Émile Jean-Horace Vernet more commonly known as simply Horace Vernet, was a French painter of battles, portraits, and Orientalist subjects.
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free.
The Swing, also known as The Happy Accidents of the Swing, is an 18th-century oil painting by Jean-Honoré Fragonard in the Wallace Collection in London. It is considered to be one of the masterpieces of the Rococo era, and is Fragonard's best-known work.
A Boy Bringing Bread is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of The Wallace Collection, on display at East Galleries II in London. The painting was likely painted soon after De Hooch's arrival in Amsterdam from Delft in the early 1660s.
Marguerite Émilie Félecité Chalgrin was an aristocratic French painter who was executed by guillotine in 1794.
The Barrière de Clichy. Defence of Paris, 30 March 1814 is an oil-on-canvas painting by Horace Vernet from 1820. It shows a battle against Russian cossacks at the barrière de Clichy, highlighting the soldiers present but not engaged in fighting. Vernet's participation in this battle marked his only experience in active combat, which influenced his choice of subject matter for the remainder of his career.
The Battle of Friedland is an 1835 history painting by the French artist Horace Vernet. It depicts the Battle of Friedland fought on 14 June 1807 in East Prussia during the Napoleonic Wars. The battle was a decisive victory for French forces over their Russian enemies. At the subsequent Treaty of Tilsit, Napoleon was able to dictate peace terms to his beaten opponents. It is also sometimes known as Napoleon at the Battle of Friedland.
Allan M'Aulay is an 1823 painting by the French artist Horace Vernet. The work was inspired by Scottish author Sir Walter Scott's 1819 novel A Legend of Montrose. It depicts the character of Allan M'Aulay. Allan M'Aulay Is shown carrying the severed head of his enemy Hector, killed in revenge for the murder of his own uncle.
Joseph Vernet Tied to a Mast During a Storm is an 1822 history painting by the French artist Horace Vernet. It depicts a famous, possibly apocryphal, incident from the life of the artist's grandfather the marine painter Joseph Vernet who lashed himself to the mast of a ship in order to witness the effects of a storm. He had received a commission from Louis XV to paint a series of pictures depicting the ports of France and after departing Italy had run into a violent storm. As a rising artist Horace Vernet promoted his connection with his celebrated grandfather but quickly developed a reputation as a prolific and versatile painter in his own right.
The Battle of Jemmapes is an 1821 history painting by the French artist Horace Vernet. It depicts the Battle of Jemmapes fought on 6 November 1792 near Jemappes in modern-day Belgium. Stylistically it is part of the developing romantic movement in art.
L'Atelier is an 1821 painting by the French artist Horace Vernet. It depicts the interior of his Studio located on the Rue des Martyrs in Paris. It depicts Vernet in his studio with art students. The artist is shown fencing in the middle of the canvas, with an épée in one hand and a Palette in the other. To emphasise his lineage as a painter Vernet included a bust of his grandfather Joseph and a painting of his father Carle's painting The Triumph of Aemilius Paullus.
The Battle of Valmy is an 1826 history painting by the French artist Horace Vernet. It depicts the Battle of Valmy, one of the earliest battles of the French Revolutionary Wars fought on 20 September 1792. The revolutionary French troops defeated an advance by a coalition of Foreign forces under the command of the Duke of Brunswick.
The Battle of Montmirail is an 1822 history painting by the French artist Horace Vernet. It depicts the 1814 Battle of Montmirail during the Napoleonic Wars. It was one of four battle scenes Vernet painted on a commission by the Duke of Orleans, a cousin of Louis XVIII and himself a future monarch of France. Vernet received a total of thirty eight thousand francs for the four works. It depicts the Battle Montmirail, one of the final victories of the French emperor Napoleon. Fought on 11 February 1814 during the Six Days' Campaign, Napoleon's success there ultimately didn't prevent the fall of Paris and his abdication two months later.
The Siege of Antwerp is an 1840 history painting by the French artist Horace Vernet. It depicts the 1832 Siege of Antwerp when the French Army of the North besieged and captured the Dutch-held Antwerp Citadel in Belgium. The concluding stage of the Belgian Revolution it was a major foreign policy boost for the new July Monarchy of Louis Philippe I. The painting shows Marshal Gérard order the assault on the Citadel. He is accompanied by the Duke of Orléans and the Duke of Nemours, the two eldest sons of the king. To the left a group of soldiers drink and warm themselves by a fire while to the right a cantinière treats wounded troops.
The Battle of Fontenoy is an 1828 history painting by the French artist Horace Vernet. It depicts the Battle of Fontenoy fought on the 11 May 1745 in modern-day Belgium. Part of the War of the Austrian Succession, Fontenoy was a notable French victory over Allied forces under the command of Duke of Cumberland.
Portrait of Louise Vernet is a c.1830 portrait painting by the French artist Horace Vernet depicting his daughter Louise Vernet. While Vernet was known for his battle and history paintings, he also produced a number of portraits during his career.
Napoleon's Tomb' is an 1821 oil painting by the French artist Horace Vernet. An allegory, it depicts the apotheosis of the former emperor of France Napoleon following his death in exile on the island of Saint Helena. Although in reality Napoleon was buried by a stream in the Valley of the Tomb on the island, Vernet depicts it as a dramatic promontory with the wreckage of nearby ship bearing the names of some of his most famous victories. To the left of the tomb generals Charles Tristan and Henri Gatien Bertrand and his family who had accompanied Napoleon into exile are mourning. To the right several of his dead former Marshals and troops are gathered to welcome him.
Portrait of Jérôme Bonaparte is an 1811 portrait painting by the French artist François Gérard depicting Jérôme Bonaparte, then the King of Westphalia. The younger brother of Napoleon, Emperor of France, he had been placed on the throne of the newly-created Kingdom in 1807 and held it until it was dissolved following the Battle of Leipzig in 1813. He is presented in coronation robes. The same year Gérard helped secure a commission for the young artist Horace Vernet to paint an equestrian portrait of Jérôme.
Portrait of Carle Vernet is an 1804 portrait painting by the French artist Robert Lefèvre depicting his fellow painter Carle Vernet.
Raphael at the Vatican is an 1832 history painting by the French artist Horace Vernet. It depicts an encounter in Rome between the Renaissance artists Raphael and Michelangelo. It was inspired by a passage in the biography of Raphael written by Quatremère de Quincy. Raphael is shown at a makeshift easel drawing a peasant woman with her child and surrounded by a crowd of attentive students while Michelangelo is shown in the bottom left corner. Above them are Pope Julius II and Leonardo da Vinci.
