Heather Ann (2004-06-15). "the Toronto dyke scene :: section15.ca". section15.ca. Archived from the original on 2018-07-28. Retrieved 2019-03-09.
  11. ↑ White, Stephen (1987-09-08). "WAACO humor focuses on feminist concerns". Toronto Star. p. I24.
  12. ↑ "Womynly Way Productions [authority record]". Archives & Special Collections, University of Ottawa. Retrieved 2019-03-09.
  13. ↑ Workers, Women Library (1990). "The Women's Music Archive". Women Library Workers: 19.
  14. 1 2 "Women's Music Archives Collection". Sophia Smith Collection. Archived from the original on 2019-04-25. Retrieved 2019-03-09.
  15. ↑ Aerlyn Weissman; Lynne Fernie. "Forbidden Love: The Unashamed Stories of Lesbian Lives". National Film Board of Canada . Retrieved 28 December 2020.
  16. ↑ Rich, B. Ruby (26 March 2013). New queer cinema : the director's cut. Durham. p. 56. ISBN   9780822354116. OCLC   818416587.{{cite book}}: CS1 maint: location missing publisher (link)
  17. ↑ "F0491 - Ruth Dworin fonds". York University Libraries. Retrieved 2019-03-09.
  18. ↑ "Ruth Dworin Collection listing". www.library.yorku.ca. Retrieved 2019-03-09.

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