The Salon of 1819 was an art exhibition held at the Louvre in Paris between 25 August and 30 September 1819. It was the largest Salon to be staged since the fall of Napoleon. [1] It took place during the Restoration era with Louis XVIII on the throne. It was the first to be held since the withdrawal of Allied Occupation forces from the country at the end of the previous year. The two officials behind the exhibition the Count Forbin and Vicomte de Senonnes set out to make it even more a celebration of the House of Bourbon that the previous Salon of 1817. [2]
More than thirteen hundred paintings were displayed at the Salon. [3] Over a hundred paintings were in the then fashionable Troubadour style including Roger Freeing Angelica by Jean-Auguste-Dominique Ingres. [4] Alexander the Great Visiting Apelles by Marie Nicolas Ponce-Camus was rejected from submission as the jury believed it alluded to a visit Napoleon had made to the studio of Jacques-Louis David during the Hundred Days. By contrast Horace Vernet's Massacre of the Mamelukes , taken to be a covert reference to the White Terror against Napoleon's supporters, was allowed to be displayed. [5] Vernet exhibited a number of works at the Salon including The Dog of the Regiment Wounded .
Louis Hersent produced a popular history painting Gustave Vasa. [6] Amongst others who exhibited was the rising star Ary Scheffer. [7] The standout work was The Raft of the Medusa by Théodore Géricault depicting the shipwreck of the frigate Medusa. [8]
Émile Jean-Horace Vernet more commonly known as simply Horace Vernet, was a French painter of battles, portraits, and Orientalist subjects.
Events in the year 1824 in Art.
Events in the year 1819 in Art.
Napoleon I on his Imperial Throne is an 1806 portrait of Napoleon I of France in his coronation costume, painted by the French painter Jean-Auguste-Dominique Ingres.
Joseph Vernet Tied to a Mast During a Storm is an 1822 history painting by the French artist Horace Vernet. It depicts a famous, possibly apocryphal, incident from the life of the artist's grandfather the marine painter Joseph Vernet who lashed himself to the mast of a ship in order to witness the effects of a storm. He had received a commission from Louis XV to paint a series of pictures depicting the ports of France and after departing Italy had run into a violent storm. As a rising artist Horace Vernet promoted his connection with his celebrated grandfather but quickly developed a reputation as a prolific and versatile painter in his own right.
The Battle of Jemmapes is an 1821 history painting by the French artist Horace Vernet. It depicts the Battle of Jemmapes fought on 6 November 1792 near Jemappes in modern-day Belgium. Stylistically it is part of the developing romantic movement in art.
L'Atelier is an 1821 painting by the French artist Horace Vernet. It depicts the interior of his Studio located on the Rue des Martyrs in Paris. It depicts Vernet in his studio with art students. The artist is shown fencing in the middle of the canvas, with an épée in one hand and a Palette in the other. To emphasise his lineage as a painter Vernet included a bust of his grandfather Joseph and a painting of his father Carle's painting The Triumph of Aemilius Paullus.
The Salon of 1824 was an art exhibition held at the Louvre in Paris between 25 August 1824 and 15 January 1825. It took place during the Restoration Era that followed the downfall of Napoleon's French Empire. At the time one of Europe's premier art exhibitions, the Salon was held roughly biennaly during the period. It was the first to be held since Charles X succeeded to the throne earlier the same year.
The Battle of Montmirail is an 1822 history painting by the French artist Horace Vernet. It depicts the 1814 Battle of Montmirail during the Napoleonic Wars. It was one of four battle scenes Vernet painted on a commission by the Duke of Orleans, a cousin of Louis XVIII and himself a future monarch of France. Vernet received a total of thirty eight thousand francs for the four works. It depicts the Battle Montmirail, one of the final victories of the French emperor Napoleon. Fought on 11 February 1814 during the Six Days' Campaign, Napoleon's success there ultimately didn't prevent the fall of Paris and his abdication two months later.
The Battle of Fontenoy is an 1828 history painting by the French artist Horace Vernet. It depicts the Battle of Fontenoy fought on the 11 May 1745 in modern-day Belgium. Part of the War of the Austrian Succession, Fontenoy was a notable French victory over Allied forces under the command of Duke of Cumberland.
Portrait of Louise Vernet is a c.1830 portrait painting by the French artist Horace Vernet depicting his daughter Louise Vernet. While Vernet was known for his battle and history paintings, he also produced a number of portraits during his career.
Napoleon's Tomb' is an 1821 oil painting by the French artist Horace Vernet. An allegory, it depicts the apotheosis of the former emperor of France Napoleon following his death in exile on the island of Saint Helena. Although in reality Napoleon was buried by a stream in the Valley of the Tomb on the island, Vernet depicts it as a dramatic promontory with the wreckage of nearby ship bearing the names of some of his most famous victories. To the left of the tomb generals Charles Tristan and Henri Gatien Bertrand and his family who had accompanied Napoleon into exile are mourning. To the right several of his dead former Marshals and troops are gathered to welcome him.
Portrait of Jérôme Bonaparte is an 1811 portrait painting by the French artist François Gérard depicting Jérôme Bonaparte, then the King of Westphalia. The younger brother of Napoleon, Emperor of France, he had been placed on the throne of the newly-created Kingdom in 1807 and held it until it was dissolved following the Battle of Leipzig in 1813. He is presented in coronation robes. The same year Gérard helped secure a commission for the young artist Horace Vernet to paint an equestrian portrait of Jérôme.
The Battle of Bouvines is an 1827 history painting by the French artist Horace Vernet. It depicts Philip II of France shortly before the Battle of Bouvines in 1214. A victory for Philip, the subsequent Truce of Chinon ended the Anglo-French War.
Louis-Philippe and His Sons Riding Out from Versailles is an 1846 oil-on-canvas painting by the French artist Horace Vernet. It features a group portrait of Louis Philippe I and his sons riding out from the Palace of Versailles. Versailles, once the residence of the House of Bourbon during the Ancien régime before the French Revolution, had been abandoned for several decades. During the July Monarchy Louis Philippe oversaw its restoration as a national museum. Vernet's painting commemorates its inauguration on 10 June 1837. The king rides out through the gates accompanied by his five sons the Duke of Orléans, the Duke of Nemours, the Prince of Joinville, the Duke of Aumale and the Duke of Montpensier. Orléans, the king's eldest son and heir, had subsequently died in a carriage accident in 1842.
Portrait of Marshal Saint-Cyr is an 1821 portrait painting by the French artist Horace Vernet. It depicts Laurent de Gouvion Saint-Cyr, a former Marshal of the Empire under Napoleon. In 1817 he was appointed as Minister of War during the post-war Restoration era.
The Death of Prince Poniatowski is an 1816 history painting by the French artist Horace Vernet. It depicts the death of the Polish general Józef Poniatowski at the Battle of Leipzig in October 1813. Recently promoted to the rank of Marshal of the Empire by Napoleon, Poniatowski was ordered to defend the city of Leipzig during the battle. He drowned in the River Elster after covering the chaotic attempt to break out following Napoleon's defeat.
The Battle of Hanau is an 1824 history painting by the French artist Horace Vernet. It depicts the Battle of Hanau fought at Hanau in Hesse in October 1813 during the Napoleonic Wars.
Massacre of the Mamelukes is an 1819 history painting by the French artist Horace Vernet. It depicts the massacre of the Mamelukes at the Citadel of Cairo in 1811, portraying a concluding moment in the first Egyptian Khedive Muhammad Ali's rise to power. It was an early Orientalist painting by Vernet, then known primarily for his scenes of the Napoleonic era. He would later produce a number of other works of North Africa, primarily featuring the French conquest of Algeria from 1830. Having order the massacre, Muhammad Ali sits calmly smoking his narguile as he watches the violence unfold. It may have been an indirect reference to the White Terror that followed the Second Bourbon Restoration in France following the Battle of Waterloo.
The Salon of 1831 was an art exhibition held at the Louvre in Paris between June and August 1831. It was the first Salon during the July Monarchy and the first to be held since the Salon of 1827, as a planned exhibition of 1830 was cancelled due to the French Revolution of 1830.