Saddle Creek Records | |
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Founded | 1993 |
Founder | Mike Mogis Justin Oberst |
Distributor(s) | Redeye Distribution (US) |
Genre | Rock |
Country of origin | U.S. |
Location | Omaha, Nebraska |
Official website | saddle-creek |
Saddle Creek Records is an American record label based in Omaha, Nebraska and named after Saddle Creek Road, a major street in midtown Omaha. Started as a college class project on entrepreneurship, the label was founded in 1993 by Mike Mogis and Justin Oberst. Mogis soon turned over his role in the company to Robb Nansel. It was initially called Lumberjack Records; Saddle Creek first appeared in print on a show flyer, offering to "Spend an evening with Saddle Creek" (later to be the title of the label's DVD). [1] Distribution is handled by Redeye Distribution. [2] SCR continues to be the flagship label of a style of music called "The Omaha Sound", characterized by a slight country twang. A "sister label" of sorts to Saddle Creek is Team Love, which was begun by Justin Oberst's brother Conor Oberst in 2004.
The company was incorporated in 1993 as Lumberjack Records. It was started as part of a college class in entrepreneurship by Mike Mogis and the then 13-year-old Justin Oberst. Mogis was soon succeeded by Robb Nansel. The label's first release was "Water", a solo recording on cassette by Oberst's younger brother Conor Oberst, who was 13 years old at the time. [3] When national distribution began in 1996, to avoid confusion with another distributor the name was changed to Saddle Creek Records, for Saddle Creek Road in Omaha. [4] [5] Artists who recorded for the label including Conor Oberst and Tim Kasher were at the time members of a local music scene centered on Saddle Creek Road whose members were known as "Creekers", [3] and the label name was partly inspired by the A-side single of Polecat's 1994 -ismist Recordings release 2500 Ft of Our Love, "Saddle Creek". [6]
Initially a local label, Saddle Creek opened its arms to non-Omaha bands in 2001 with releases by Now It's Overhead and Sorry About Dresden. Other artists not from Nebraska followed including Los Angeles' Rilo Kiley, Eric Bachmann (formerly the leader of Archers of Loaf from Chapel Hill, North Carolina and Crooked Fingers from North Carolina), Georgie James (Washington D.C.), Two Gallants (San Francisco), and most recently Tokyo Police Club (Toronto). [7]
In 2005, Spend an Evening with Saddle Creek , a documentary detailing the first ten years of the record label's history, was released. The DVD features extensive interviews with the Saddle Creek bands, archival footage, and rare live performances. On June 8, 2007, the label opened their own music venue in downtown Omaha, named Slowdown after the group Slowdown Virginia. [8] [9]
All releases marked either LBJ (Lumberjack) or SCE (Saddle Creek Europe) [11]
Year | No. | Artist | Title | Format |
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1993 | LBJ-01 [12] | Conor Oberst | Water | CS |
1993 | LBJ-02 [13] | Polecat | Dilly Dally | CS |
1994 | LBJ-03 [14] | Slowdown Virginia | Dead Space | CD |
1995 | LBJ-04 [15] | Smashmouth | Some of You Will Be Hermits | CS |
1995 | LBJ-05 [16] | Polecat/Sunbrain | Happy Valentine's Day/Makeout Party | Split 7-inch |
1995 | LBJ-06 [17] | Commander Venus | Do You Feel at Home? | CD |
1995 | LBJ-07 [18] | We'd Rather Be Flying | The Solution for Your Thinning Hair | CD |
1995 | LBJ-08 [19] | Norman Bailer | Sine Sierra | CS |
1996 | LBJ-09 [20] | Various | Music Me All Over | 7-inch |
1996 | LBJ-10 [21] | Cursive | The Disruption | CDr, 7-inch |
1996 | LBJ-11 [22] | Lullaby for the Working Class | Consolation | 7-inch |
1996 | LBJ-12 [23] | Lullaby for the Working Class | Blanket Warm | LP |
1996 | LBJ-13 [24] | Drip/Commander Venus | Last Go/Bow to the Prom King | Split 7-inch |
1997 | LBJ-14 [25] | The Wrens/Park Ave. | Split Single | Split 7-inch |
1997 | LBJ-15 | Lullaby for the Working Class | ...In Honor of My Stumbling | 7-inch |
1997 | LBJ-16 | comm.venus* | The Uneventful Vacation | LP |
1997 | LBJ-17 | Lullaby for the Working Class | I Never Even Asked for Light | LP |
1997 | LBJ-18 | Cursive | The Icebreaker | 7-inch EP |
1998 | LBJ-19 | Bright Eyes | A Collection of Songs Written and Recorded 1995–1997 | LP |
1997 | LBJ-20 | Various | A Sampler CD | CD |
1998 | LBJ-21 | The Faint | Media | CD |
1998 | LBJ-22 | Cursive | The Storms of Early Summer: Semantics of Song | CD |
1998 | LBJ-23 | Bright Eyes | Letting Off the Happiness | CD/LP |
1999 | LBJ-24 | Lullaby for the Working Class | The Ebb & Flow, the Come Go, the To & Fro | 7-inch |
1999 | LBJ-25 | The Faint/Ex-Action Figures | split | Split 7-inch |
1999 | LBJ-26 | Gabardine | Gabardine | CD |
1999 | LBJ-27 | Lullaby for the Working Class | Song | LP |
1999 | LBJ-28 | The Faint | Blank-Wave Arcade | LP |
1999 | LBJ-29 | Spoon | The Agony of Laffitte | CD Single |
1999 | LBJ-30 | Bright Eyes | Every Day and Every Night | EP CD/12" |
2000 | LBJ-31 | Cursive | Domestica | CD/LP |
2000 | LBJ-32 | Bright Eyes | Fevers and Mirrors | CD/LP |
2000 | LBJ-33 | The Faint | Blank-Wave Arcade Remixes | 12-inch |