Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.
Émile Jean-Horace Vernet more commonly known as simply Horace Vernet, was a French painter of battles, portraits, and Orientalist subjects.
Jean-Louis André Théodore Géricault was a French painter and lithographer, whose best-known painting is The Raft of the Medusa. Despite his short life, he was one of the pioneers of the Romantic movement.
Pierre-Narcisse, baron Guérin was a French painter born in Paris.
Jean-Marc Nattier was a French painter. He was born in Paris, the second son of Marc Nattier (1642–1705), a portrait painter, and of Marie Courtois (1655–1703), a miniaturist. He is noted for his portraits of the ladies of King Louis XV's court in classical mythological attire.
Antoine Coypel was a French painter, pastellist, engraver, decorative designer and draughtsman. He became court painter first to Philippe I, Duke of Orléans, and later to King Louis XV. He became director of the Académie Royale. He was given the title of Garde des tableaux et dessins du roi, a function which combined the role of director and curator of the king's art collection. He was raised to the nobility by the French king. He is known for his history paintings, biblical, mythological and allegorical works, portraits and genre scenes.
Claude-Joseph Vernet was a French painter. His son, Antoine Charles Horace Vernet, was also a painter.
Hippolyte-Paul Delaroche was a French painter who achieved his greater successes painting historical scenes. He became famous in Europe for his melodramatic depictions that often portrayed subjects from English and French history. The emotions emphasised in Delaroche's paintings appeal to Romanticism while the detail of his work along with the deglorified portrayal of historic figures follow the trends of Academicism and Neoclassicism. Delaroche aimed to depict his subjects and history with pragmatic realism. He did not consider popular ideals and norms in his creations, but rather painted all his subjects in the same light whether they were historical figures like Marie-Antoinette, figures of Christianity, or people of his time like Napoleon Bonaparte. Delaroche was a leading pupil of Antoine-Jean Gros and later mentored a number of notable artists such as Thomas Couture, Jean-Léon Gérôme, and Jean-François Millet.
Eugène Louis Lami was a French painter and lithographer. He was a painter of fashionable Paris during the period of the July Monarchy and the Second French Empire and also made history paintings and illustrations for books such as Gil Blas and Manon Lescaut.
Thomas Jones Barker was an English historical, military, and portrait painter.
Alfred Jacob Miller was an American artist best known for his paintings of trappers and Native Americans in the fur trade of the western United States. He also painted numerous portraits and genre paintings in and around Baltimore during the mid-nineteenth century.
Marguerite Émilie Félecité Chalgrin was an aristocratic French painter who was executed by guillotine in 1794.
The Barrière de Clichy. Defence of Paris, 30 March 1814 is an oil-on-canvas painting by Horace Vernet from 1820. It shows a battle against Russian cossacks at the barrière de Clichy, highlighting the soldiers present but not engaged in fighting. Vernet's participation in this battle marked his only experience in active combat, which influenced his choice of subject matter for the remainder of his career.
The Battle of Friedland is an 1835 history painting by the French artist Horace Vernet. It depicts the Battle of Friedland fought on 14 June 1807 in East Prussia during the Napoleonic Wars. The battle was a decisive victory for French forces over their Russian enemies. At the subsequent Treaty of Tilsit, Napoleon was able to dictate peace terms to his beaten opponents. It is also sometimes known as Napoleon at the Battle of Friedland.
Joseph Vernet Tied to a Mast During a Storm is an 1822 history painting by the French artist Horace Vernet. It depicts a famous, possibly apocryphal, incident from the life of the artist's grandfather the marine painter Joseph Vernet who lashed himself to the mast of a ship in order to witness the effects of a storm. He had received a commission from Louis XV to paint a series of pictures depicting the ports of France and after departing Italy had run into a violent storm. As a rising artist Horace Vernet promoted his connection with his celebrated grandfather but quickly developed a reputation as a prolific and versatile painter in his own right.
The Battle of Jemmapes is an 1821 history painting by the French artist Horace Vernet. It depicts the Battle of Jemmapes fought on 6 November 1792 near Jemappes in modern-day Belgium. Stylistically it is part of the developing romantic movement in art.
L'Atelier is an 1821 painting by the French artist Horace Vernet. It depicts the interior of his Studio located on the Rue des Martyrs in Paris. It depicts Vernet in his studio with art students. The artist is shown fencing in the middle of the canvas, with an épée in one hand and a Palette in the other. To emphasise his lineage as a painter Vernet included a bust of his grandfather Joseph and a painting of his father Carle's painting The Triumph of Aemilius Paullus.
The Battle of Valmy is an 1826 history painting by the French artist Horace Vernet. It depicts the Battle of Valmy, one of the earliest battles of the French Revolutionary Wars fought on 20 September 1792. The revolutionary French troops defeated an advance by a coalition of Foreign forces under the command of the Duke of Brunswick.
The Battle of Montmirail is an 1822 history painting by the French artist Horace Vernet. It depicts the 1814 Battle of Montmirail during the Napoleonic Wars. It was one of four battle scenes Vernet painted on a commission by the Duke of Orleans, a cousin of Louis XVIII and himself a future monarch of France. Vernet received a total of thirty eight thousand francs for the four works. It depicts the Battle Montmirail, one of the final victories of the French emperor Napoleon. Fought on 11 February 1814 during the Six Days' Campaign, Napoleon's success there ultimately didn't prevent the fall of Paris and his abdication two months later.
The Battle of Fontenoy is an 1828 history painting by the French artist Horace Vernet. It depicts the Battle of Fontenoy fought on the 11 May 1745 in modern-day Belgium. Part of the War of the Austrian Succession, Fontenoy was a notable French victory over Allied forces under the command of Duke of Cumberland.
