Judah and Tamar | |
---|---|
Artist | Horace Vernet |
Year | 1840 |
Type | Oil on canvas |
Dimensions | 129 cm× 97.5 cm(51 in× 38.4 in) |
Location | Wallace Collection, London |
Judah and Tamar is an 1840 oil painting by the French artist Horace Vernet. It portrays a biblical scene featuring the windowed Tamar who seduces her father-in-law Judah while disguised as a prostitute. [1] Vernet was inspired by his trips to recently conquered Algeria to paint biblical scenes featuring Arabs. [2]
Vernet exhibited the work at the Salon of 1843 at the Louvre in Paris. Today it is in the Wallace Collection in London, having been acquired by Marquess of Hertford in 1865. [3]
Joseph Vernet Tied to a Mast During a Storm is an 1822 history painting by the French artist Horace Vernet. It depicts a famous, possibly apocryphal, incident from the life of the artist's grandfather the marine painter Joseph Vernet who lashed himself to the mast of a ship in order to witness the effects of a storm. He had received a commission from Louis XV to paint a series of pictures depicting the ports of France and after departing Italy had run into a violent storm. As a rising artist Horace Vernet promoted his connection with his celebrated grandfather but quickly developed a reputation as a prolific and versatile painter in his own right.
The Battle of Jemapes is an 1821 history painting by the French artist Horace Vernet. It depicts the Battle of Jemmapes fought on 6 November 1792 near Jemappes in modern-day Belgium. Stylistically it is part of the developing romantic movement in art.
L'Atelier is an 1821 painting by the French artist Horace Vernet. It depicts the interior of his Studio located on the Rue des Martyrs in Paris. It depicts Vernet in his studio with art students. The artist is shown fencing in the middle of the canvas, with an épée in one hand and a Palette in the other. To emphasise his lineage as a painter Vernet included a bust of his grandfather Joseph and a painting of his father Carle's painting The Triumph of Aemilius Paullus.
The Salon of 1824 was an art exhibition held at the Louvre in Paris between 25 August 1824 and 15 January 1825. It took place during the Restoration Era that followed the downfall of Napoleon's French Empire. At the time one of Europe's premier art exhibitions, the Salon was held roughly biennaly during the period. It was the first to be held since Charles X succeeded to the throne earlier the same year.
The Battle of Montmirail is an 1822 history painting by the French artist Horace Vernet. It depicts the 1814 Battle of Montmirail during the Napoleonic Wars. It was one of four battle scenes Vernet painted on a commission by the Duke of Orleans, a cousin of Louis XVIII and himself a future monarch of France. Vernet received a total of thirty eight thousand francs for the four works. It depicts the Battle Montmirail, one of the final victories of the French emperor Napoleon. Fought on 11 February 1814 during the Six Days' Campaign, Napoleon's success there ultimately didn't prevent the fall of Paris and his abdication two months later.
Portrait of Louise Vernet is a c.1830 portrait painting by the French artist Horace Vernet depicting his daughter Louise Vernet. While Vernet was known for his battle and history paintings, he also produced a number of portraits during his career.
Napoleon's Tomb is an 1821 oil painting by the French artist Horace Vernet. An allegory, it depicts the apotheosis of the former emperor of France Napoleon following his death in exile on the island of Saint Helena.
Portrait of Jérôme Bonaparte is an 1811 portrait painting by the French artist François Gérard depicting Jérôme Bonaparte, then the King of Westphalia. The younger brother of Napoleon, Emperor of France, he had been placed on the throne of the newly-created Kingdom in 1807 and held it until it was dissolved following the Battle of Leipzig in 1813. He is presented in coronation robes. The same year Gérard helped secure a commission for the young artist Horace Vernet to paint an equestrian portrait of Jérôme.
Raphael at the Vatican is an 1832 history painting by the French artist Horace Vernet. It depicts an encounter in Rome between the Renaissance artists Raphael and Michelangelo. It is in the collection of the Louvre, in Paris.
The Dog of the Regiment Wounded is a 1819 oil painting by the French artist Horace Vernet. It shows a battle scene from the Napoleonic Wars in which a dog, a regimental mascot, has been wounded in the fighting and is being treated by two French bandsman, a bugler of the voltigeurs and a drummer of the grenadiers.
Edith Recovering Harold's Body after the Battle of Hastings is an 1827 history painting by the French artist Horace Vernet. It depicts the aftermath of the Battle of Hastings in 1066 during the Norman Conquest of England, where the English monarch Harold Godwinson was defeated and killed in the fighting.
The Battle of Hanau is an 1824 history painting by the French artist Horace Vernet. It depicts the Battle of Hanau fought at Hanau in Hesse in October 1813 during the Napoleonic Wars.
Massacre of the Mamelukes is an 1819 history painting by the French artist Horace Vernet.
Duck Shooting is an 1824 genre painting by the French artist Horace Vernet. It pays homage to the artist's father Carle Vernet who was very influenced by British sporting paintings and prints. It depicts a duck hunt in the marshes. Vernet often made reference to the works of his father and grandfather Joseph Vernet, both noted painters. It was exhibited at the Salon of 1824 in Paris along with its pendant piece The Quarry. Both paintings are now in the Wallace Collection in London.
The Salon of 1831 was an art exhibition held at the Louvre in Paris between June and August 1831. It was the first Salon during the July Monarchy and the first to be held since the Salon of 1827, as a planned exhibition of 1830 was cancelled due to the French Revolution of 1830.
The Salon of 1834 was an art exhibition held at the Louvre in Paris, which opened on 6 March 1834. It marked a shift to annual exhibitions of the Paris Salon which had previously taken place every two or three years. It was held during the July Monarchy of Louis Philippe I. The paintings on display reflected patriotic themes of the constitutional monarchy and was followed by the Salon of 1835
The Salon of 1835 was an art exhibition held at the Louvre in Paris. It was staged during the July Monarchy and was part of the tradition of Salons dating back to the seventeenth century. Since the Salon of 1833 the exhibitions were held annually.
The Salon of 1836 was an art exhibition held at the Louvre in Paris. Since 1833 the Salon had been held annually, featuring paintings, sculptures and other works of art. It was followed by the Salon of 1837.
The Wounded Trumpeter is a 1819 oil painting by the French artist Horace Vernet. It depicts a scene from the Napoleonic Wars. A trumpeter of the First Hussar Regiment lays wounded while both his horse and a dog show concern for the wounded soldier.
Conrad the Corsair is an 1824 oil painting by the French artist Horace Vernet. Inspired by Lord Byron's 1814 poem The Corsair it depicts Conrad, a pirate notorious across the Aegean Sea seated in a cave as two of his men approach. Along with Walter Scott, Byron was a popular literary source for younger French painters, particularly those in the romantic movement. Vernet was the first French artist to depict scenes from Byron's works.