Lasalle College of the Arts, simply known as Lasalle, is a publicly-funded post-secondary arts institution in Singapore, and a constituent college of the University of the Arts Singapore (UAS) from 2024.
The Singapore Art Museum is an art museum with multiple venues across Singapore. It is the first fully dedicated contemporary visual arts museum in Singapore with one of the world’s most important public collections by local and Southeast artists. It collaborates with international art museums to co-curate contemporary art exhibitions.
Nanyang Academy of Fine Arts is a publicly-funded post-secondary arts institution in Singapore, and a constituent college of the University of the Arts Singapore (UAS) from 2024.
Koh Buck Song SANA ALL is a Singaporean writer, poet, and country brand adviser. He is the author and editor of more than 40 books, including nine books of poetry and haiga art. He works as a writer, editor and consultant in branding, communications strategy and corporate social responsibility in Singapore. He has held several exhibitions as a Singaporean pioneer of haiga art, developed from a 16th-century Japanese art form combining ink sketches with haiku poems.
Lee Wen was a Singapore-based performance artist who shaped the development of performance art in Asia. He worked on the notion of identity, ethnicity, freedom, and the individual's relationship to communities and the environment. Lee's most iconic work is his performance series titled The Journey of aYellow Man, which started as a critique of racial and ethnic identities in 1992 and has evolved into a meditation on freedom, humility, and religious practices over more than a decade. Painting his own body with bright yellow poster paint, he expresses an exaggerated symbol of his ethnic identity as a citizen of Singapore. He was also active in artist-run initiatives, especially as part of The Artists Village (TAV) in Singapore, the performance artist collective Black Market International, as well as the festivals Future of Imagination and Rooted in the Ephemeral Speak (R.I.T.E.S.). On 3 March 2019, he died due to a lung infection, at the age of 61.
The National Arts Council (NAC) is a statutory board established on 15 October 1991 to oversee the development of arts in Singapore. It is under the purview of the Ministry of Culture, Community and Youth. The NAC provides grants, scholarships, awards and platforms for arts practitioners, as well as arts education and programmes for the general public.
The National Museum of Singapore is a public museum dedicated to Singaporean art, culture and history. Located within the country's Civic District at the Downtown Core area, it is the oldest museum in the country, with its history dating back to when it was first established in 1849, starting out as a section of a library at the Singapore Institution as the Raffles Library and Museum.
Group 90 is an informal arts group in Singapore, committed to the study and interpretation, and promotion of the human nudity as an art form. It was founded the late Brother Joseph McNally, along with founding members S. Namasivayam, Chia Wai Hon and Sim Tong Khern, who subscribe to the European art tradition of using the human body in developing artistic mastery in depicting form, perceptual acuity and fluency in drawing.
Tang Da Wu is a Singaporean artist who works in a variety of media, including drawing, painting, sculpture, installation art and performance art. Educated at Birmingham Polytechnic and Goldsmiths' College, University of London, Tang gave his first solo exhibition, consisting of drawings and paintings, in 1970 at the Singapore Chinese Chamber of Commerce and Industry. He began engaging in performance art upon returning to Singapore in 1979 following his undergraduate studies.
Han Sai Por is a Singaporean sculptor. A graduate of the Nanyang Academy of Fine Arts (NAFA), East Ham College of Art, Wolverhampton College of Art, and Lincoln University, New Zealand, she worked as a teacher and later as a part-time lecturer at NAFA, the LASALLE-SIA College of the Arts, and the National Institute of Education, Nanyang Technological University, before becoming a full-time artist in 1997.
William Siew Wai Lim was a Singaporean architect. Some of his noted designs included the Tanglin Shopping Centre (1972), the People's Park Complex (1973), and the Golden Mile Complex (1974), all in Singapore. Lim wrote and lectured on a wide range of subjects relating to architecture, urbanism, and culture in Asia as well as on current issues relating to the postmodern, glocality and social justice. He was the author of Asian Alterity: With Special Reference to Architecture and Urbanism through The Lens of Cultural Studies (2008), as well as editor of Asian Design Culture (2009) and co-editor of Non West Modernist Past (2011).
Amanda Heng Liang Ngim is a contemporary artist, curator, and lecturer from Singapore, with a significant international presence. Known for her performance-based and process-driven works, Heng's art explores themes such as national identity, collective memory, social relationships, gender politics, and various social issues in urban contemporary society. In 2019, she received the Benesse Prize at the Singapore Biennale. Heng is also a co-founder of The Artists' Village, an art collective established in 1988, and Women in the Arts, Singapore's first artist-run women collective, founded in 1999.
Chng Seok Tin was a visually-impaired printmaker, sculptor and multi-media artist from Singapore. She was often inspired by the i-Ching and Buddhism. Her work has been shown internationally; Chng had over 26 solo shows and 100 group shows. In addition to her art, she was also a prolific writer and has published 11 collections of her writing, mostly in Chinese. She also advocated for artists with disabilities.
Suzann Victor is a Singaporean contemporary artist based in Australia whose practice spans installation, painting, and performance art. Victor is most known for her public artworks and installations that examine ideas of disembodiment, the postcolonial, and the environmental in response to space, context and architecture.
Ho Tzu Nyen is a Singaporean contemporary artist and filmmaker whose works involve film, video, performance, and immersive multimedia installations. His work brings together fact and myth to mobilise different understandings of Southeast Asia's history, politics, and religion, often premised upon a complex set of references from art history, to theatre, cinema, and philosophy. Ho has shown internationally at major exhibitions such as the Aichi Triennale, Japan (2019), the Sharjah Biennial 14, United Arab Emirates (2019), and the Gwangju Biennale, South Korea (2018). In 2011, Ho represented Singapore at the 54th Venice Biennale at the Singapore Pavilion, presenting the work The Cloud of Unknowing.
Melati Suryodarmo is an Indonesian durational performance artist. Her physically demanding performances make use of repetitive motions and often last for many hours, sometimes reaching "a level of factual absurdity". Suryodarmo has performed and exhibited throughout Europe and Asia as well as in North America. Born in Surakarta, she attended Padjadjaran University, graduating with a degree in international relations before moving to Germany. She lived there for 20 years, studying performance art at the Braunschweig University of Art with Butoh choreographer Anzu Furukawa and performance artist Marina Abramović.
Lim Tzay Chuen is a Singaporean contemporary artist known for his conceptual works that involve designing or constructing subtle interventions within systems, leading viewers to re-evaluate their perceptions and assumptions of social, economic, cultural and political processes.
Salleh Japar is a Singaporean contemporary artist working across sculpture, installation and painting, with his work coming into prominence in late 1980s Singapore. Within Singapore's history of contemporary art, Salleh is known for his collective work with Goh Ee Choo and S. Chandrasekaran for the seminal 1988 exhibition, Trimurti. In 2001, Salleh was one of four artists selected to represent at the very first Singapore Pavilion at the prestigious 49th Venice Biennale, alongside artists Henri Chen KeZhan, Suzann Victor, and Matthew Ngui.
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
The University of the Arts Singapore (UAS) is Singapore's first public-funded private university of the arts. It was formally announced in 2021, as an alliance between LASALLE College of the Arts (LASALLE) and Nanyang Academy of Fine Arts (NAFA). Under this arrangement, the two institutions operate as distinct entities yet allows students to access opportunities from both schools.
