Drummer (military)

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Steady the Drums and Fifes by Lady Elizabeth Butler depicts drummers and fifers at the Battle of Waterloo Lady Elizabeth Butler - steady the drums and fifes.jpg
Steady the Drums and Fifes by Lady Elizabeth Butler depicts drummers and fifers at the Battle of Waterloo
The Spirit of '76 by Archibald Willard, one of many depictions in 19th-century art of drummer boys in heroic or sentimental contexts Sprit of '76.2.jpeg
The Spirit of '76 by Archibald Willard, one of many depictions in 19th-century art of drummer boys in heroic or sentimental contexts

A drummer was responsible for the army drums for use on the battlefield. Drums were part of the battlefield for hundreds of years, being introduced by the Ottomans to Europe. Chinese armies, however, had used drums even before this. With the professionalization of armies, military music was developed as well. Drums were used for the men to march in step and were also an important part of the battlefield communications system, with various drum rudiments being used to signal different commands from officers to troops. [1] By the second half of the 18th century, most (if not all) Western armies had a standardized set of marches and signals to be played, often accompanied by fifers.

Contents

The idea of the "Drummer Boy"

The romantic idea about drummers is that they were young boys (for instance the Christmas carol "The Little Drummer Boy", or the painting "Steady the Drums and Fifes"). The fact, though, is that drummers were more often adult men, recruited like the common soldiers. Fifers, on the other hand, being not an official part of the regiments early on, were usually recruited from young boys. During the second half of the 19th century, it was accepted in many western armies that under aged boys served as drummers.

Although there were usually official age limits, these were often ignored; the youngest boys were sometimes treated as mascots by the adult soldiers. The life of a drummer boy appeared rather glamorous and as a result, boys would sometimes run away from home to enlist. [2] Other boys may have been the sons or orphans of soldiers serving in the same unit. [3] The image of a small child in the midst of battle was seen as deeply poignant by 19th-century artists, and idealized boy drummers were frequently depicted in paintings, sculpture and poetry. [4]

Notable drummer boys

Death of Joseph Bara by Charles Moreau-Vauthier MortdeJosephBara.jpg
Death of Joseph Bara by Charles Moreau-Vauthier
Battle of Balaclava Drummer Boy, an 1854 painting by English artist Richard Buckner Richard Buckner - Battle of Balaclava Drummer Boy.jpg
Battle of Balaclava Drummer Boy, an 1854 painting by English artist Richard Buckner
A statue depicting Andre Estienne, the "little drummer of Arcole", in his home town of Cadenet Cadenet - Au Tambour d'Arcole.JPG
A statue depicting André Estienne, the "little drummer of Arcole", in his home town of Cadenet
Drummer boy John Clem during the American Civil War Child soldier in the US Civil War.jpg
Drummer boy John Clem during the American Civil War

Nathan Futrell (1773–1829) was said to have been the youngest drummer boy in the American War of Independence; he joined the North Carolina Continental Militia at the age of 7.

In 1793, Joseph Bara, a 14-year-old French Republican drummer at the time of the War in the Vendée, was killed by royalist counter-revolutionaries, supposedly while he was shouting "Long live the Republic!". His body was interred at the Panthéon along with other national heroes. [5]

André Estienne was a drummer with Napoleon Bonaparte's army at the Battle of the Bridge of Arcole in 1796, where he led his battalion across a river while holding his drum over his head, and on reaching the far bank, beat the "charge". This led to the capture of the bridge and the rout of the Austrian army. Despite being 19 years old, he became famous as Le Petit Tambour d'Arcole (French : The Little Drummer of Arcole), and is depicted in the Panthéon in Paris and on the Arc de Triomphe, also in paintings by Charles Thévenin and Horace Vernet. [6]

On 19 April 1855, at the Siege of Sevastopol during the Crimean War, there was a bayonet attack by the British 77th Regiment of Foot on some rifle pits which the Russians were using to snipe at British positions. Accompanying the attack was an unnamed drummer boy of the 77th, who seeing a Russian boy trumpeter trying to escape, caught hold of him and beat him with his fists "in truly British fashion" until he surrendered. The boy presented the Russian trumpet to Sir George Brown and he was later rewarded by General Lord Raglan, the British commander. [7]

At the Siege of Lucknow during the Indian Rebellion of 1857, 12-year-old Drummer Ross of the 93rd Highlanders signalled the arrival of his regiment to the besieged garrison, by climbing the spire of the Shah Najaf Mosque and playing the regimental march on his bugle, while under heavy fire from the rebel forces. [8]

On 28 November 1857 at the Second Battle of Cawnpore, 15-year-old Thomas Flynn, a drummer with the 64th Regiment of Foot, was awarded the Victoria Cross. "During a charge on the enemy's guns, Drummer Flynn, although wounded himself, engaged in a hand-to-hand encounter with two of the rebel artillerymen". He remains the youngest recipient of the medal. [9]

The night guard (including, in the foreground, a young drummer wearing a laced tunic and carrying a bugle) arriving at the Bank of England, 1906 Bank of England (14167257336).jpg
The night guard (including, in the foreground, a young drummer wearing a laced tunic and carrying a bugle) arriving at the Bank of England, 1906

Thirteen-year-old Charles Edwin King was the youngest soldier killed in the entire American Civil War (1861–1865). Charles enlisted in the 49th Pennsylvania Volunteer Infantry with the reluctant permission of his father at the age of 12 years, 5 months and 9 days. On September 17, 1862 at the Battle of Antietam he was mortally wounded near or in the area of the East Woods, carried from the field and died three days later.

Twelve-year-old drummer boy William Black was the youngest recorded person wounded in battle during the American Civil War.

John Clem, who had unofficially joined a Union Army regiment at the age of 9 as a drummer and mascot, became famous as "The Drummer Boy of Chickamauga" where he played a "long roll" and shot a Confederate officer who had demanded his surrender.

An 11-year-old drummer in the Confederate Orphan Brigade, known only as "Little Oirish", was credited with rallying troops at the Battle of Shiloh by taking up the regimental colors at a critical moment. [10]

Decline

The Last Stand at Isandlwana by Charles Edwin Fripp shows a small drummer boy in the ranks, despite the youngest soldier present being over 16 years old Isandhlwana.jpg
The Last Stand at Isandlwana by Charles Edwin Fripp shows a small drummer boy in the ranks, despite the youngest soldier present being over 16 years old

The use of drums beyond the parade ground declined rapidly as the 19th century progressed, being replaced by the bugle in the signalling role, although it was often the drummers who were required to play them. A widely reported incident at the Battle of Isandlwana during the Anglo-Zulu War of 1879, spelled the end of boys being sent on active service by the British Army. Part of the British force returned to their camp at night to find that it had been overrun by the Zulu army a few hours previously. An eyewitness reported that "Even the little drummer boys that we had in the band, they were hung up on hooks, and opened like sheep. It was a pitiful sight". Doubt has since been cast on this account, since the youngest drummer to be killed was 18, and the youngest boy present was 16. [11] Despite this, Charles Edwin Fripp's famous painting, The Last Stand at Isandlwana, shows a small blond-haired boy amongst the adult soldiers. [12] The US Army kept drummers and fifers with the infantry, until they were finally abolished in the field in 1917. Drums, like other instruments, were now only used for parades and ceremonies.

See also

Related Research Articles

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<span class="mw-page-title-main">Battle of Rorke's Drift</span> 1879 battle in the Anglo-Zulu War

The Battle Rorke's Drift, also known as the Defence of Rorke's Drift, was an engagement in the Anglo-Zulu War. The successful British defence of the mission station of Rorke's Drift, under the command of Lieutenants John Chard of the Royal Engineers and Gonville Bromhead, of the 24th Regiment of Foot began once a large contingent of Zulu warriors broke off from the main force during the final hour of the British defeat at the day-long Battle of Isandlwana on 22 January 1879, diverting 6 miles (9.7 km) to attack Rorke's Drift later that day and continuing into the following day.

<span class="mw-page-title-main">Fife (instrument)</span> Woodwind musical instrument

A fife is a small, high-pitched, transverse aerophone, that is similar to the piccolo. The fife originated in medieval Europe and is often used in fife and drum corps, military units, and marching bands. Someone who plays the fife is called a fifer. The word fife comes from the German Pfeife, meaning pipe, which comes from the Latin word pipare.

<span class="mw-page-title-main">Battle of Isandlwana</span> 1879 battle of the Anglo-Zulu War

The Battle of Isandlwana on 22 January 1879 was the first major encounter in the Anglo-Zulu War between the British Empire and the Zulu Kingdom. Eleven days after the British invaded Zululand in Southern Africa, a Zulu force of some 20,000 warriors attacked a portion of the British main column consisting of approximately 1,800 British, colonial and native troops with approximately 350 civilians. The Zulus were equipped mainly with the traditional assegai iron spears and cow-hide shields, but also had a number of muskets and antiquated rifles.

<i>Zulu</i> (1964 film) 1964 film by Cy Endfield

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<span class="mw-page-title-main">Frederic Thesiger, 2nd Baron Chelmsford</span> British Army officer (1827–1905)

General Frederic Augustus Thesiger, 2nd Baron Chelmsford, was a British Army officer who rose to prominence during the Anglo-Zulu War, when an expeditionary force under his command suffered a decisive defeat at the hands of a Zulu force at the Battle of Isandlwana in 1879. Despite this defeat, he was able to score several victories against the Zulus, culminating in the British victory at the Battle of Ulundi, which ended the war and partly restored his reputation in Britain.

<span class="mw-page-title-main">Fife and drum corps</span> Military musical ensemble

A fife and drum corps is a musical ensemble consisting of fifes and drums. In the United States of America, fife and drum corps specializing in colonial period impressions using fifes, rope tension snare drums and rope tension bass drums are known as Ancient Fife and Drum Corps. Many of these ensembles originated from a type of military field music.

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<span class="mw-page-title-main">Fifer</span>

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<span class="mw-page-title-main">Corps of drums</span> Army unit

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References

  1. U.S. Civil War History & Genealogy – The Drummer Boys Archived 2021-05-14 at the Wayback Machine , genealogyforum.com
  2. Albert A. Nofi, A Civil War Treasury: Being a Miscellany of Arms and Artillery, Facts and Figures, Legends and Lore Da Capo Press 1992 (p.107)
  3. Richard Holmes, Soldiers: Army Lives and Loyalties from Redcoats to Dusty Warriors, Harper Press 2011 (p.275)
  4. J. W. M. Hichberger, Images of the Army: The Military in British Art, 1815–1914, Manchester University Press 1988, ISBN   0-7190-2575-3 (p.101)
  5. Dupuy, Pascal, La Mort de Bara http://www.histoire-image.org L’Histoire par l’image (in French). Retrieved: 19 January 2015
  6. Fondation Napoléon – Honorary drumsticks presented to the drummer of Arcole Archived May 28, 2012, at the Wayback Machine
  7. Thomas Carter, Medals of the British Army: and How They Were Won: Volume 1, Groombridge and Son, London 1861 (p.77)
  8. Holmes, (p.275)
  9. "Athlone Heritage – Drummer Thomas Flynn VC". Archived from the original on 2011-10-08. Retrieved 2013-02-06.
  10. Nofi, (p.108)
  11. Ian Knight, Zulu Rising: The Epic Story of iSandlwana and Rorke's Drift, Pan Books 2011 ISBN   978-0330445931
  12. Ian Knight, Isandlwana 1879: The Great Zulu Victory, Osprey Publishing Limited 2002, ISBN   1-84176-511-2 (p.64)