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Barbara altar | |
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Finnish: Pyhän Barbaran alttarikaappi | |
Artist | Master Francke |
Year | c. 1410 |
Medium | Tempera on wood |
Dimensions | 200 cm× 260 cm(79 in× 100 in) |
Location | National Museum of Finland, Helsinki |
60°10′30″N24°55′55″E / 60.17500°N 24.93194°E |
The Saint Barbara Altarpiece is a medieval altarpiece attributed to Master Francke. [1] Its known provenance starts at the medieval church in Kalanti in Southwest Finland where it stood until 1883. According to local oral tradition that was collected in the 19th century, the altarpiece was found floating in the sea outside Kalanti. The altarpiece is now located at the National Museum of Finland.
The altarpiece is best known for the paintings depicting the legend of Saint Barbara on the outside of its inner wings.
Matthias Grünewald was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt.
Bernt Notke was a late Gothic artist from the Baltic region. He has been described as one of the foremost artists of his time in northern Europe.
The Church of Santa Maria del Carmelo in Traspontina is a Roman Catholic titular church in Rome, run by the Carmelites. The bridge referred to is the Ponte Sant'Angelo. The church is on the Via della Conciliazione, the primary road of the Roman Rione of Borgo.
Kalanti is a former municipality in Southwest Finland region, Finland. Kalanti is first mentioned in historical sources 1316. It was merged with Uusikaupunki in 1993.
Master Francke O.P. was a North German Gothic painter and Dominican friar, born ca. 1380 in the Lower Rhine region or possibly Zutphen in the Netherlands, who died ca. 1440, probably in Hamburg, where he was based at the end of his known career. He is called "Fratre Francone Zutphanico" in one document. He may have trained as an illuminator and painter in France or the Netherlands, and later worked in Münster, before joining in St John's Priory in Hamburg by 1424 at the latest.
Giovanni Boccati or Giovanni di Pier Matteo Boccati was an Italian painter.
Nottingham alabaster is a term used to refer to the English sculpture industry, mostly of relatively small religious carvings, which flourished from the fourteenth century until the early sixteenth century. Alabaster carvers were at work in London, York and Burton-on-Trent, and many probably worked very close to the rural mines, but the largest concentration was around Nottingham. This has led to all the English medieval output being referred to as "Nottingham alabaster".
The Master of the Třeboň Altarpiece was a Bohemian painter active in Prague around 1380–1390. His name is derived from the Třeboň Altarpiece from the church of Saint Eligius at the Augustinian convent of Třeboň. The triptych depicts Christ on the Mount of Olives, The Tomb of Christ, and the Resurrection. It has been dated to around 1380, and is today held at the Convent of St. Agnes branch of the National Gallery in Prague.
Annemari Birgitta Kiekara is a Finnish long-distance runner. Her best achievement in track running is ninth place at the 1995 World Championships in the 10,000 metres.
St. Mary's Church is a medieval stone church located in Maaria, in Turku, Finland. There are no records as to when the present church was built, but the work was probably started in the mid or late 15th century. According to Markus Hiekkanen, the church was probably built in the 1440s, on the basis of the style of the closets; the gables were constructed about 50 years later. There are medieval limestone paintings on the walls, which are not common to other places in Finland. The most valuable artefacts are the wooden altar cabinet and a large altarpiece depicting Christ on the cross.
The Stefaneschi Altarpiece is a triptych by the Italian painter Giotto, commissioned by Cardinal Giacomo Gaetani Stefaneschi to serve as an altarpiece for one of the altars of Old St. Peter's Basilica in Rome.
The Magdalen Reading is one of three surviving fragments of a large mid-15th-century oil-on-panel altarpiece by the Early Netherlandish painter Rogier van der Weyden. The panel, originally oak, was completed some time between 1435 and 1438 and has been in the National Gallery, London since 1860. It shows a woman with the pale skin, high cheek bones and oval eyelids typical of the idealised portraits of noble women of the period. She is identifiable as the Magdalen from the jar of ointment placed in the foreground, which is her traditional attribute in Christian art. She is presented as completely absorbed in her reading, a model of the contemplative life, repentant and absolved of past sins. In Catholic tradition the Magdalen was conflated with both Mary of Bethany who anointed the feet of Jesus with oil and the unnamed "sinner" of Luke 7:36–50. Iconography of the Magdalen commonly shows her with a book, in a moment of reflection, in tears, or with eyes averted.
The church of Sant'Afra in Brescia, also known as the church of Sant'Afra in Sant'Eufemia, is located on Corso Magenta, near Piazzale Arnaldo.
The Altarpiece of Saint Barbara is a painting by Gonzalo Pérez in the Museu Nacional d'Art de Catalunya in Barcelona.
Brunnby Church is a medieval Lutheran church about 9 km (5.6 mi) north of Höganäs in southern Sweden. It belongs to the Diocese of Lund. The church is noted for its many 15th-century murals, attributed to the Helsingborg Workshop.
Kalix Church is a medieval Lutheran church in Kalix in Norrbotten County, Sweden. It belongs to the Diocese of Luleå. The church is the northernmost medieval church of Sweden.
Stenkumla Church is a medieval church in Stenkumla on the island of Gotland, Sweden. It belongs to the Diocese of Visby. During the Middle Ages, the church was dedicated to Saint Lawrence.
A winged altarpiece or winged retable is a special form of altarpiece, common in Northern and Central Europe, in which the central image, either a painting or relief sculpture can be hidden by hinged wings. It is called a triptych if there are two wings, a pentaptych if there are four, or a polyptych if there are four or more. The technical terms are derived from Ancient Greek: τρίς: trís or "triple"; πέντε: pénte or "five"; πολύς: polýs or "many"; and πτυχή: ptychē or "fold, layer".
The Kefermarkt altarpiece is an altarpiece in Late Gothic style in the parish church in Kefermarkt, Upper Austria. It was commissioned by the knight Christoph von Zelking and is estimated as finished in 1497. The richly decorated wooden altarpiece depicts the saints Peter, Wolfgang and Christopher in its central section. The side panels depict scenes from the life of Mary, and the altarpiece also has an intricate superstructure and two side figures showing saints George and Florian. The identity of its maker is unknown, but at least two skilled sculptors appear to have created the main statuary of the altarpiece. Throughout the centuries, the altarpiece has been altered and lost its original paint and gilding. A major restoration was made in the 19th century under the leadership of writer Adalbert Stifter. The altarpiece has been described as "one of the greatest achievements in late-medieval sculpture in the German-speaking area."
Pyhämaa is a village and a former municipality of Finland in the former Turku and Pori Province, now in the Finland Proper region. It was consolidated with the town of Uusikaupunki in 1974.