James Avery Hopwood was an American playwright of the Jazz Age. He had four plays running simultaneously on Broadway in 1920, namely "The Gold Diggers," "The Bat" and "Spanish Love" and "Ladies' Night ".
The Prince of Wales Theatre is a West End theatre in Coventry Street, near Leicester Square in London. It was established in 1884 and rebuilt in 1937, and extensively refurbished in 2004 by Sir Cameron Mackintosh, its current owner. The theatre should not be confused with the former Scala Theatre in London that was known as the Prince of Wales Royal Theatre or Prince of Wales's Theatre from 1865 until its demolition in 1903.
Madge Kennedy was a stage, film and television actress whose career began as a stage actress in 1912 and flourished in motion pictures during the silent film era. In 1921, journalist Heywood Broun described her as "the best farce actress in New York".
The Morosco Theatre was a Broadway theatre near Times Square in New York City from 1917 to 1982. It housed many notable productions and its demolition, along with four adjacent theaters, was controversial.
Oliver Morosco was an American theatrical producer, director, writer, film producer, and theater owner. He owned the Morosco Photoplay Company. He brought many of his theater actors to the screen. Frank A. Garbutt was in charge of the film business. The company was merged with Adolph Zukor's Famous Players–Lasky Corporation in 1916.
Sadie Love is a 1919 American silent comedy film distributed by Paramount Pictures and directed by John S. Robertson. It is based on a 1915 stage play of the same name by Avery Hopwood and stars Billie Burke in the title role. In the play, Marjorie Rambeau played the Burke part.
Ladies' Night is a three-act play originally written by Charlton Andrews and later reworked by Avery Hopwood. The play was a sex farce with part of the action set in a Turkish bath instead of a bedroom. A. H. Woods staged it on Broadway, where it opened under the direction of Bertram Harrison on August 9, 1920 at the Eltinge 42nd Street Theatre. Ladies' Night had a run of 375 performances with the final curtain falling in June 1921. It was revived on Broadway in adapted forms in 1945 and 1950.
Connie Ediss was an English actress and singer best known as a buxom, good-humoured comedian in many of the popular Edwardian musical comedies around the turn of the 20th century.
The Bat is a three-act play by Mary Roberts Rinehart and Avery Hopwood that was first produced by Lincoln Wagenhals and Collin Kemper in 1920. The story combines elements of mystery and comedy as Cornelia Van Gorder and guests spend a stormy night at her rented summer home, searching for stolen money they believe is hidden in the house, while they are stalked by a masked criminal known as "the Bat". The Bat's identity is revealed at the end of the final act.
The Demi-Virgin is a three-act play written by Avery Hopwood. Producer Albert H. Woods staged it on Broadway, where it was a hit during the 1921–22 season. The play is a bedroom farce about former couple Gloria Graham and Wally Deane, both movie actors, whose marriage was so brief that the press speculated about whether Gloria was still a virgin. She attempts to seduce Wally when they are forced to reunite for a movie, but after playing along he surprises her by revealing that their divorce is not valid.
The Gold Diggers is a play written by Avery Hopwood. It popularized the use of the term "gold digger" to refer to hypergamistic women who seek wealthy partners, as opposed to the earlier usage referring to gold miners. Producer David Belasco staged it on Broadway in 1919, with Ina Claire in the lead role. It was a hit, running for two consecutive seasons before going on tour.
Getting Gertie's Garter is a play written by Wilson Collison and Avery Hopwood. Producer A. H. Woods staged it on Broadway, where it opened at the Republic Theatre on August 1, 1921. Hazel Dawn played the role of Gertie. The play was a sex farce, but unlike most productions of its type, the setting was a hayloft instead of a bedroom. It was a success at the box office, running for 15 weeks with 120 performances on Broadway, then moving to touring companies.
The Girl in the Limousine is a play written by Wilson Collison and Avery Hopwood. The story is a bedroom farce about a man who accidentally finds himself undressed in the bedroom of his ex-girlfriend. Producer A. H. Woods staged it on Broadway in 1919. The production was a success, closing at the end of January 1920 after 137 performances. The play was adapted into a movie in 1924.
Ivy Troutman was an American supporting actress active during the first half of the twentieth century. She acted in at least twenty-one Broadway productions between 1902 and 1945, appearing in such long-running plays as A Pair of Sixes, Baby Mine and The Late George Apley. In the 1920s Troutman, with her husband, portrait painter Waldo Peirce, joined the colony of American expatriates in Paris that included Gertrude Stein, F. Scott Fitzgerald, Zelda Fitzgerald and Ernest Hemingway.
Fair and Warmer is a three-act comedy play by the American writer Avery Hopwood. It was first staged at the Eltinge Theatre in New York City on November 15, 1915, running for 377 performances, featuring Madge Kennedy, John Cumberland, Janet Beecher, Ralph Morgan, Hamilton Revelle, Olive May, Robert Fisher and Harry Lorraine. Staged by Robert Milton, it was well received by critics. It is a farce about a mild-mannered banker who becomes embroiled in an innocent scheme to rekindle the romance in his marriage using his best friend's wife.
Seven Days is a three-act play written in 1909 by Avery Hopwood and Mary Roberts Rinehart. It is a farce based on Rinehart's 1908 novella of the same name, which had been expanded into a bestselling 1909 novel titled When a Man Marries. Producers Lincoln Wagenhals and Collin Kemper asked Rinehart to adapt the novella for the stage. Since she had not written a play before, she agreed to work with Avery Hopwood, a young playwright with just one produced play, to create the script. Wagenhals and Kemper staged the play at the Astor Theatre on Broadway, where it premiered on November 10, 1909. The production was a hit that played for 397 performances. The play's success led Hopwood to a highly successful career as an author of comedies and enabled Wagenhals and Kemper to retire.
Harrison Hunter was a Scottish-American actor. Hunter was born to Scottish parents who were visiting Nashville, Tennessee. His parents took him back to Scotland; he was raised in the United Kingdom and began his acting career there. He married actress Sidney Crowe. In 1892 they had a daughter, who later performed under the name Leah Bateman. Hunter returned to the United States in 1899 as a member of the theatrical company of Olga Nethersole. He stayed and purchased a farm in Brookfield, Massachusetts.
Spanish Love is a three-act play by Avery Hopwood and Mary Roberts Rinehart, who adapted an earlier Spanish play, María del Carmen by Josep Feliu i Codina. Producers Lincoln Wagenhals and Collin Kemper staged it at the Maxine Elliott Theatre on Broadway, where it opened on August 17, 1920. Although critics had reservations about the play, the production was a success, running for over 300 performances. However, the play's success was overshadowed by the tremendous popularity of The Bat, another collaboration between Hopwood and Rinehart that opened on Broadway the following week.
Charlton Andrews was an American educator and writer whose works include the hit Broadway play Ladies' Night.
Aubrey Hopwood was a British lyricist of Edwardian musical comedy and a novelist and author of nonsense books for children. He co-wrote the lyrics for the musicals Alice in Wonderland (1886), A Runaway Girl (1898) and The Lucky Star (1899), among others.
