Sabine Bauer is a German harpsichordist, pianofortiste and flautist specialising in the repertoire of Baroque music and classical period, adept at historically informed performance, i.e. performance on ancient instruments (or copies of ancient instruments).
Bauer studied the flute at the conservatories of Cologne, Berlin and Frankfurt with Michael Schneider, and the harpsichord with Bradford Tracey and Harald Hoeren. [1] [2] [3] [4]
She then continued her studies with Andreas Staier, Ton Koopman and Gustav Leonhardt. [1] [2] [3] [4]
In 1979, Bauer was one of the founding members of the ensemble Camerata Köln, together with Michael Schneider (flute), Ingeborg Scheerer (violin), Sabine Lier (violin) and Rainer Zipperling (cello and viola da gamba). [5]
She then joined the ensemble La Stagione Frankfurt founded by Michael Schneider. [1] [2] [3]
In addition to her activity as harpsichordist in these two ensembles, she regularly accompanies singers and instrumentalists in chamber music works [2] [4] and has also performed and recorded with the Musica Antiqua Köln ensemble. [1]
Since 1986, Bauer has been a lecturer at the Frankfurt University of Music and Performing Arts and teaches harpsichord, basso continuo and chamber music at the Academy of Music in Darmstadt. [1] [2] [3] [4]
With Michael Schneider and his ensemble La Stagione Frankfurt, whose slogan is Unerhörtes hörbar machen ('Make the unheard heard'), [6] [3] Bauer is committed to making little-known composers representative of the École préclassique de Vienne heard. (Georg Matthias Monn), from the Berlin School , (Jiří Antonín Benda) and the gallant style, (Karl Friedrich Abel) whose harpsichord concertos she has recorded.
She has also worked the classical and romantic Lied repertoire by accompanying the bass-baritone Gotthold Schwarz on harpsichord and fortepiano. [1]
Georg Philipp Telemann was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving oeuvre. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally.
Trevor David Pinnock is a British harpsichordist and conductor.
Hille Perl is a German virtuoso performer of the viola da gamba and lirone.
Georg Anton Benda was a composer, violinist and Kapellmeister of the classical period from the Kingdom of Bohemia.
Georg Matthias Monn was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.
Ars Rediviva was a Czech classical instrumental music group, whose historically informed performances played a key role in the revival of Baroque music in Czechoslovakia.
Andreas Staier is a German pianist and harpsichordist.
Vittorio Ghielmi is an Italian musician, conductor, composer. Compared by critics to Jasha Heifetz ("Diapason") for his virtuosity, and described as "An Alchemist of sound" for the intensity and versatility of his musical interpretations, Vittorio Ghielmi attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire. His multifaceted training has made him an appreciated and creative musician as well as a sought-after conductor and coach for modern orchestras or orchestras with original instruments. He is Professor for viola da gamba and Head of the Department für Alte Musik at the Mozarteum Universität Salzburg and visiting professor at the Royal College of London. He is graduate at the Università Cattolica di Milano. He was born in Milan, Italy, where as a child he began his study of music with the violin, the double bass and later the viola da gamba and composition. In 1995 he was the winner of the "Concorso Internazionale Romano Romanini per strumenti ad arco" (Brescia). His fieldwork within old musical traditions surviving in forgotten parts of the world and bringing new perspectives to the interpretation of European "early music" led to him being presented the "Erwin Bodky Award" . He studied the viol with Roberto Gini, Wieland Kuijken and Christophe Coin (Paris). Associations with instrument maker, engineer and humanist Luc Breton (CH) as well as with many musicians of non-European traditions have been fundamental to his musical career, creating a deeper reflexion on the nature of sound used in early and modern European tradition . As viola da gamba soloist or conductor, he has appeared with many of the world's most famous orchestras in the fields of both classical and ancient music. He performs since youth recitals in duos with his brother Lorenzo Ghielmi and with the lutenist Luca Pianca, in the most important halls. As soloist or chamber musician, he has shared the stage with artists such as Gustav Leonhardt (duo), Cecilia Bartoli, Andràs Schiff, Thomas Quasthoff, Mario Brunello, Viktoria Mullova, Giuliano Carmignola, Christophe Coin, Reinhard Goebel, Giovanni Antonini, Ottavio Dantone, Enrico Bronzi etc. He is one of the few viola da gamba players regularly invited to appear as a soloist-conductor with orchestra. He has been invited to play in the world première of many new compositions, many of which have been dedicated to him . From 2007 to 2011 he was assistant to Riccardo Muti at the Salzburg festival. In 2007 he conceived with the Argentinian singer Graciela Gibelli and conducted a show, based on Buxtehude's "Membra Jesu Nostri", with the American film maker Marc Reshovsky (Hollywood) and the Swedish choir "Rilke Ensemble" (G.Eriksson); the project was produced by the Semana de musica religiosa de Cuenca (Madrid) and brought later to the Musikfest Stuttgart in 2010. Over three nights in 2009, he gave a performance of Forqueray's complete works for viola da gamba at De Bijloke, Ghent (B). He has been artist in residence at Musikfest Stuttgart 2010, the Segovia festival 2011, and the Bozar Bruxelles 2011. In 2012 he conducted Handel's Water music at the Portogruaro Festival (Venice) with a spectacle on the river Lemene conceived by Monique Arnaud. In 2018 he conducted the Opera Pygmalion by Rameau at the Drottningholms Slottsteater (Stockholm), with the régie of Saburo Teshigawara.; the new conception of this spectacle was so described in the Financial Times : "In their new production for Drottningholm Slottsteater, the Japanese dancer and choreographer Saburo Teshigawaraand Italian conductor and viola da gamba player Vittorio Ghielmi create a genuine masterpiece which combines exquisite music-making with experimental dance and modern lighting effects with the theatre’s unique 18th-century stage technology. Indeed, it is some time since the theatre has been so marvellously and innovatively put to use.“
Jaap ter Linden is a Dutch cellist, viol player and conductor. He specialises in performance of baroque and classical music on authentic instruments.
The Sonata in E major for flute and basso continuo is a sonata for transverse flute and figured bass composed by J. S. Bach in the 1740s. It was written as the result of a visit in 1741 to the court of Frederick the Great in Potsdam, where Bach's son Carl Philipp Emanuel had been appointed principal harpsichordist to the king the previous year. It was dedicated to Michael Gabriel Fredersdorf, the king's valet and private secretary, who, like the king, was an amateur flautist.
Ludger Rémy was a German harpsichordist, conductor and musicologist.
Mahan Esfahani is an Iranian-American harpsichordist.
Johannes Pramsohler is a French-Italian violinist, conductor and record producer, specialised in Historically informed performance.
Elisabeth Scholl is a German soprano and academic teacher.
Michael Schneider is a German flautist, recorder player, conductor and academic teacher. He is especially connected with later Baroque repertoire such as the works of Telemann and with early Classical repertoire such as the works of Carl Philipp Emanuel Bach, and founded the orchestra La Stagione to perform and record such repertoire.
Collegium 1704 is a Czech early music orchestra and choir founded in 2005 by the Czech conductor, harpsichordist, and horn player Václav Luks. The Collegium Vocale 1704 is the affiliated vocal ensemble. Since 2007, the ensemble has been making regular guest appearances at festivals and concert halls all over Europe: the Salzburger Festspiele, the Berliner Philharmonie, London’s Wigmore Hall, Vienna’s Theater an der Wien and Konzerthaus, the Lucerne Festival, BOZAR in Brussels, the Chopin Festival in Warsaw, Wratislavia Cantans, and the Elbphilharmonie, and it is an ensemble-in-residence at the festival Oude Muziek in Utrecht and at the Leipzig Bachfest. In 2008, Music Bridge Prague — Dresden began, bringing together the two cities’ wealth of cultural traditions. In 2012 Collegium 1704 started a concert series at the Rudolfinum in Prague. Since autumn 2015, the two cycles have been merged into a single concert season that continues to take place in parallel in Prague and Dresden. In 2019 Collegium Vocale 1704 launched a series of chamber choir concerts in Prague.
Byron Schenkman is an American harpsichordist, pianist, music director, and educator. Schenkman has recorded over 40 CDs and has won several awards and accolades. He co-founded the Seattle Baroque Orchestra, and was its artistic director. Schenkman currently directs a baroque and classical chamber music concert series, Sound Salon, formerly Byron Schenkman & Friends, and performs as a recitalist and concert soloist. He also performs with chamber music ensembles, and is a teacher and lecturer.
La Stagione Frankfurt is a German ensemble of Baroque and classical music, adept at historically informed performance.
Norbert Zeilberger was an Austrian organist, harpsichordist and pianist.