| Saint Francis of Assisi in Ecstasy | |
|---|---|
 The Prado work. | |
| Artist | El Greco |
| Year | c.1600 |
| Medium | oil on canvas |
Saint Francis of Assisi in Ecstasy is a lost painting by El Greco. A c.1600 work in the collection of the Museo del Prado (but hanging in the El Greco Museum, Toledo) was once thought to be the work itself, but is now thought to be an anonymous 17th century copy of it, a work by one of his followers or a work from his studio.
Other paintings of similar scenes, attributed to El Greco, include:
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Bartolomé Esteban Murillo was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times.
The Prado Museum, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to have one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish Royal Collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and it is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection.
Francisco de Zurbarán was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio," owing to the forceful use of chiaroscuro in which he excelled.
Alonso Sánchez Coello was an Iberian portrait painter of the Spanish and Portuguese Renaissance. He is mainly known for his portrait paintings executed in a style, which combines the objectivity of the Flemish tradition with the sensuality of Venetian painting. He was court painter to Philip II.
Saint Francis of Assisi in Ecstasy is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. It is held in the Wadsworth Atheneum, Hartford, Connecticut.
Lorenzo de Caro was an Italian painter, active in the late Baroque style in his native city of Naples.
The Ecstasy of St. Francis is a painting by Italian Renaissance master Giovanni Bellini, started in 1475 and completed around 1480. It is in the Frick Collection in New York City, displayed prominently in what was the living room of Henry Clay Frick, an American industrialist, financier, and art patron. The painting is oil on panel and shows the influence of Andrea Mantegna, who was the painter's brother-in-law. It is signed IOANNES BELLINVS on a small, creased tag visible in the lower left corner. The painting is now in the Frick Collection and it is considered to be one of its finest assets.
Mateo Cerezo, sometimes referred to as The Younger was a Spanish Baroque painter; known primarily for religious works and still-lifes.
The Lázaro Galdiano Museum is a museum located in Madrid, Spain. It houses the art collection of José Lázaro Galdiano.
Saint Luke is a painting by an artist known as El Greco. The painting is an oil on canvas created sometime around 1610-1614. It is currently held by the Indianapolis Museum of Art in Indianapolis, Indiana.
Saint Francis of Assisi Receiving the Stigmata is the name given to two unsigned paintings completed around 1428–1432 that art historians usually attribute to the Flemish artist Jan van Eyck. The panels are nearly identical, apart from a considerable difference in size. Both are small paintings: the larger measures 29.3 cm x 33.4 cm and is in the Sabauda Gallery in Turin, Italy; the smaller panel is 12.7 cm x 14.6 cm and in the Philadelphia Museum of Art. The earliest documentary evidence is in the 1470 inventory of Anselm Adornes of Bruges's will; he may have owned both panels.
The Doña María de Aragón Altarpiece was an altarpiece painted between 1596 and 1599 by El Greco for the chapel of the Colegio de la Encarnación de Madrid. There has been much speculation over which paintings belonged to the work. The consensus view is that it consisted of six large canvases and a seventh, now lost. Five of those six canvases are now in the Prado and the sixth is in the National Museum of Art of Romania in Bucharest.
Penitent Magdalene is a 1576–1578 painting by El Greco depicting Mary Magdalene, produced during his first period in Toledo and showing the major influence of Titian on him at that time. It is now in the Museum of Fine Arts in Budapest.
El Soplón or Boy Blowing on a Taper is a 1571-1572 oil on canvas painting by El Greco, produced during his stay in Rome and inspired by a passage in Pliny the Elder's Naturalis historia. It and Portrait of Giulio Clovio are among the first of his paintings of figures. He later re-used the figure for The Fable (1580).
Saint Anthony of Padua is a 1580 oil on canvas painting by El Greco, now in the Museo del Prado in Madrid.
The Tears of Saint Peter or Penitent Saint Peter is a 1580-1589 painting by El Greco, now in the Bowes Museum in Barnard Castle, UK. It shows Peter the Apostle weeping after his betrayal of Jesus.
The Tears of Saint Peter or Penitent Saint Peter is a c.1587-1596 painting by El Greco. It is similar to other works on the same subject by the artist, such as those in the Bowes Museum, the El Greco Museum, the national museum in Stockholm and others.
The Tears of Saint Peter, Penitent Saint Peter or St. Peter Repentant is a c.1590 painting by El Greco, now in the National Museum of Art, Architecture and Design in Oslo, Norway. Other variants of the work are in the Bowes Museum, the El Greco Museum, Museo Soumaya and others.
Saint Francis Receiving the Stigmata is a painting by Peter Paul Rubens, produced for the Franciscan monastic church in Ghent, probably part of a commission for three works for the same church - the others were St Mary Magdalene in Ecstasy and The Virgin Mary and Saint Francis Saving the World from Christ's Anger. It has been variously dated to around 1630 and to between 1615 and 1620. Frans Pilsen, Philippe Lambert, Joseph Spruyt and Willem Pieterszoon Buytewech all produced prints of it.
